From the bestselling and award-winning author of the Patrick Melrose novels, a hilarious and moving story about a group of wildly different characters whose fates are improbably yet inextricably linked—a novel about extinction and survival, inheritance and loss, written with St. Aubyn’s trademark wit and inimitable style

It’s an autumn weekend at a comfortable New York country house where two deeply intertwined families have gathered to mark the host’s fifty-second birthday. Together, the group forms an enviable portrait of middle age. The wives and husbands have been friends for over thirty years, their teenage daughters have grown up together, and the dinners, games, and rituals forming their days all reflect the rich bonds between them.

In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate, and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

When her first love and friend of more than a decade, Gabe, dies suddenly at twenty-nine, thirty-year-old Julia is launched onto an intercontinental quest to recover his lost possessions. Her journey takes her from Los Angeles to London and into the murky realm of the past, which seems to offer more questions than answers about who Gabe really was, and who they were to each other.

The author of the highly acclaimed The Fates Will Find Their Way returns with a novel about a far-flung family reunited for one weekend by their father's death. Five minutes before her flight is set to take off, Kate Pulaski, failed screenwriter and newly failed wife with scarcely a hundred dollars to her name, learns that her estranged father has killed himself. More shocked than saddened by the news, she gives in to her siblings' request that she join them, along with her many half-siblings and most of her father's five former wives, in Atlanta, their birthplace.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

Virginia, 1954. When a woman wakes on a patient transport bus arriving at Hanover State Psychiatric Hospital, she remembers nothing of her life before that moment, none of the dark things she must’ve seen and done that forged her into the skillful and cunning fighter she is. Doctors tell her she’s Dorothy Frasier, a paranoid schizophrenic, committed for her violent delusions. She’s certain they’re wrong—until disturbing visions of a dystopian future in which frantic scientists urge her to complete “the mission” and save mankind begin to invade her reality.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

Alex Lyons always has his mind made up by the time the curtain comes down at a performance—the show either deserves a five-star rave or a one-star pan. Anything in between is meaningless. On the opening night of the Edinburgh Festival Fringe, he doesn’t deliberate over the rating for Hayley Sinclair’s show, nor does he hesitate when the opportunity presents itself to have a one-night stand with the struggling actress.

Rei, Kiki, and Ai are three sisters divided by distance and circumstance. Ambitious Rei works in finance in London; Kiki is the single mother of a young son, working in a retirement home in Tokyo; and Ai, the youngest, is a peripatetic Japanese music idol. Having lost both parents, one way or another, the sisters rely on each other as family, far-flung as they are.

In her small Montana hometown, Lauren Parker has assumed a few different roles: teenage hell-raiser, sister of superstar Gabe Parker, and most recently, tragically widowed single mother. She’s never cared much about labels or what people thought of her, but dealing with her grief over the loss of her husband, Spencer, has slowly revealed that she’s adrift in her own life.