In 1919 South London, Harry Stubbs is freshly out of the army and dreams of glory as an up-and-coming heavyweight boxer. Afraid of nothing, after a few drinks Harry carelessly takes on a dare to explore a disused amusement park attraction. The fake mine is said to be haunted by something with a craving for human blood, but Harry doesn't believe a word of it. What follows is stranger and more dangerous than Harry could ever have dreamed, but the full horrifying truth does not emerge until a chance encounter years later in a waxwork museum...

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

When dissolute fisherman Abel Davenport discovers an ancient temple in the deep ocean, he under the influence of a long dead god. In his attempts to restore the god's cult, Abel unleashes a plague of twisted doppelgangers on Arkham. Horrified by the consequences, Davenport realizes that he alone cannot stop the monsters from resurrecting the Ancient One. Sometimes the only way to end one cult is to start another.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce—and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater.

Dr. Andrew Doran has been out of touch with the major civilizations for quite a while. When an emissary from his Alma Mater demands his assistance, Andrew is in such a state that he has no choice but to help. The Nazis have taken the Necronomicon from Miskatonic University's library. With it they could call upon every form of darkness and use the powers of the void to destroy all who stand in their way of unlimited power.

In 1972, Jeff Rice's novel The Night Stalker introduced Carl Kolchak to the world. This spine-tingling novel of supernatural terror became an instant best seller and served as the basis for the film of the same name. After The Night Stalker became one of the highest rated television movies of all time, a sequel, The Night Strangler, was released the following year to great acclaim. Now, after more than three decades out of print, The Night Stalker and The Night Strangler are together in one volume.

Prepare to meet the wicked progeny of the master of modern horror. In Lovecraft's Monsters, H. P. Lovecraft's most famous creations--Cthulhu, Shoggoths, Deep Ones, Elder Things, Yog-Sothoth, and more--appear in all their terrifying glory. Each story is a gripping new take on a classic Lovecraftian creature. Contributors include such literary luminaries as Neil Gaiman, Joe R. Lansdale, Caitlin R. Kiernan, Karl Edward Wagner, Elizabeth Bear, and Nick Mamatas.

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all of humanity.

It is one of the most well-known and well-loved fantasy epics of the twentieth century: the story of Elric, emperor of the dying kingdom of Melniboné. For a hundred centuries the Melnibonéans have ruled from the Dragon Isle of Imrryr. Now, after years of corruption and decadence, Elric’s amoral cousin Prince Yyrkoon, the brother of his beloved Cymoril, sets his eyes on the Ruby Throne. Elric must face his treacherous cousin not as a warrior but as a sorcerer king once again in league with the ancient gods of Melniboné, the Chaos Lords, and thus sealing his inexorable fate.

Countess Alessandra Zorzi, international adventurer and thief, arrives in Arkham pursuing an ancient body freshly exhumed from a mound in Oklahoma. Before she can steal it, another party beats her to it. During the resulting gunfight at the Miskatonic Museum, the countess makes eye contact with the petrified corpse and begins an adventure of discovery outside her wildest experiences. Now, caught between her mysterious client, the police, and a society of necrophagic connoisseurs, she finds herself on the trail of a resurrected mummy as well as the star-born terror gestating within it.

In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: Eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950 - and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees in Sussex when a young woman literally stumbles onto him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes. Under his reluctant tutelage, this very modern, twentieth-century woman proves a deft protégée and a fitting partner for the Victorian detective.