Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

In 1923 Soacha, Colombia, La Casona—an opulent mansion perched above the legendary Salto del Tequendama waterfall—was once home to Antonia and her family, who settle in despite their constant nightmares and the house’s malevolent spirit. But tragedy strikes when Antonia’s mother takes a fatal fall into El Salto and her father, consumed by grief, attempts to burn the house down with Antonia still inside. Three years later, haunted by disturbing dreams and cryptic journal entries from her late mother, Antonia is drawn back to her childhood home when it is converted into a luxurious hotel.

Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s space shuttle program. Suddenly, Joan burns to be one of the few people to go to space.

Terlu Perna broke the law because she was lonely. She cast a spell and created a magically sentient spider plant. As punishment, she was turned into a wooden statue and tucked away into an alcove in the North Reading Room of the Great Library of Alyssium. This should have been the end of her story . . . Yet one day, Terlu wakes in the cold of winter on a nearly-deserted island full of hundreds of magical greenhouses.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost. But Hacienda San Isidro is not the sanctuary she imagined. Something is wrong with the hacienda. And no one there will save her. Far from a refuge, San Isidro may be Beatriz’s doom.

When a video depicting the brutal murder of a former classmate leaks online, Kylie Bennington’s—whose dreams of becoming a successful influencer remain frustratingly elusive—curiosity gets the better of her, leading to the discovery of an off-the-grid social media app called MonoLife. As it turns out, there are certain cryptic rules in the user agreement that must be adhered to, such as interacting with other users at least twice daily or risk losing it all…and never, ever speaking of MonoLife’s existence to non-users or risk dire consequences.

Josephine del Rosario feels like a pariah in her town. Long ago orphaned after her father’s political campaign ended in tragedy, she’s all alone, taking care of the family home while her older brother is off in Manila, where a revolution brews. And it’s starting to feel like he’s abandoning her. When she receives a letter from a cherished childhood friend, Hiraya, inviting her to play a game, she jumps at the reason for leaving town. Josephine will have whatever her heart desires if she wins. Maybe she can change her life.

In the middle of the night, Riley pulls her younger brother Oliver out of bed, and the two run away from home. Riley is intent on joining a group of teenagers squatting in the abandoned ruins of an infamous movie star’s ranch, Nowhere. For actor Leaf Winham, Nowhere was a place to hide from his fame, and to hide his crimes—until a fire ravaged his home and exposed him as a murderer.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.

Massachusetts Bay Colony, 1646. Thomas and Margaret Jones arrive from England to build a life in the New World. Though of differing temperaments, cautious Thomas and fiery Margaret, a healer, are bound by a love that has lasted decades. With a child on the way, their new beginning promises only blessings. But in this austere Puritan community, comely faces hide malicious intent. Wrong moves or words are met with suspicion, and Margaret’s bold and unguarded nature draws scorn. Soon, Margaret is mistrusted as more cunning woman than kind caregiver.

Charlie Book and Ruby Cahill have history. After their love ended in heartbreak, they never expected to see each other again, but when terror enters Ruby’s life, Charlie Book is the only safe harbor she can believe in.

Piper Lowery, a public library clerk in charge of liaising with the local middle school, can tell right away there’s something strange about the new girl in eighth grade. Avery Wallace won’t touch any kind of technology, not even the computers at the library, and her mother comes to school with her every day, refusing to leave her side—not even when Avery uses the restroom. And then there are the rumors, the whispers Piper hears from kids in the hallway and parents around town: Avery’s mother is a witch. Her sister and father were killed by something supernatural. A strange virus killed them.

The Berisha family runs one of the largest import-export companies in the world, and they’ve always been lucky. Their rivals suffer strokes. Inconvenient buildings catch on fire. Earthquakes swallow up manufacturing plants, destroying harmful evidence. Things always seem to work out for the Berishas. They’re blessed. At least that is what Zef, the patriarch, has always told his three children.

In Yellow Jessamine, shipping magnate Evelyn Perdanu controls the dying city of Delphinium with trade deals and secrets. But when mysterious sickness sparks death and obsession, all leading back to her, Evelyn's brittle existence is strained to breaking. She retreats to her estate, amidst paranoia and poisonous secrets, intent on rooting out this plague before it destroys everything she has built.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.