Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

Prairie Nightingale is both the midlife mother of two teenage girls and a canny entrepreneur who has turned homemaking into a salaried profession. She’s also fascinated with the gritty details of other people’s lives. So when seemingly perfect Lisa Radcliffe, a member of her former mom-friends circle, suddenly disappears, it’s in Prairie’s nature to find out why. Given her innate talent for vital pattern recognition, Prairie is out to catch a few clues by taking a long, hard look at everyone in Lisa’s life—and uncovering their secrets.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

Reuben thought he’d spend the rest of his life with Beth, until she broke his heart six months ago. He’s not even remotely over her, so he’s devastated to hear she’s getting married—this weekend. Now he’s faced with the ultimate question: what should he do on the day of the wedding? Grieve? Disrupt the ceremony? Or do everything in his power to pretend it’s not happening? Enlisting the help of his friends, Reuben is all set to mark the occasion with distraction on a grand scale: Ferraris, champagne, and a VIP box at the races.

Love, be it wild or tender, often defies logic. In fact, at times, the only rationale behind the instant connection of two souls is plain magic. Bibiña Aranda, runaway bride, wakes up in the Guggenheim Museum in Bilbao still wearing her wedding dress, draped in the loving arms of a naked man whose name she doesn’t know. She and the man with no clothes, Indar Zubieta, attempt to explain to the authorities how they got there. It’s a story of love at first sight and experience beyond compare, one that involves a dreamlike journey through the museum.

Anne is barely keeping it together. A frazzled ghostwriter and aspiring novelist, she juggles nine-year-old twins and a listless marriage from an overcrowded Manhattan apartment, spreading herself thinner each day. Just as Anne is about to give up on her dreams, she lands her biggest client yet: Melody Wells. Melody paints a picture of serenity and empowerment in the lavender haze of her visualization workshops—however, the one thing she can’t manifest are the pages her publisher is demanding for her new motivational book. Enter Anne.

Raised by ruggedly independent, scientifically minded parents – entomologist father, dietician mother – Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.’), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape.

A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

In each of these tales, Margaret Atwood deftly illuminates the single instant that shapes a whole life: In a few brief minutes we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery.

It’s a New Jersey summer in 1967, and thirteen-year-old Ravi Ramanathan has the makings of a tennis prodigy. His surgeon father encourages his ambition, while his mother dreams of their only child following his father’s path. Surrounded by his parents’ love, Ravi chafes a bit at their daily routines and little traditions. Then one unexpected day, everything changes. Realizing how much he took for granted, Ravi must grow up overnight and find a new role in the life of his family.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose.

Flying dark, a plane carrying a team of mercenaries crash-lands on a remote snowy summit. When they come across a mazelike stone fortress, it’s no refuge from the wolves and the freezing wind. It’s more like a trap. What they discover can stop the heart—or worse. As terror takes a new shape, the real battle for survival begins in this unrelenting serialized novel from Academy Award–winning filmmaker and writer Guillermo del Toro.

When a $3 million Bulgari diamond necklace disappears into thin air during a locked photo shoot, the suspects are all on set. There’s the magazine’s new editor-in-chief with much to prove, the tarnished photographer she’s indebted to, the fallen star who swooped in when her young rival got sick, and the grandiose stylist. But it’s the lowly assistant who must solve the case—and find the gems before taking the blame.

With sole custody of her brother, Kennedy has more to worry about than the antics of his favorite YouTube creators. But when one called Kidd launches an absurd challenge—with a large payday—to celebrate ten million subscribers, she winds up playing high-stakes hide-and-seek in the mall. After the game gets dangerous, she has to wonder: Is someone really out for the ultimate unsubscribe?

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....

Love, be it wild or tender, often defies logic. In fact, at times, the only rationale behind the instant connection of two souls is plain magic. Bibiña Aranda, runaway bride, wakes up in the Guggenheim Museum in Bilbao still wearing her wedding dress, draped in the loving arms of a naked man whose name she doesn’t know. She and the man with no clothes, Indar Zubieta, attempt to explain to the authorities how they got there. It’s a story of love at first sight and experience beyond compare, one that involves a dreamlike journey through the museum.

From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.

Twenty-one years after Cheryl Strayed set off on the Pacific Crest Trail to heal from the death of her beloved mother, Cheryl’s mother-in-law, Joan, is given weeks to live. As she and her husband help see Joan through her final days, Cheryl reckons with their complicated relationship, determined to connect with a woman who both showed her love and (sometimes hilariously) held her at a distance. Cheryl reflects on their two decades together as she comes to a deeper understanding of the secrets and sorrows in Joan’s complicated past.

A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.

It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.

In each of these tales, Margaret Atwood deftly illuminates the single instant that shapes a whole life: In a few brief minutes we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery.

In this haunting short story of loyalty and betrayal, a young woman in early 1900s Massachusetts discovers that in navigating her treacherous coming-of-age, she must find her voice first. For fatefully observant Adeline, growing up carries an ominous warning from her adulterous mother: don’t say a word. Adeline vows to never speak again. But that’s not her only secret. After her mother takes a housekeeping job at a lighthouse off the tip of Cape Ann, a local woman vanishes. The key to the mystery lies with Adeline, the silent witness.

It’s been ten years since Jade lost her father in a tragic accident, and the lingering guilt and grief have dragged her down to rock bottom. Then one night, she’s out at a restaurant and sees the impossible through the window: her father, alive. By the time she reaches the crowded sidewalk, he has disappeared. After so much despair, Jade isn’t going to lose him again—no matter what sinister truths may come from following him.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?