
Busman's Honeymoon
The Lord Peter Wimsey and Harriet Vane Mysteries
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Narrated by:
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Ian Carmichael
Society's eligible women are in mourning. Lord Peter Wimsey has married at last, having finally succeeded in his ardent pursuit of the lovely mystery novelist Harriet Vane. The two depart for a tranquil honeymoon in a country farmhouse but find, instead of a well-prepared love nest, the place left in a shambles by the previous owner. His sudden appearance, dead from a broken skull in the cellar, only prompts more questions.
Why would anyone have wanted to kill old Mr. Noakes? What dark secrets had he to hide?
The honeymoon is over, as Lord Peter and Harriet Vane start their investigations. Suspicion is rife, and everyone seems to have something to hide, from the local constable to the housekeeper. Wimsey and his wife can think of plenty of theories, but it's not until they discover a vital fact that the identity of the murderer becomes clear.
©2012 Dorothy L. Sayers (P)2012 AudioGOListeners also enjoyed...




















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a fun wrap-up for Harriet &Lord Peter
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How have I missed out on this gem my whole life?
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Just what I needed to get me out of myself.
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Love & healing vs hate and death
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Great
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Dorothy L. Sayers at Her Best
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Romantic Mystery
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A magnificent book beautifully performed
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Splendid in every way!
What a wonderful listen!
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Sayers also explores the weight of sending people to their death in war or the gallows. This is a major theme in all the Wimsey books, Lord Peter being driven to the point of depression and madness because of his part in it. The new marriage must also endure this aspect of his character.
The murder mystery presented an interesting problem that was not solved until the very end. It made sense because that character was most skilled and most tempered to do such a thing. I listen to a lot of Agatha Christie and have read some Chesterton. Neither one have come up with such an ingenious method of murder. This story stands apart so far in that manner. I enjoyed its ingenuity.
The story also stands apart from Christie because Christie’s treatment of the guilty condemns the evil they do without hesitation. Both authors are concerned with the truth and not allowing evil to continue, but Christie’s resolution bears no remorse for exposing evil and punishing it. Christie is shocking somewhat in that she often suggests suicide is the best solution for murderer or lets them off altogether if the murder is of an evil person. Sayers’ characters feel a responsibility to rule of law but also show so much remorse for the condemned that one gets the impression that they take on the guilt of the condemned. In this, Sayers’ Wimsey is a much more complex person than Christie’s Poirot.
The narrator handled the copious amount of literary quotes marvelously. I would not have understood many of them had I not heard them with the kind of intonation and emotion he showed. His biggest weakness was that his voice showed little difference between Harriet and Peter. I often could not tell who was speaking. To his defense, it could be that the author did not make adequate note of this herself. The narrator was very entertaining voicing the other characters. He definitely made the book a great listen even when I tired of the author.
And I did eventually tire of Sayers. The characters kept quoting literature passages at each other to the point of nauseam. Normal people do not speak to each other in a set of literary allusions instead of real conversations. I do usually enjoy these kinds of allusions when they illuminate an enrich the story. The quotes intrigue me to read further or help in my prior understanding of the books or poems I have read. In this case, Sayers uses quotes so often that they become a running commentary of ideas that actually make the characters more obscure because they are speaking with another’s voice instead of their own.
Having been brought up in America in our modern times, the kind of social structure in English society seems so ridiculous to me. It is interesting that the characters often rebel against this as well. Sayers does not take their side in their argument, however. She writes with a definite prejudice toward common working people. In one ridiculous scene, moving men cannot move a large piece of furniture through a door. Lord Peter takes off his jacket to aid them and immediately the furniture gets through the door. I got the impression that Sayers felt that the lords knew how to do everything better than the common man. She makes a lot of references to people knowing their place and usually makes the characters holding lower positions in life so much cruder and less morally respectable. This is interesting because even though both Peter and Harriet have immoral, only the lower class gets impregnated and cannot find acceptable employment without their help.
I find this sort of class snobbery interesting because of its novelty but have to admit that, even though it is definitely not as pronounced in modern America, it still exists in a way. We certainly treat our celebrities as if they were lords and ladies. What usually annoys me the most, is that the celebrities do not show awareness of their own ignorance. I think in this book, Sayers is much like the modern celebrity, unfortunately, unaware of how little she knows what it is like to be a commoner. She is not unsympathetic or ungenerous, but she definitely writes from above them. Her treatment of Bunter is a notable exception. He is functionally their equal and the characters know and love him for it even if he is not formally acknowledged as such and lives to serve them gracefully.
In spite of these annoyances, I still did enjoy the story because of the themes it explores and will likely read or listen to more of Sayers’ Wimsey books in the future. Thankfully, we are not as limited today by the circumstances of our birth as many were in times past. We can laugh at the snobbery and just appreciate the rest of the story and maybe be temped to look up an English classic or two.
Interesting murder mystery
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