
Brightblade
The Morgan Detective Agency, Book 1
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Narrated by:
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Heather Costa
About this listen
Psychic. Superhero. Spy. Detective. Bounty hunter. Ashley Morgan has been many things and failed at all of them. The 28-year old has her whole life ahead of her but has already resigned herself to working a dead-end job bringing in the debt-ridden supernatural criminals of New Detroit.
A chance encounter with the vampire sheriff reveals a secret that motivates her to change her life forever: Her long-missing brother Arthur is alive (in a manner of speaking).
Ashley sets out on a quest to not only find him but also deal with old lovers, treacherous criminals, a magic sword, and a quest to raise an ancient vampire from the dead.
Brightblade is set in the same world as the Red Room series, The Bright Falls Mysteries, and Straight Outta Fangton.
©2019 Charles Phipps; Michael Suttkus (P)2019 David N. WilsonListeners also enjoyed...
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Great Storytelling
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Listener received this title free
I had previously read the ebook of this (why yes, that does mean I loved it enough to go through it twice in a matter of weeks) and so already had my own "voice" for Ashley in my head. Heather Costa is not at all what I pictured but she quickly grew on me and I was able to mentally adjust after only a few chapters. Heather does a brilliant job with all the characters and her pacing is spot on.
The Teenage Weredeer and Straight Outta Fangton books aren’t required reading by any means for Brightblade, but having that background I think does help enrich the world and some of the supporting cast. I had read some, but not all, of the books in the other series and I did sometimes feel like there were some background pieces I wasn’t fully seeing, but nothing that hindered understanding what was happening in Brightblade. And it was wonderful to spend more time getting to know Alex in particular, one of my favorite characters (besides Jane of course) from the Weredeer books. There are some minor spoilers for each of the other series as it does take place after those books in the same world.
The lack of a romance subplot was appreciated, I don’t mind it sometimes, but it’s nice when it can just be a story about a woman kicking ass and not also about who she is or isn’t seeing. There’s a nice low key sex positive vibe, despite not much sex happening, which is also appreciated.
No spoilers but I thoroughly enjoyed the twists and at least one was a major surprise for me. In general I would say it’s what they call a “page turner”, even knowing what was coming the second time around I was still eagerly along for the ride.
The humor is mostly snark and enjoyable geeky pop-culture jokes that had me frequently laughing as I went along, and as is often the case with C.T. Phipps and Michael Suttkus books, it also had me thinking about how the United States of Monsters world reflects our own. It’s not always the most flattering reflection, but it is one worth seeing and discussing. And doing so couched around the supernatural, and a wonderful story, is a great way to do it.
I’m already looking forward to book 2, and 3, and 4… and yeah, I can already tell it’s going to be a great series!
A fantastic addition to United States of Monsters
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Ashley is a “bright”, which means she is more than human. She has very strong empathic power and is able to tell when people are telling the truth based on how they’re feeling when they’re talking. She even tried her hand at being a superhero for a bit, but that didn’t work out so well.
This is a fun story. I loved learning more about these characters and really want to spend more time with them. I also got to see some characters from other series. Peter Stone, the main character from Straight Outta Fangton. I love Peter and I will take any time I can spend with him, even if he has only a small part here. Alex, from Bright Falls series, has a larger part. He is Ashley’s ex-boyfriend and a wizard. Ashley also has a sword that is inhabited by an angel. I really liked the angel.
I do love an investigative type story (be it cop drama or PI style investigations). This one is a fun one with a paranormal style. You can read this story without having read the other series, though there are spoilers in this book that will tell you about events in other series.
This has the humor that I’ve come to expect from Phipps and Suttkus. Like always, I love the pop culture references. This is the first time I’ve heard a Smurfs reference in a book (it was my favorite cartoon as a kid. I still have a ton of those little figurines). Most of the pop culture references are a bit more on the nerdy sci-fi angle, but I love when there are others.
While I think you could follow along if you started with this series, I would probably recommend starting with the Bright Falls Mysteries or Straight Outta Fangton if I were to give you a recommendation on where to start this Universe.
Narration
This is my first listen from Heather Costa. I really liked her narration. I thought she did a good job bringing out the personality of the characters. If I was going to fault her, it would be that the voice of the sword sounded female to me. It was later when I heard Ashley refer to it as “him” that I realize it wasn’t a female angel. That being said, I really liked her narration and would listen to her again.
**I received a free copy of this book and voluntarily chose to review it.
Fun new series in The United States of Monsters
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Listener received this title free
I did like the characters and I loved that there was some casual queerness, racial diversity, a hero will autism, and a mild exploration of personal bias/racism (in regards to vampires, but I felt that was just a proxy).
All in all, not bad, but better suited to a different, maybe younger (though not too young, re strippers/prostitutes referenced above), reader.
Note: I received a free copy of this book. I chose to listen and review it.
pretty good, but not really for me
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Listener received this title free
I have been a huge fan of the various books C.T. Phipps and Michael Suttkus have co-written. When I heard that Michael would be taking lead on a new series set in the United States of Monsters universe, I was ecstatic, and happily took an offered review copy. I can happily say that not only does it fit into the universe, but charts in own course, adding new layers to what they have been creating in other books in the universe.
PLOT SUMMARY
Ashley Morgan is a bounty hunter working with her partners at a bail bonds in New Detroit, which is where the vampires made their base of power after they came out into the open when they bailed out the government in the economic crash of 2008. With the vampires and other supernaturals gaining legal status, the Red Room, who policed the hidden supernatural world, find themselves out of a job. This leaves people like Morgan's family suddenly without support and at loose ends. In Morgan's case, she took her status as a Bright, which means she has mental abilities, and tried to become a costumed superhero. Having telekinesis and being an empath apparently weren't enough to get the job done, so she quit that.
Morgan's firm specializes by bailing out supernaturals. Unfortunately, when they skip bail, it means vanilla humans cant go get them. Its up to Morgan and her team to bring them back and collect. After the capture of a bail jumper goes sideways, the vampire sheriff shows up to take him into custody, in exchange for information about where Ashley's missing brother is. Planning on following up, Ashley has to take an artifact they were paid for a job to the supernatural's bank for deposit. Unfortunately, that's the exact moment three supernatural's decide to rob the bank for another artifact. This leads to a battle between Ashley and the three robbers, who manage to get away, with Ashley being injured.
Ashley wakes up in a strange room, feeling unusual. It turns out that she's at her brother's apartment over the club he owns. She also discovers that she almost died, and had to be saved with vampire blood from her brother, who is now a vampire, thus making her a dhampir. This is awful news to Ashley, who was raised to hate vampires. Ashley finds out the reason for the bank robbery, which was to get an artifact that can raise a dead vampire lord, who can use the wand to turn vampires human again, something the vampires will do anything to avoid. This leads Ashley and her brothers group into conflict with a powerful vampire family bent of gaining power, who will stop at nothing to gain it. It doesn't help that one of the main conspirators is one of Ashley's ex's, who apparently was even worse than she seemed. Ashley and crew must stop them before they bring about the end of the vampire nation, all while keeping Ashley from turning full vamp herself. Ashley needs all her abilities, both old and new, to survive until the end, with a lot of twists and turns along the way.
CHARACTERS AND WORLD BUILDING
Like anything having to do with Michael Suttkus and C.T. Phipps, characters are what drive the story. Ashley is such a well written character, strong, determined and vulnerable by turns. She has deep prejudices ingrained in her by growing up in the Red Room environment, but struggles to be honest and fair. Her hatred of vampires is so at odds with what her brother has become, and it's that conflict that helps driver her actions. Her bonding a mystical weapon also creates some funny moments, as she now has a rather loud "conscience" pushing her to do the right things. The other characters are also so much fun. From Arthur, Ashley's vampire brother, to Alex, her wizard ex, the secondary characters get so much care and development. they get fully fleshed out. The villain of the story actually has very little face time in the book, so doesn't get as much first hand attention, but is discussed at length throughout the book.
The world building is definitely sold. It expands upon the world created in Straight Outta Fangton, Esoterrorism and I Was a Teenage Weredeer. The fall of the Red Room is explained more in this one than the others, with some more of the ancillary work done there explained. New Detroit is expanded on past where its been shown before, really giving a look into the various territories the city is split into. It is definitely an expanded world ripe for future stories.
NARRATION
Narration duties are handled well by Heather Costa. She really brings the characters to life using various tones, accents and cadence. Her narrative pacing is spot on, and she really gets you hooked as she goes.
FINAL THOUGHTS
Any time you spin off a series with new characters, it has a chance of failing. Luckily, they took what worked with the other books in this universe, namely excellent characters, snappy dialogue and a fast paced plot and created a great addition to the universe. If you like any other books by these authors, you'll like this one. I think it has a lot of appeal for any fans of urban fantasy, and has lots of potential places to go.
A great new entry into a wider universe.
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I received a copy of this book in return for my honest opinion which I have given.
Fantastic book
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Exciting and fun
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another great book
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Phipps and Suttkus bring us the adventures of Ashley Morgan in this book. And as the description tells you, she is a jack of all trades. Already familiar with the supernatural world, she is thrust into a comedic/action adventure where she encounters the titular bright blade, which then pushes her deeper into this world of monsters and myth.
The problem for me was that the adventure was . . . formulaic, and the story, as well as meaningful character development, was sacrificed so that the USMU world could be further fleshed out. What do I mean by that? Well, Ashley isn’t really much different that Phipps and Suttkus’ Jane Doe from the Weredeer books. Snarky, comedic, vulnerable as the scene dictates, sassy, and oh so geeky. (Although, Ashley claims she is not a geek, despite playing D&D and video games.) Remember how Jane wields a gun with an angel in it? Well, Ashley has a sword with an angel. Remember how Jane had that relationship with the Men in Black Wizard guy? So did/does Ashley. You know how Jane has magic powers? So does Ashley. Remember how Jane has quippy back-and-fourth’s with supporting characters at a TV’s Buffy pace? So does Ashley. See where I’m going with this? While I liked Ashley, a lot actually, I just felt that she never found her own unique voice. And maybe it is my issue with not seeing her in her own book and instead looking at the whole context of the USMU. But it is my hope that in further books, Ashley will step out of Jane’s shadow and be her own character.
So, with my negatives out of the way, I want to focus on the positives. The world. You see, CT wrote a book a while back called Esoterrorism. If you like Simon Green’s Drood books, I highly recommend you check it out. That book was in it’s own universe when CT was under a different publisher. But, he liked it so much, that he massaged the USMU to incorporate the mysteries of The Red Room. And that is where this book excels. Combining Weredeer, Fangton, and Esoterrorism into a (mostly) cogent universe where actions in one book have impact in another. And that is no small task. Just ask the MCU. Having read (nearly) all the other USMU books, I was delighted to see plots and characters woven in. This level of work takes a more than just a competent writer. It takes someone who loves their world so much that you can see it, touch it, and breathe it. But in order to do that, many of Brightblades characters go off on exposition tangents. Which, again, does not service the story of Ashley Morgan.
Another shining positive to this book was Heather Costa’s narration. Her vocal work really elevated the material and kept me listening. The pace of her reading met the story’s flow and her ability to switch from character to characters, especially in the dialogue heavy scenes, was great! Through her, I felt Ashley’s pain and laughter, a true mark of a talented narrator.
So, I give the world building a 5. The story a 3. Thus, my average is a 4. As a writer myself, (Check out my Technomancer, Shadow Master, Hammer of Witches, Agents of MORTAL books . . plug plug) I hate it when a reviewer will tank a book with a bad score leaving behind a review that appears to be valid “criticism” but reads like a self-important manifesto.
And yes, the irony is not lost on me. But you see, I’m not some keyboard warrior, too afraid to tell the author what I think directly. I told Charles all of this at length over the phone. You see, Charles and I are friends and he in fact gave me this copy to review. In order to push one another, we have to be honest with one another.
But long story short, just because this wasn’t my favorite book of his, doesn’t mean I won’t stop reading his work. And in the same breath, if you love this book, then great. I’m not here to yuck anyone’s yum. I will of course read any sequel to Ashley’s adventures and look forward to seeing her come into her own.
Good, not great.
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The main character really goes through some changes in her life as she deals with a werebear, a couple of ex lovers, and family reunion. I always like a book that creates a world where supernaturals have made theirselves known to humans. The world building skills of the author are well honed.
Talking swords and vampire strippers
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