Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin.

When a video depicting the brutal murder of a former classmate leaks online, Kylie Bennington’s—whose dreams of becoming a successful influencer remain frustratingly elusive—curiosity gets the better of her, leading to the discovery of an off-the-grid social media app called MonoLife. As it turns out, there are certain cryptic rules in the user agreement that must be adhered to, such as interacting with other users at least twice daily or risk losing it all…and never, ever speaking of MonoLife’s existence to non-users or risk dire consequences.

A real-life historical figure, the woman known as Malinalli, Malintzin, La Malinche, Doña Marina, and Malinalxochitl was the Nahua interpreter who helped Spanish conquistador Hernán Cortés communicate with the native people of Mexico. When indigenous leaders observed her marching into their cities, they believed she was a goddess—blessed with the divine power to interpret the Spaniards’ intentions for their land. Later, historians and pop culture would deem her a traitor—the “Indian” girl who helped sell Mexico’s future to an invader.

On a blistering summer day in 1968, nine-year-old Tommy vanishes without a trace from Coram House, an orphanage on the shores of Lake Champlain. Some say a nun drowned him, others say he ran away. Or maybe he never existed. Fifty years later, his disappearance is still unsolved. Struggling true crime writer Alex Kelley needs a fresh start. When she’s asked to ghostwrite a book about the orphanage—and the abuses that occurred there—she packs up her belongings and moves to wintry Burlington, Vermont.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, Jess slowly comes to a horrifying understanding of the butchery that follows them—the boy can turn his every fear into reality. And when the wolf finally comes home, no one will be spared.