Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

Students and journalists, farmers and birdwatchers, ex-wives, adolescent lovers, and dancing girls. All are ordinary people. Or are they? In this splendid collection of short stories, Margaret Atwood maps the human motivation we scarcely know we have in a startlingly original voice, full of a rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters that evoke laughter, compassion, terror, and recognition.

Anne is barely keeping it together. A frazzled ghostwriter and aspiring novelist, she juggles nine-year-old twins and a listless marriage from an overcrowded Manhattan apartment, spreading herself thinner each day. Just as Anne is about to give up on her dreams, she lands her biggest client yet: Melody Wells. Melody paints a picture of serenity and empowerment in the lavender haze of her visualization workshops—however, the one thing she can’t manifest are the pages her publisher is demanding for her new motivational book. Enter Anne.

Love, be it wild or tender, often defies logic. In fact, at times, the only rationale behind the instant connection of two souls is plain magic. Bibiña Aranda, runaway bride, wakes up in the Guggenheim Museum in Bilbao still wearing her wedding dress, draped in the loving arms of a naked man whose name she doesn’t know. She and the man with no clothes, Indar Zubieta, attempt to explain to the authorities how they got there. It’s a story of love at first sight and experience beyond compare, one that involves a dreamlike journey through the museum.

A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

Reuben thought he’d spend the rest of his life with Beth, until she broke his heart six months ago. He’s not even remotely over her, so he’s devastated to hear she’s getting married—this weekend. Now he’s faced with the ultimate question: what should he do on the day of the wedding? Grieve? Disrupt the ceremony? Or do everything in his power to pretend it’s not happening? Enlisting the help of his friends, Reuben is all set to mark the occasion with distraction on a grand scale: Ferraris, champagne, and a VIP box at the races.

By all accounts, Lucy’s handled her divorce well. She’s finally in the cozy, plant-filled house of her dreams. And although she doesn’t fit in with the other divorcées—all busy looking for their next ex—she’s excited to get down to earth and savor the small joys of life. When Lucy meets Elle, a hip younger woman who shares her same passions, their connection is instant. Taking a chance on kismet, Lucy forges a friendship that fills her days with meaning. She and Elle are inseparable, from sunup to sundown, enjoying the immediate ease and familiarity of each other’s company.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose.

Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices - after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men.

The bad news arrives in the form of a paper, which Tig carries up the stairs to Nell who is wallowing in bed. A year from now, they won’t remember the details, but for now, the bad news sits between the aging couple as they prepare their breakfast together, and Nell imagines them in Southern France as the barbarians invade Rome on what is a beautiful day, safe and quiet, for now, from the bad news coming their way.

On the eve of her wedding to Adam, Lily’s best friend Josh unexpectedly walked out of her life, and she hasn’t seen him since. Lily and Adam are blissfully happy, until he falls ill. As she cares for him in his final hours, Adam asks her to make a mysterious promise: to find Josh—and forgive them both.

With sole custody of her brother, Kennedy has more to worry about than the antics of his favorite YouTube creators. But when one called Kidd launches an absurd challenge—with a large payday—to celebrate ten million subscribers, she winds up playing high-stakes hide-and-seek in the mall. After the game gets dangerous, she has to wonder: Is someone really out for the ultimate unsubscribe?

For better or for worse, Sarah Anderson has it all: a thriving career, a nice home in Ottawa, two young kids…and a marriage coming apart at the seams. Then her husband, Matthew, vanishes without a trace during a family vacation up north. Sarah and her children are nearly lost among the slumbering lakes, treacherous cliffs, and brooding forests of the Canadian Shield. A glacier-scraped realm of ancient beauty and terror, it’s a world away from the safety of the suburbs. And a big storm is brewing.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

Love, be it wild or tender, often defies logic. In fact, at times, the only rationale behind the instant connection of two souls is plain magic. Bibiña Aranda, runaway bride, wakes up in the Guggenheim Museum in Bilbao still wearing her wedding dress, draped in the loving arms of a naked man whose name she doesn’t know. She and the man with no clothes, Indar Zubieta, attempt to explain to the authorities how they got there. It’s a story of love at first sight and experience beyond compare, one that involves a dreamlike journey through the museum.

From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

In this haunting short story of loyalty and betrayal, a young woman in early 1900s Massachusetts discovers that in navigating her treacherous coming-of-age, she must find her voice first. For fatefully observant Adeline, growing up carries an ominous warning from her adulterous mother: don’t say a word. Adeline vows to never speak again. But that’s not her only secret. After her mother takes a housekeeping job at a lighthouse off the tip of Cape Ann, a local woman vanishes. The key to the mystery lies with Adeline, the silent witness.

Disturbing, humorous, and compassionate, Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the the fierce politics of childhood and its secret world of friendship, longing, and betrayal.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

It’s been ten years since Jade lost her father in a tragic accident, and the lingering guilt and grief have dragged her down to rock bottom. Then one night, she’s out at a restaurant and sees the impossible through the window: her father, alive. By the time she reaches the crowded sidewalk, he has disappeared. After so much despair, Jade isn’t going to lose him again—no matter what sinister truths may come from following him.

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.

Judith knows her sister, Alice, is the pretty one—but that doesn’t stop her from wishing for love. When a handsome and gentlemanly hunter appears in their village, seeking lodging from the cold, she believes her lover has finally arrived. He does, indeed, choose to stay—but as Alice’s husband, not her own. When another stranger comes out of the woods, looking every bit a vagrant, he offers Judith something mysterious and enticingly strange. Against reason and decency, she welcomes both men into her life, in different ways.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around—and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed and everyone gets a comfortable, clean house to live in . . . for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates in the Positron prison system.

The correspondence between Carrie Allsop and David Mayer reveals, piece by piece, the painful details of a devastating affair between their spouses. With each commiserating scratch of the pen, they confess their fears and bare their souls. They share the bewilderment over how things went so wrong and come to wonder where to go from here. Told entirely through the letters of two comforting strangers and those of two illicit lovers, Evidence of the Affair explores the complex nature of the heart. And ultimately, for one woman, how liberating it can be when it’s broken.

Students and journalists, farmers and birdwatchers, ex-wives, adolescent lovers, and dancing girls. All are ordinary people. Or are they? In this splendid collection of short stories, Margaret Atwood maps the human motivation we scarcely know we have in a startlingly original voice, full of a rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters that evoke laughter, compassion, terror, and recognition.