Mr. Keen, Tracer of Lost Persons was one of the best loved of all radio shows, and often one of the most listened to programs on the airwaves. The public loved the caring, fatherly sleuth who could resolve any problem and knew just how to handle any situation. Bennett Kilpack and Philip Clarke star as "The Kindly Old Tracer," in 20 digitally remastered tales of the missing and the murdered. James Kelly co-stars as Mike Clancy, the Irish former cop who not only assists the sleuth, but considers himself the old gentleman's bodyguard.

She's like Sherlock Holmes with a sassy 1930s attitude! She's Hilary Caine, staff investigator for a British tabloid who knows her way around London…and around every murder case that comes her way!

The world-weary private investigator Harry Nile is one step ahead of the mob, but one step behind the bill collectors. That's why he takes pretty much any case he can catch—from robbery to kidnapping to murder. Phil Harper stars as Harry in twenty-one mood-filled mysteries, aided and assisted by Pat French as Murphy, his secretary extraordinaire. This is classic radio noir for a new generation, created and produced by Jim French.

Hard nosed, hard drinking, but never hard boiled - here's the crusading cameraman of the Morning Express hot on the trail of 16 rip-roaring cases: It's Casey, Crime Photographer! Staats Cotsworth stars as Casey, with Jan Miner as Ann Williams, Bernard Lenrow as Captain Logan, and John Gibson as Blue Note bartender Ethelbert - who doles out the drinks while jazz great Herman Chittison plays the piano.

Simon Templar, played here by Vincent Price (with Barry Sullivan substituting in two episodes), was wealthy and refined. He was well dressed, well traveled, and well educated. He was also The Saint, the "Robin Hood of modern crime," who was not afraid to break the law if that's what had to be done to ensure that justice was served. Larry Dobkin co-stars as Louie the Cabbie in these digitally restored and remastered tales that find Templar sailing, skiing, and delving in to the disparate worlds of mining, baseball, prizefighting, mystery writing, and more. The Saint sets all manner of matters straight, all the while maintaining excellent form.

Detective series Let George Do It came to radio in 1946. It starred Bob Bailey as ex-G.I. and detective-for-hire George Valentine. Clients came to Valentine's office after reading a newspaper carrying his classified ad: Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine.

"Who knows what evil lurks in the hearts of men? The Shadow knows!" A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds". Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace.

From the imaginative radio mind of writer/producer Jim French comes the tough-but-thoughtful private eye who roams the rain-swept streets of the Pacific Coast in search of crime, adventure, and enough dough to keep the office lights on for another month - Harry Nile! It's modern radio drama produced in the classic style, with stories set in the golden age of private-eye drama. Phil Harper stars as Harry in high-powered, hard-luck radio adventures! The 21 episodes featured here include the last show of the character's 1970s run, and the first 20 episodes of his glorious return in 1990.

Candy Matson was a response to all the hard-boiled detectives on the radio, like Philip Marlowe, Sam Spade, and Pat Novak, and all those other detectives who were beaten up on a regular basis. Candy, played by Natalie Park, was hard-boiled in her own way. She never compromised her femininity, but she did know how to use a gun and didn't hesitate to use it when it was necessary. She didn't take any guff from the guys - the good guys or the bad guys. With a snappy comeback, she could take anybody's head off.

This anthology of post-World War II crime radio drama presents fictionalized crime, dramatizations of actual crimes, and programs that presented on-the-spot recordings of real police investigations. Radio Spirits is proud to present 20 adventures from 15 of the best (and most unusual) programs broadcast in the last dozen or so years of commercial network dramatic radio. Series include Gang Busters, The Line Up, Broadway's My Beat, Man from Homicide, Night Watch, and more!

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.