Fifteen-year-old Christopher Boone has Asperger's Syndrome, a condition similar to autism. He doesn't like to be touched or meet new people, he cannot make small talk, and he hates the colors brown and yellow. He is a math whiz with a very logical brain who loves solving puzzles that have definite answers.

The world will end on Saturday. Next Saturday. Just before dinner, according to The Nice and Accurate Prophecies of Agnes Nutter, Witch, the world's only completely accurate book of prophecies, written in 1655. The armies of Good and Evil are amassing and everything appears to be going according to Divine Plan. Except that a somewhat fussy angel and a fast-living demon are not actually looking forward to the coming Rapture. And someone seems to have misplaced the Antichrist.

Prez knows that the best way to keep track of things is to make a list. That's important when you have a grandfather who is constantly forgetting. And it's even more important when your grandfather can't care for you anymore, and you have to go live with a foster family out in the country.

In 1986, Eddie and his friends are on the verge of adolescence, spending their days biking in search of adventure. The chalk men are their secret code, stick figures they draw for one another as hidden messages. But one morning, the friends find a chalk man leading them to the woods. They follow the message, only to find the dead body of a teenage girl. In 2016, Eddie is nursing a drinking problem and trying to forget his past, until one day he gets a letter containing a chalk man — the same one he and his friends saw when they found the body.

From the number-one best-selling author of The Missing and the Dead comes the short novel 22 Dead Little Bodies; two short stories: 'Stramash' and 'DI Steel's Bad Heir Day'; and a novella: The 45% Hangover, all featuring his most popular characters - DS Logan McRae and DCI Roberta Steel. They say 'small is beautiful', but as Stuart MacBride demonstrates in these four tales, it can also be dark, violent, disturbing, and sometimes really quite rude.

Calling Major Tom is a funny, uplifting tale of friendship and community about a man who has given up on the world...but discovers in the most unlikely way that it might not have given up on him. We all know someone like Thomas. The grumpy next-door neighbour who complains to the residents' committee about the state of your front lawn. The man who tuts when you don't have the correct change at the checkout. The colleague who sends an all-company email when you accidentally use the last drop of milk.

Digging for peat in the mountain with his Uncle Tally, Fergus finds the body of a child, and it looks like she’s been murdered. As Fergus tries to make sense of the mad world around him - his brother on hunger-strike in prison, his growing feelings for Cora, his parents arguing over the Troubles, and him in it up to the neck, blackmailed into acting as courier to God knows what - a little voice comes to him in his dreams, and the mystery of the bog child unfurls.

Zoe has an unconventional pen pal - Mr. Stuart Harris, a Texas Death Row inmate and convicted murderer. But then again, Zoe has an unconventional story to tell. A story about how she fell for two brothers, betrayed one of them, and killed the other. Hidden away in her backyard shed in the middle of the night with a jam sandwich in one hand and a pen in the other, Zoe gives a voice to her heart and her fears after months of silence. Mr. Harris may never respond to Zoe's letters, but at least somebody will know her story...

For the '70s child, summer holidays didn't mean the joy of CentreParcs or the sophistication of a Tuscan villa. They meant being crammed into a car with Grandma and heading to the coast. With just a tent for a home and a bucket for the necessities, we would set off on new adventures each year stoically resolving to enjoy ourselves. For Emma Kennedy, and her mum and dad, disaster always came along for the ride no matter where they went.

Since the day her mother died, Jem has known about the numbers. Numbers that pop into her head when she looks into someone’s eyes. They’re dates, the numbers. Dates predicting with brute accuracy each person’s death. Burdened by such grim knowledge, Jem avoids relationships. Until she meets Spider, another outsider, and takes a chance. Maybe they can find happiness together, if only in the brief time that remains before his expiration date.

On the beaches and cliffs of North Devon, lone women have become victims in a terrifying game where only one player knows the rules - and, when those rules change, the new game is murder. But that madman on the loose feels very far from the crumbling, seaside home of 10-year-old Ruby Trick. Instead of living in fear of him, she lives in fear of school bullies, the dark forest crowding her house into the sea, and the threat of her parents' divorce. So when she decides to help her father catch the killer, it seems like a good way to keep her father close.

Nicholas Carr disappeared on his 18th birthday and the world has moved on. His girlfriend has gone to university, his friends have got jobs, the police have other things to look into. But his father, Richard, is still stuck on the three fingers the police dug up from a sodden Manchester wood. What happened to Nicholas on the night he disappeared, and why did he never come home? Private investigator Andrew Hunter is Nicholas's last hope.

Tessa has just months to live. Fighting back against hospital visits, endless tests, drugs with excruciating side-effects, Tessa compiles a list. It’s her To Do Before I Die list. And number one is Sex. Released from the constraints of ‘normal’ life, Tessa tastes new experiences to make her feel alive while her failing body struggles to keep up. Tessa’s feelings, her relationships with her father and brother, her estranged mother, her best friend, and her new boyfriend, all are painfully crystallised in the precious weeks before Tessa’s time runs out.

It's DS Logan McRae's first day back on the job after a year off on the sick, and it couldn't get much worse. Three-year-old David Reid's body is discovered in a ditch: strangled, mutilated and a long time dead. And he's only the first. There's a serial killer stalking the Granite City, and the local media are baying for blood. Soon the dead are piling up in the morgue almost as fast as the snow on the streets, and Logan knows time is running out. More children are going missing. More are going to die.

Welcome to the Misfit Mob... It's where Police Scotland dumps the officers it can't get rid of but wants to: the outcasts, the troublemakers, the compromised. Officers like DC Callum MacGregor, lumbered with all the boring go-nowhere cases. So when an ancient mummy turns up at the Oldcastle tip, it's his job to find out which museum it's been stolen from. But then Callum uncovers links between his ancient corpse and three missing young men, and life starts to get a lot more interesting.

From the “terrifyingly talented” (London Times) author of THE CURIOUS INCIDENT OF THE DOG-IN THE NIGHT-TIME and THE PORPOISE, eight mesmerizingly imaginative, deeply-humane stories that use Greek myths and contemporary dystopian narratives to examine mortality, moral choices and the many variants of love.

The tales in Mark Haddon's lyrical and uncompromising new collection take many forms - Victorian adventure story, science fiction, morality tale, contemporary realism - but they all showcase his virtuoso gifts as a stylist and the deep well of empathy that made his three best-selling novels so compelling. The characters here are often isolated physically or estranged from their families, yet they yearn for connection.

George Hall is an unobtrusive man. A little distant, perhaps, a little cautious, not quite at ease with the emotional demands of fatherhood or of manly bonhomie. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life can’t be ignored, however: his tempestuous daughter Katie’s deeply inappropriate boyfriend Ray, for instance, or the sudden appearance of a red circular rash on his hip.

In a bravura feat of storytelling, Mark Haddon calls upon narratives ancient and modern to tell the story of Angelica, a young woman trapped in an abusive relationship with her father. When a young man named Darius discovers their secret, he is forced to escape on a boat bound for the Mediterranean. To his surprise, he finds himself travelling backward over 2,000 years to a world of pirates and shipwrecks, of plagues and miracles and angry gods.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.