Beginning in Cork, Ireland, the novel recounts Perry’s journey from daughter to son in order to enter medical school and provide for family, but Perry soon embraced the newfound freedom of living life as a man. From brilliant medical student in Edinburgh and London to eligible bachelor and quick-tempered physician in Cape Town, Dr. Perry thrived.

At the age of 27, Whitney Dafoe was forced to give up his life as a photographer who traveled the world. Bit by bit a mysterious illness stole away the pieces of his life: First, it took the strength of his legs, then his voice, and his ability to eat. The Puzzle Solver follows several years in which he desperately sought answers. Whitney's father, Ron Davis, PhD, a world-class geneticist at Stanford University whose legendary research helped crack the code of DNA, suddenly changed the course of his career in a race against time to cure his son's debilitating condition.

Laugh till you cry in this new collection of stories from the “Serena Williams of humor writing” (New York Times Book Review) about raising babies and trying to learn how not to be one.

Emily's fight for women's suffrage is put on hold and her life transformed when Wash, the chief engineer of the Brooklyn Bridge, is injured on the job. Untrained for the task, but under his guidance, she assumes his role, despite stern resistance and overwhelming obstacles. Lines blur as Wash's vision becomes her own, and when he is unable to return to the job, Emily is consumed by it. But as the project takes shape under Emily's direction, she wonders whose legacy she is building - hers or her husband's.

The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her lyrical writing, rich characters, and diverse worlds. The Wind's Twelve Quarters collects 17 powerful stories, each with an introduction by the author, ranging from fantasy to intriguing scientific concepts, from medieval settings to the future.

Widowed Samantha Arias hasn’t spoken to Holly Dunfee in forever. It’s for the best. Samantha prefers to avoid conflict. The blisteringly honest Holly craves it. What they still have in common puts them both back on speed dial: a mutual love for Katie, their best friend of twenty-five years, now hospitalized with cancer and needing one little errand from her old college roomies. It’s simple: travel cross-country together, steal her loathsome ex-husband’s VW camper, find Katie’s diabetic Great Pyrenees at a Utah pound, and drive him back home to Wisconsin.

Meet the Stevens family as they prepare to embark on their yearly holiday to the coast of England. Mr. and Mrs. Stevens first made the trip to Bognor Regis on their honeymoon, and the tradition has continued ever since. They stay in the same guesthouse and follow the same carefully honed schedule - now accompanied by their three children, 20-year-old Mary, 17-year-old Dick, and little brother Ernie.

Margaret Parker and Hattie LaCour never intended to turn outlaw. After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie, the choice is simple. With their small makeshift family, the gang pulls off a series of heists across the West.

One woman must make the hardest decision of her life in this unforgettably moving story of resistance and faith during one of the darkest times in history. Told from alternating perspectives, While Paris Slept reflects on the power of love, resilience, and courage when all seems lost.

Ruth is a no-nonsense 40-something journalist from the Midwest desperate for a child with her new husband, Hal. Their hope rests with Cally, a 19-year-old who wants to go to college - but doesn’t have the cash. The arrangement seems perfect for everyone. But within a day of the baby’s birth, Cally has a change of heart - and engineers a harrowing escape from the hospital with the newborn. When Ruth and Hal discover that Cally and their daughter are gone, a whole series of doubts and secrets is revealed, and the difference between right and wrong is no longer clear.

Jailbird. Klepto. Spectacular failure to launch. Nicole Wood’s sticky fingers have earned her many names, but it’s not that she’s stealing—some objects just need to be moved elsewhere, and the universe has chosen her to do it. Still, being a relocator of objects isn’t easy. With her marriage on the rocks, no real-world skills, and the threat of prison hanging over her head, Nicole is determined to change her ways.

Chloe Howard’s devotion to her job has come at a cost: spending time with the most important person in her life - her mother. Vowing to change, she plans a trip home. Sadly, hours before she arrives, her mother passes away, leaving Chloe without a goodbye and riddled with grief and regret. But maybe...maybe it’s not too late. Just days before the funeral, Chloe finds her mother unaccountably alive and well. And it’s no longer May; she’s been transported back in time to March.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern Black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: Their families, their communities, their racial identities. Many years later, one sister lives with her Black daughter in the same Southern town she once tried to escape. The other secretly passes for White, and her White husband knows nothing of her past.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young Black woman out late with a White child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.

Determined to save the antiques store she has inherited from ruin after the unexplained disappearance of her parents, Sarah Lester discovers a jumbled collection of vintage postcards that leads her on a journey through time. Unprepared for the story the postcards weave about their reclusive former owner, Sarah’s life is thrown into disarray as she is transported to Victorian London, colonial New Zealand, and to the British Raj in 19th-century India.

The seat of the Trelawney family for over 700 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets, and follies. But as the centuries passed the Earls of Trelawney, their ambition dulled by generations of pampered living, failed to develop other skills.

Successful journalist Erin Kelly has electrified readers and critics alike with her debut novel The Poison Tree. In this scintillating work, Karen and her daughter Alice have established a safe, happy life free from the madness of Karen’s past. But when Karen’s former lover Rex is released from prison, her old associations intrude upon the present - and threaten everything she holds dear.

A sweeping story of three generations of women, crossing from London to Ireland and back again, and the enduring effort to retrieve the secrets of the past.

Spanning more than half a century and cities from New Delhi to Atlanta, Anjali Enjeti’s debut is a heartfelt and human portrait of the long shadow of the partition of the Indian subcontinent on the lives of three generations.

Twelve months after her younger sister Anahita's death, Mitra Jahani reluctantly returns to her parents' home in suburban New Jersey to observe the Iranian custom of "The One Year." Ana is always in Mitra's heart, though they chose very different paths. While Ana, sweet and dutiful, bowed to their domineering father's demands and married, Mitra rebelled, and was banished.

When Ravi Kapoor, an overworked London doctor, reaches the breaking point with his difficult father-in-law, he asks his wife: “Can’t we just send him away somewhere? Somewhere far, far away.” His prayer is seemingly answered when Ravi’s entrepreneurial cousin sets up a retirement home in India, hoping to re-create in Bangalore an elegant lost corner of England. Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled....

For six dreadful months, David Corstorphine has tried to come to terms with his young wife's death while caring for his three motherless children. Try as he may, David is unable to return to work, and his only form of solace comes from working in the garden of his parents' estate in the Scottish countryside. Dispatched unexpectedly to New York, David's family hopes that the impromptu business trip will help him get back on his feet. But the journey proves both disastrous and heartening.

Again and again, Molly Antopol’s deeply sympathetic characters struggle for footing in an uncertain world, hounded by forces beyond their control. Their voices are intimate and powerful and they resonate with searing beauty. Antopol is a superb young talent, and The UnAmericans will long be remembered for its wit, humanity, and heart.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

Alina and Laura are independent and career-driven women in their mid-thirties, neither of whom have built their future around the prospect of a family. Laura is so determined not to become a mother that she has taken the drastic decision to have her tubes tied. But when she announces this to her friend, she learns that Alina has made the opposite decision and is preparing to have a child of her own.

Leila Slimani was in her native Morocco promoting her novel Adèle, about a woman addicted to sex, when she began meeting women who confided the dark secrets of their sexual lives. In Morocco, adultery, abortion, homosexuality, prostitution, and sex outside of marriage are all punishable by law, and women have only two choices: They can be wives or virgins. Sex and Lies combines vivid, often harrowing testimonies with Slimani's passionate and intelligent commentary to make a galvanizing case for a sexual revolution in the Arab world.

A young woman moves from the place of her birth to the remote northern country of her forebears to be housekeeper to her brother, whose wife has recently left him. Soon after her arrival, a series of inexplicable events occurs - collective bovine hysteria; the demise of a ewe and her nearly born lamb; a local dog's phantom pregnancy; a potato blight. She notices that the local suspicion about incomers in general seems to be directed with some intensity at her and she senses a mounting threat that lies 'just beyond the garden gate.'

In A Girl's Story, Annie Ernaux revisits a night 50 years earlier when she found herself submerged and controlled by another person's desire and willpower. It was the summer of 1958, the year she turned 18, and the man she had given herself to had moved on. She'd submitted her will to his and then found that she was a slave without a master.

While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.

Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov.

When X—an iconoclastic artist and shape-shifter—falls dead in her office, her widow CM, wild with grief, hurls herself into writing X's biography. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. In CM's quest to unravel it, she opens a Pandora’s box of secrets and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification.

After years away from her family's homeland, and healing from an affair with an established director, stage actress Sonia Nasir returns to Palestine to visit her older sister Haneen. Though the siblings grew up spending summers at their family home in Haifa, Sonia hasn't been back since the second intifada and the deaths of her grandparents. While Haneen stayed and made a life commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her burgeoning acting career and now dissolute marriage.

An IndiBound best seller, The Days of Abandonment shocked and captivated its Italian public when first published. It is the gripping story of a woman's descent into devastating emptiness after being abandoned by her husband, with two young children to care for. When she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal.

Three generations of Palestinian-American women living in Brooklyn are torn between individual desire and the strict mores of Arab culture in this powerful debut - a heart-wrenching story of love, intrigue, courage, and betrayal that will resonate with women from all backgrounds, giving voice to the silenced and agency to the oppressed.

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family making.

The day of her wedding, 17-year-old Ada’s life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose and mercurial, the Kid is determined to create a safe haven for outcast women.

In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it's that struggle that gives the book its original structure: each chapter is driven by its own narrative trope - the haunted house, erotica, the bildungsroman....

Deep underground, 39 women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl—the 40th prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above ground.

Women are angry, and it isn’t hard to figure out why. We are underpaid and overworked. Too sensitive or not sensitive enough. Too dowdy or too made-up. Too big or too thin. Sluts or prudes. We are harassed, told we are asking for it, and asked if it would kill us to smile. Yes, yes it would. Contrary to the rhetoric of popular “self-help” and an entire lifetime of being told otherwise, our rage is one of the most important resources we have, our sharpest tool against both personal and political oppression.