It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

When Amy Gibson's mother is brutally murdered by her boyfriend, Amy's world is completely undone. Overcome with grief and heartache, she withdraws from everything around her—college, her friends, her entire life. Until her estranged half-brother, Oliver, saves her, pulling her back into her life and giving her family. Giving her a home.

Twenty-four-year-old Olivia Taylor Jones has the perfect life. The only daughter of a wealthy, prominent Chicago family, she has an Ivy League education, pursues volunteerism and philanthropy, and is engaged to a handsome young tech firm CEO with political ambitions. But Olivia’s world is shattered when she learns that she’s adopted. Her real parents? Todd and Pamela Larsen, notorious serial killers serving a life sentence.

Daphne McFadden already knows that as a female author, the cards are stacked against her. Now she knows just how much. Because her sudden whim to pose as an “outdoorsy hunk of masculinity” male author for her new book just resulted in the unthinkable: a bidding war, a huge book deal, and the kind of fame every author dreams of. Now she’s in big trouble. Because she needs to convince the world that Zane Remington actually exists...but how? By hiring an actor, of course.

Casey Duncan is a homicide detective with a secret: When she was in college, she killed a man. She was never caught, but he was the grandson of a mobster, and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again. Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives.

Genevieve has secrets that no one knows. In Rome she can be whoever she wants to be. Her neighbours aren't nosy; her Italian is passable; the shopkeepers and restaurant owners now see her as a local, and they let her be. It's exactly what she wants. One morning, after getting groceries, she returns to her 500-year-old Trastevere apartment - it's exactly as she left it, not a thing out of place...except for the small box on her kitchen table. A box that definitely wasn't there this morning. A box that is addressed to "Lucy Callahan." A name that she hasn't used in 10 years.

Regulars at Nadia’s nature lodge don’t ask what she does in the off-season. And that’s a good thing. If she told them, she’d have to kill them. She’s a hit woman for a Mafia family. Tough and self-sufficient, Nadia doesn’t owe anyone any explanations. But that doesn’t mean she always works alone. One of her contacts has recruited her in the hunt for a ruthlessly efficient serial killer cutting a swath of terror across the country. The assassin is far too skilled to be an amateur - and the precision of the killings is bringing the Feds much too close to the hit man community for comfort.

In Melissa Larsen's The Lost House comes the mesmerizing story of a young woman with a haunting past who returns to her ancestral home in Iceland to investigate a gruesome murder in her family.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits. A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel.

I’ve spent twenty-five years in the Hollow, poor as dirt, cursed with a stepmother who hates me, and dreaming about a faraway land that I don’t understand. Only two things that make life worth living are my falcon, Fetch, and my best friend, Molly. But when Molly’s plot to land a royal husband at the palace ball goes horribly wrong, I find myself staring at a king with a glass stiletto buried in his chest and a blood-covered Molly standing over him. We’ve got to move…and fast, or we’ll both wind up swinging from the hangman’s noose.

Strange things are happening in Maya's tiny Vancouver Island town. First, her friend Serena, the captain of the swim team, drowns mysteriously in the middle of a calm lake. Then, one year later, mountain lions are spotted rather frequently around Maya's home and her reactions to them are somewhat . . . unexpected. Her best friend, Daniel, has also been experiencing unexplainable premonitions about certain people and situations.

Anya is enjoying a relaxing bath when she hears a noise coming from the ceiling. Through the open bathroom door, she sees the attic hatch swing down, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realizes why the footage is eerily familiar: it was filmed inside her own house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

“Few crimes are reported as quickly as a snatched kid.” That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing. When the police refuse to believe her, she realizes that rescuing the boy is up to her alone.

When Amy Gibson's mother is brutally murdered by her boyfriend, Amy's world is completely undone. Overcome with grief and heartache, she withdraws from everything around her—college, her friends, her entire life. Until her estranged half-brother, Oliver, saves her, pulling her back into her life and giving her family. Giving her a home.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

Genevieve has secrets that no one knows. In Rome she can be whoever she wants to be. Her neighbours aren't nosy; her Italian is passable; the shopkeepers and restaurant owners now see her as a local, and they let her be. It's exactly what she wants. One morning, after getting groceries, she returns to her 500-year-old Trastevere apartment - it's exactly as she left it, not a thing out of place...except for the small box on her kitchen table. A box that definitely wasn't there this morning. A box that is addressed to "Lucy Callahan." A name that she hasn't used in 10 years.

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along—is herself.

Debut author Gemma Stanton knows romance readers love a bad boy—and she has the perfect prototype for her novel: Mason Moretti. High school hockey god-turned-pro player, Mason was Gemma's first crush, but she couldn't forget the sting of his very public rejection. So, she cast him as a hot-headed Highlander in her spicy new historical romance. She never expected readers would find out on live TV—when a morning show host invites Mason for a surprise on-air reunion...

Elena Michaels is the world’s only female werewolf. And she’s tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her–her temper, her violence—but requires it. Worst of all, she realizes she’s growing content with that life, with being that person.

In the Forest of the Dead, where the empire’s worst criminals are exiled, twin sisters Moria and Ashyn are charged with a dangerous task. For they are the Keeper and the Seeker, and each year they must quiet the enraged souls of the damned. Only this year, the souls will not be quieted. Ambushed and separated by an ancient evil, the sisters’ journey to find each other sends them far from the only home they’ve ever known.

Casey Duncan is a homicide detective with a secret: When she was in college, she killed a man. She was never caught, but he was the grandson of a mobster, and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again. Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives.

Detective Casey Duncan and her husband, Sheriff Eric Dalton, are entering a new chapter of life as parents to their six-month-old baby. Their family is hidden away in the sanctuary town of Haven's Rock where they can live safe and private lives. But when they encounter hikers too close to the borders of Haven's Rock, they realize they're in danger of being exposed.

Strange things are happening in Maya's tiny Vancouver Island town. First, her friend Serena, the captain of the swim team, drowns mysteriously in the middle of a calm lake. Then, one year later, mountain lions are spotted rather frequently around Maya's home and her reactions to them are somewhat . . . unexpected. Her best friend, Daniel, has also been experiencing unexplainable premonitions about certain people and situations.

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

When Samantha Payne’s grandfather dies, she figures she won’t even get a mention in the will. After all, she hasn’t seen him in fourteen years, not since her father took his own life after being accused of murdering a child at their lakefront cottage. Her grandfather always insisted her father was innocent, despite Sam having caught him burying the child’s body, his clothing streaked with blood.