It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

Daphne McFadden already knows that as a female author, the cards are stacked against her. Now she knows just how much. Because her sudden whim to pose as an “outdoorsy hunk of masculinity” male author for her new book just resulted in the unthinkable: a bidding war, a huge book deal, and the kind of fame every author dreams of. Now she’s in big trouble. Because she needs to convince the world that Zane Remington actually exists...but how? By hiring an actor, of course.

After slipping 150 years into the past, modern-day homicide detective Mallory Atkinson has embraced her new life in Victorian Scotland as housemaid Catriona Mitchel. Although it isn’t what she expected, she's developed real, meaningful relationships with the people around her and has come to love her role as assistant to undertaker Dr. Duncan Gray and Detective Hugh McCreadie. Mallory, Gray, and McCreadie are on their way to the Scottish Highlands for McCreadie's younger sister's wedding.

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

“Few crimes are reported as quickly as a snatched kid.” That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing. When the police refuse to believe her, she realizes that rescuing the boy is up to her alone.

Thorne Manor has always been haunted...and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, 20 years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

When Amy Gibson's mother is brutally murdered by her boyfriend, Amy's world is completely undone. Overcome with grief and heartache, she withdraws from everything around her—college, her friends, her entire life. Until her estranged half-brother, Oliver, saves her, pulling her back into her life and giving her family. Giving her a home.

The Finch sisters once spent long, hot summers exploring the dozens of abandoned properties littering their dying town—until they found an impossible home with an endless hall of doors … and three keys left waiting for them. Curious, fearless, they stepped inside their chosen rooms and experienced horrors they never dared speak of again. Now, years later, youngest sister Claire has been discovered dead in that old, desiccated house. Haunted by their sister’s suicide and the memories of a past they’ve struggled to forget, Meg and Esther find themselves at bitter odds.

Zo Grey is reeling from the sudden death of her mother when she receives a surprising call from an attorney in Divinity, Louisiana, with the news she has been left an inheritance by a distant relative, the terms of which he will only discuss in person. Destitute and alone, with nothing left to lose, Zo heads to Divinity and discovers she is the sole beneficiary of a huge fortune and a monstrosity of a house that sits ominously at the peak of Watch Hill—but she must live in it, alone, for three years before the house, or the money, is hers.

Blythe and her friends — Gabrielle, and brother and sister Tucker and Tanya — have always been a tight friend group, attending a local high school and falling in and out of love with each other. But an act of violence has caused a rift between Blythe and Tucker . . . and unexpected bursts of aggression and disturbing nightmares have started to become more frequent in their lives.

Twenty-four-year-old Olivia Taylor Jones has the perfect life. The only daughter of a wealthy, prominent Chicago family, she has an Ivy League education, pursues volunteerism and philanthropy, and is engaged to a handsome young tech firm CEO with political ambitions. But Olivia’s world is shattered when she learns that she’s adopted. Her real parents? Todd and Pamela Larsen, notorious serial killers serving a life sentence.

A stranger is trespassing in Celeste Turner's backyard, moving through the shadows around her shed. It could be a harmless backpacker seeking temporary refuge, but experience has taught Celeste to be extra wary. Not wishing to draw unwanted attention, she cannot turn to the police. Celeste is an outsider to this region of rural Florida, and all the locals see is a "city girl" who swooped in to secure her inheritance. But Celeste needs her new life to work, so she must confront her intruder. To her surprise, she finds out that her unwanted guest is a young backpacker named Daisy.

Casey Duncan is a homicide detective with a secret: When she was in college, she killed a man. She was never caught, but he was the grandson of a mobster, and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again. Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives.

Elena Michaels is the world’s only female werewolf. And she’s tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her–her temper, her violence—but requires it. Worst of all, she realizes she’s growing content with that life, with being that person.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

You think you know the truth about the people you love. But one discovery can change everything.... Eight-year-old Billy goes missing one day, out flying his kite with his sister Rose. Two days later he is found dead. Sixteen years on, Rose still blames herself for Billy's death. How could she have failed to protect her little brother? Rose has never fully recovered from the trauma, and one of the few people she trusts is her neighbour Ronnie, who she has known all her life.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

After slipping 150 years into the past, modern-day homicide detective Mallory Atkinson has embraced her new life in Victorian Scotland as housemaid Catriona Mitchel. Although it isn’t what she expected, she's developed real, meaningful relationships with the people around her and has come to love her role as assistant to undertaker Dr. Duncan Gray and Detective Hugh McCreadie. Mallory, Gray, and McCreadie are on their way to the Scottish Highlands for McCreadie's younger sister's wedding.

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

Twenty-four-year-old Olivia Taylor Jones has the perfect life. The only daughter of a wealthy, prominent Chicago family, she has an Ivy League education, pursues volunteerism and philanthropy, and is engaged to a handsome young tech firm CEO with political ambitions. But Olivia’s world is shattered when she learns that she’s adopted. Her real parents? Todd and Pamela Larsen, notorious serial killers serving a life sentence.

When Amy Gibson's mother is brutally murdered by her boyfriend, Amy's world is completely undone. Overcome with grief and heartache, she withdraws from everything around her—college, her friends, her entire life. Until her estranged half-brother, Oliver, saves her, pulling her back into her life and giving her family. Giving her a home.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

Thorne Manor has always been haunted...and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, 20 years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

Zo Grey is reeling from the sudden death of her mother when she receives a surprising call from an attorney in Divinity, Louisiana, with the news she has been left an inheritance by a distant relative, the terms of which he will only discuss in person. Destitute and alone, with nothing left to lose, Zo heads to Divinity and discovers she is the sole beneficiary of a huge fortune and a monstrosity of a house that sits ominously at the peak of Watch Hill—but she must live in it, alone, for three years before the house, or the money, is hers.

Kennedy Bennett comes from a long line of curse weavers. For centuries, her family has plied their trade in Unstable, Massachusetts, an unconventional small town that's welcomed paranormal practitioners since the dawn of spiritualism. Kennedy has recently struck out on her own, opening an antiques shop in Boston, where her specialty is uncursing and reselling hexed objects. Then Aiden Connolly walks into her life with an offer she really should refuse. The scion of a wealthy family of luck workers, Aiden has a scheme to get his hands on the most famous cursed object of all.

Daphne McFadden already knows that as a female author, the cards are stacked against her. Now she knows just how much. Because her sudden whim to pose as an “outdoorsy hunk of masculinity” male author for her new book just resulted in the unthinkable: a bidding war, a huge book deal, and the kind of fame every author dreams of. Now she’s in big trouble. Because she needs to convince the world that Zane Remington actually exists...but how? By hiring an actor, of course.

Strange things are happening in Maya's tiny Vancouver Island town. First, her friend Serena, the captain of the swim team, drowns mysteriously in the middle of a calm lake. Then, one year later, mountain lions are spotted rather frequently around Maya's home and her reactions to them are somewhat . . . unexpected. Her best friend, Daniel, has also been experiencing unexplainable premonitions about certain people and situations.

“Few crimes are reported as quickly as a snatched kid.” That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing. When the police refuse to believe her, she realizes that rescuing the boy is up to her alone.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.