The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

When a magical plague is released in a Depression-era New York soup kitchen, private detective Alex Lockerby finds himself in a desperate hunt to catch a madman before he can strike again. His investigations lead Alex to a famous thief, a daring heist, and the search for a mythic book of ancient magic, but none of that brings him any closer to finding the man responsible for the massacre. With the police and New York’s Council of Sorcerers desperate to find the culprit, Alex becomes a suspect himself, thanks to his ties to the priest who ran the soup kitchen.

In Conan and the Emerald Lotus, the seeds of a deadly plant grant sorcerers immense power, but turn its users into inhuman killers. In the exclusive, long-awaited sequel Conan and the Living Plague, a Shemite wizard seeks to create a serum to use as a lethal weapon. Instead he unleashes a hideous monster on the city of Dulcine. Hired to loot the city of its treasures, Conan and his fellows in the mercenary troop find themselves trapped in the depths of the city’s keep. To escape, they must defeat the creature, its undead followers, then face Lovecraftian horrors beyond mortal comprehension.

LONDON, 1891. Elizabeth Whittle and William Grant enjoy scalping London’s bourgeoisie, taking on the personas of grand spiritist Cerulia Trent and her agent to connect the living and the dead. When a detective arrives, sniffing out fraud with a scientifically minded spiritualist society, the duo decides to take one last job before escaping to the continent. However, their final séance ends horrifically … and soon Lizzie isn’t Lizzie anymore.

The ocean's imponderable depths contain mysteries far beyond the grasp of mortal men. From the adventurous mariners of ancient times, to simple fishermen of our own New England of yesteryear, mankind has found the seven seas to be both the source of life, and a watery grave. When man seeks to delve too deeply into that abyss, what appalling secrets will rise to the surface? And what will mankind do when faced with the unnamed horrors of the deep?

New York Police Lieutenant Danny Pak has a problem. When one of his officers calls him out to an unusual crime scene, Danny realizes that it’s terrifyingly similar to something the department thought was dead and buried. Across town, Agent William “Buddy” Redhorn of the FBI has two problems. He’s been assigned a potentially career-ending case with magical ties, and his sorceress boss is out of town. The case involves a stolen statue that belongs to the government of Brunei, but the more he chases the thieves, the more bodies begin to drop. Bodies affected by an unknown magic.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

In the depths of human imagination lies a realm where ancient gods stir in their slumbers, where forbidden knowledge teeters on the edge of consciousness, and where cosmic horror casts its suffocating veil over reality. This is the world of the Cthulhu Mythos, a tapestry woven from the mind of one of the most enigmatic and influential writers of the 20th century, H. P. Lovecraft.

Dark Adventure Radio Theatre presents Robert E. Howard's tale of horrors in Eastern Europe in a 1930s-style radio drama. Charlie Tower seeks refuge from the horrors of the Great War in Berlin's most notorious nightclubs. There a chain of events is set in motion that will lead him across Europe to investigate the mysterious Black Stone. Is it merely a creation of superstitious peasants, or is it a nexus for hideous gods of the ancient world to set foot into ours?

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.