Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Bret Ellis, the narrator of Lunar Park, is the bestselling writer whose first novel Less Than Zero catapulted him to international stardom while he was still in college. In the years that followed he found himself adrift in a world of wealth, drugs, and fame, as well as dealing with the unexpected death of his abusive father.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

Hannibal Lecter emerges from the nightmare of the Eastern Front, a boy in the snow, mute, with a chain around his neck. He seems utterly alone, but he has brought his demons with him. Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki. But Hannibal’s demons visit him and torment him. When he is old enough, he visits them in turn. He discovers he has gifts beyond the academic, and in that epiphany, Hannibal Lecter becomes death’s prodigy.

When Dr. Louis Creed takes a new job and moves his family to the idyllic, rural town of Ludlow, Maine, this new beginning seems too good to be true. Yet despite Ludlow's tranquility, there's an undercurrent of danger that lingers...like the graveyard in the woods near the Creeds' home, where generations of children have buried their beloved pets.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Four decades after it first shook the nation, then the world, William Peter Blatty's thrilling masterwork of faith and demonic possession returns in an even more powerful form. Raw and profane, shocking and blood-chilling, it remains a modern parable of good and evil and perhaps the most terrifying novel ever written.

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

It was a dark and stormy night when Mary Crane glimpsed the unlit neon sign announcing the vacancy at the Bates Motel. Exhausted, lost, and at the end of her rope, she was eager for a hot shower and a bed for the night. Her room was musty, but clean, and the manager seemed nice, if a little odd.

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.

Once every year, Scoutmaster Tim Riggs leads a troop of boys into the Canadian wilderness for a weekend camping trip - a tradition as comforting and reliable as a good ghost story around a roaring bonfre. The boys are a tight-knit crew. There’s Kent, one of the most popular kids in school; Ephraim and Max, also well-liked and easygoing; then there’s Newt the nerd and Shelley the odd duck. For the most part, they all get along and are happy to be there - which makes Scoutmaster Tim’s job a little easier.

Meet Dexter Morgan, a polite wolf in sheep’s clothing. He’s handsome and charming, but something in his past has made him abide by a different set of rules. He’s a serial killer whose one golden rule makes him immensely likable: he only kills bad people.

By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess. By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes. But when Gideon Green—her best friend’s brother—moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet. Untethered, Maeve ditches her discontented act and tries on a new persona.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

In 1965 Manhattan, patrons flock to Masha’s to savor its brisket bourguignon and impeccable service and to admire its dashing owner and head chef Peter Rashkin, the most eligible bachelor in town. But Peter does not care for the parade of eligible women who come to the restaurant hoping to catch his eye. Running Masha’s consumes him, as does his terrible guilt over surviving the horrors of the Nazi death camp while his wife, Masha - the restaurant’s namesake - and two young daughters perished. Then exquisitely beautiful June Bouquet, an up-and-coming young model, appears at the restaurant, piercing Peter’s guard.

This novel represents the first appearance of Lawrence Sanders' most famous character, Edward X. Delaney, and the masterpiece of murder and suspense that launched Sanders' career. This suspenseful classic is brought to life by a full cast, including L. J. Ganser, Marc Vietor, Mark Boyett, Zoe Hunter, Gabra Zackman, Lauren Fortgang, Kevin T. Collins, Josh Hurley and Peter Ganim.

Cassie settled down too young, marrying her first serious boyfriend. Now, 10 years later, she is betrayed and broken. With her marriage in tatters and no career or home of her own, she needs to work out where she belongs in the world and who she really is. So begins a yearlong trial as Cassie leaves her sheltered life in rural Scotland to stay with each of her best friends in the most glamorous cities in the world: New York, Paris and London.

In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.

Diane McKinney-Whetstone, the award-winning and best-selling author of Tumbling, presents Trading Dreams at Midnight - - an Essence Book Club Recommended Read. Back in 1984, 15-year-old Neena's mother left and never came back. And now Neena is following in her footsteps.

Olivia Kaspen has just discovered that her ex-boyfriend Caleb Drake has lost his memory. With an already lousy reputation for taking advantage of situations, Olivia must decide how far she is willing to go to get Caleb back.

A striking red-head, 20-something Jody is attacked and transformed into a vampire while walking home one night in downtown San Francisco. Befriending 19-year-old Tommy, Jody tries to understand her new undead life, but trouble finds her when the cops start suspecting Tommy of being a local bloodsucking serial killer.

Lily, you predictable perv. I knew you'd open this email faster if I tempted you with a glimpse of JT's "PP". Well, put your pants back on and grab some bubbly because I have much better news to share. I got a job! As of tomorrow, I'll be the new executive assistant at Lorena Lefray Designs. I am so excited, but there's one itty bitty problem: I won't be Lorena's assistant. I'll be working for her older brother, Julian.

Kate Corbin had a handsome boyfriend and a budding career as a reporter at a popular Chicago newspaper. But after the death of the woman who raised her, she fell into a rut and never got out. Now she's stuck writing fluff pieces about lipstick and wine and feeling trapped in a relationship that's going nowhere. Kate's boss gives her an intriguing assignment: spend a week interviewing R. J. Lawson, a modern-day Howard Hughes who recently reemerged as the owner of a well-respected Napa winery.

Yara Phillips is a wandering muse. She dates men who need her, but always moves on to something new, never staying in one place for very long. David Lisey is in need of a muse. A talented musician lacking lyrical inspiration. When he first sees her, he knows he's found what he's been seeking. Yara believes she can give David exactly what he needs to reach his full potential: a broken heart.

Dean Barclay had nothing to do with my decision to flee my old life, but he is 100 percent of the reason I vowed to never look back. I've never forgotten how it felt to follow Dean - dangerous, daring, determined - away from the crowd and climb into his beat-up old Trans Am. I was 16 and gloriously alive for the first time. When I felt his hand cover my leg and move upward, it was over. I was his. Forever.

Film fanatic Adam is 17 and being asked out on his first date—and the guy is cute. Heart racing, Adam accepts, quickly falling in love with Callum like the movies always promised. Fashion-obsessed Ben is 18 and has just left his home upstate after his mother discovers his hidden stash of gay magazines. When he comes to New York City, Ben’s sexuality begins to feel less like a secret and more like a badge of honor. Then Callum disappears, leaving Adam heartbroken, and Ben finds out his new world is more closed-minded than he thought.

I Am Not Myself These Days follows a glittering journey through Manhattan's dark underbelly---a shocking and surreal world where alter egos reign and subsist (barely) on dark wit and chemicals...a tragic romantic comedy where one begins by rooting for the survival of the relationship and ends by hoping someone simply survives.