Today is Sophie Matthews’s sixteenth birthday party, an exclusive black-tie bash in the heart of the Texas Hill Country, where secrets are as deep-rooted as the sprawling live oaks. Sophie's dad has spared no expense, and his renovated cliffside mansion—once thought haunted and shuttered for years from outsiders—is now open for the event of the season. Then, just before the candles on the three-tiered cake are blown out, a body falls from the balcony onto the starlit dance floor below.

Thom and Wendy Graves have been married for over twenty-five years. They live in a beautiful Victorian on the north shore of Massachusetts. Wendy is a published poet and Thom teaches English literature at a nearby university. Their son, Jason, is all grown up. All is well…except that Wendy wants to murder her husband.

In the glow of their children’s exciting first year of college at a small private school in Northern California, five families plan on a night of dinner and cocktails for the opening festivities of Parents Weekend. As the parents stay out way past their bedtimes, their kids—five residents of Campisi Hall—never show up at dinner.

Annabelle Reynolds has everything she’s ever wanted. A devoted husband, two wonderful daughters, and a career she loves. She couldn’t be happier. So why is she suddenly plagued by disturbing dreams of a future where she hates her husband and her daughters’ lives are at risk? At first, she chalks the dreams up to an overactive imagination. But when details from her dreams, details she couldn’t possibly have predicted, begin to materialize, she realizes these aren’t just dreams but rather premonitions of a terrifying future.

Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her eighteenth birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist... until an unexpected call from her father forces her to come back home and face it all anew.

Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she’s a mess. She knows that stalking her ex’s avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she’s out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront.

The Ophelia is your typical billionaire yacht: ridiculously luxurious, owned by a ruthless money man, and staffed by a crew whose only job is to indulge the guests’ every wish. Model-gorgeous Sasha is a last-minute hire for a weeklong Atlantic crossing. She joins fellow stewardesses Jade, Imogen, Euphemia, and Lola. The Ophelia’s stewardesses are almost identical—blonde and model-gorgeous—and all were lured to the Ophelia by high wages and a chance to leave their problems behind when they set sail.

When thirty-four-year-old Cath loses her mostly absentee mother, she is ambivalent. With days of quiet, unassuming routine in Buffalo, New York, Cath consciously avoids the impulsive, thrill-seeking lifestyle that her mother once led. But when she’s forced to go through her mother’s things one afternoon, Cath is perplexed to find tickets for an upcoming “murder week” in England’s Peak District: a whole town has come together to stage a fake murder mystery to attract tourism to their quaint hamlet.

It was the Crime of the Decade. Pathological sibling rivalry. Bitter, all-consuming envy. Whatever the cause—and everyone has an opinion—it led Georgia Cartwright who was adopted as a newborn, to kill the younger, biological daughter of her wealthy, socially prominent family. Georgia is being kept at an institution where the most violent offenders are held while she waits to see if she is ruled not guilty by reason of insanity.

As a college English professor, Elizabeth looks forward to the start of each new semester teaching her creative writing seminar. At least until she reads chapter one of The Reckoning, a tale about a high school senior who has an affair with her teacher. To anyone else it would be the beginning of a great page-turner, but to Elizabeth it is the beginning of the end. She knows this story. It’s all familiar because she lived it. The girl in the story was her best friend Jocelyn, and Elizabeth knows exactly how the story will end—with the professor dead. Because she was the one who killed him.

When Cyra Griffin’s younger sister is murdered by a serial killer, Cyra knows better than to expect justice from the hands of the police department. With the investigation already dying its own slow death, Cyra follows the blood trail and finds her own way forward. Using insider information (don’t ask), Cyra infiltrates a support group for serial killers by pretending to be one herself in the hopes of finding the person who ended her sister’s life. Proving herself to them comes at a cost, but it’s one Cyra is willing to pay in the name of revenge.

Four years after their bitter divorce, Claire and Aaron Litvak get a phone call no parent is prepared for: their 22-year-old daughter Lindsey, teaching English in China during a college gap year, has been critically injured in a hit and run accident. At a Shanghai hospital they wait at her bedside, hoping for the best and preparing for the worst.

The Labasques aren’t like other families. Living in a shack out in the swamps, they made do by hunting down alligators and other animals. To the good people of Jacknife, Louisiana, they are troublemakers and outcasts, the kind of people you wouldn’t want in your community. So, when Cutter Labasque is found face down in the muddy swamp, no one seems to care, not even her two brothers. The only person who questions the official verdict of suicide is Cutter’s childhood friend, Loyal May, who has just returned home to care for her mother.

Two sisters on trial for murder. They accuse each other. Who do you believe? From Steve Cavanagh, the “wickedly clever” (The New York Times) master of twisty psychological thrillers.

A singular, extraordinary debut about Zoe and Jack, Harvard students who find themselves propelled into the intoxicating biotech startup world when they announce they’ve discovered the cure for aging. A different kind of love story where the thirst for achievement consumes and the stakes are forever.