
On Writers and Writing
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Narrated by:
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Margaret Atwood
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By:
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Margaret Atwood
About this listen
What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world?
Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift? Atwood's wide reference to other writers, living and dead, is balanced by anecdotes from her own experiences, both in Canada and elsewhere. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.
Margaret Atwood was born in 1939 in Ottawa and grew up in northern Quebec, Ontario, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College. Throughout her 30 years of writing, Atwood has received numerous awards and honorary degrees. Hew novel The Blind Assassin won the 2000 Booker Prize for Fiction. She is the author of more than 25 volumes of poetry, fiction, and non-fiction and is perhaps best known for her novels, which include Alias Grace (1996), The Robber Bride (1994), Cat's Eye (1988), The Handmaid's Tale (1983), Surfacing (1972) and The Edible Woman (1970). Acclaimed for her talent for portraying both personal lives and worldly problems of universal concern, Atwood's work has been published in more than 35 languages, including Japanese, Turkish, Finnish, Korean, Icelandic, and Estonian.
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Featured Article: The 10 Best Audiobooks on Writing
National Novel Writing Month—or NaNoWriMo—is the one time every year you can be totally obsessed with your novel, live knee-deep inside your own stories, and no one can say anything about it! It is, in short, a creative writer's dream (or nightmare, depending on how well you write under pressure). From fantastical epics to realistic shorts to flash-fiction, we each have our own wonderful story to tell. This carefully selected list of the best audiobooks on writing will help you access your inner writer and get your story on the page.
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-
-
It all blends together
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By: Margaret Atwood
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- By: Margaret Atwood
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w t f Margaret?
- By Robin on 05-10-20
By: Margaret Atwood
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Writing on Empty
- A Guide to Finding Your Voice
- By: Natalie Goldberg
- Narrated by: Natalie Goldberg
- Length: 5 hrs and 14 mins
- Unabridged
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Natalie Goldberg has been writing for the past fifty years. But at the beginning of the pandemic, she suddenly wasn’t able to write anymore. Her imaginative wellspring had dried up, and she was forced to ask herself: what do I do when what has always worked for me doesn’t work anymore? In this beautifully written, inspiring personal account, Natalie shares her harrowing journey out of creative paralysis and back onto the page.
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A zen -tour de force!
- By Innocent Bystander on 07-24-24
By: Natalie Goldberg
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Write The Damn Book!
- Steps For Overcoming Your Fear Of Writing
- By: Stefanie Newell
- Narrated by: Virtual Voice
- Length: 1 hr and 38 mins
- Unabridged
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Soothe your inner critic and start writing. So, you want to write a book... Maybe being a published author is your lifelong dream. Or maybe you’ve recently been inspired to put pen to paper (or fingers to your keyboard). But when it comes time to sit down and actually do the writing, you freeze. What if my idea isn’t any good? What if I’m a terrible writer? What if no one wants to read what I put out there? What if I get nothing but one-star reviews on Amazon? And just like that, the notebook is closed, and writing a book is nothing more than a distant fantasy. Sound familiar? Well, ...
By: Stefanie Newell
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The Writing Life
- Ideas and Inspiration for Anyone Who Wants to Write
- By: Julia Cameron, Natalie Goldberg
- Narrated by: Julia Cameron, Natalie Goldberg
- Length: 2 hrs and 38 mins
- Original Recording
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Through their many best-selling books, Natalie Goldberg and Julia Cameron have done nothing less than deepen the way millions of us experience the art and practice of writing and creativity. Now, with The Writing Life, Cameron and Goldberg join forces for the first time in this revealing dialogue that speaks to our common search for an everyday spirituality.
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Enjoyed hearing 2 perspectives from writers who have impacted me
- By Cheri Keirstead on 04-03-16
By: Julia Cameron, and others
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Writing Down the Bones
- By: Natalie Goldberg
- Narrated by: Natalie Goldberg
- Length: 8 hrs and 50 mins
- Original Recording
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Here is a new collector's edition of this modern classic as you have never heard it before, read by Natalie Goldberg herself and then infused with her most personal reflections about this "magic manual" for all writers. Try these ingenious, Zen-based exercises to expand your writing skills - or just for fun.
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The Substance
- By Krissy D. on 07-09-10
By: Natalie Goldberg
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On Becoming a Novelist
- By: John Gardner
- Narrated by: Anthony Haden Salerno
- Length: 5 hrs and 53 mins
- Unabridged
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On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot.
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Great book, slightly irritating narration.
- By mahoneko on 06-06-15
By: John Gardner
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A Poetry Handbook
- By: Mary Oliver
- Narrated by: Kimberly Farr
- Length: 3 hrs and 33 mins
- Unabridged
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With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks listeners through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind—a must-have for all poetry-lovers.
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I learned some things
- By Tim on 03-16-25
By: Mary Oliver
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Effective Editing
- How to Take Your Writing to the Next Level
- By: Molly McCowan, The Great Courses
- Narrated by: Professor Molly McCowan
- Length: 5 hrs and 18 mins
- Original Recording
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Book coach and editor Molly McCowan takes you through the self-editing process in 13 detailed lessons, using a step-by-step method designed to reduce overwhelm and to structure the revision process in the most productive way possible. Working from the big to the little picture of your work, Molly shows you how to strengthen character development, find and fix plot holes, build stronger scenes, focus on smooth pacing and point-of-view issues, elevate your language, and much more.
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This is excellent
- By M.Biblioswine on 08-19-21
By: Molly McCowan, and others
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The Robber Bride
- By: Margaret Atwood
- Narrated by: Bernadette Dunne
- Length: 20 hrs and 12 mins
- Unabridged
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From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.
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BORED with her own novel?
- By Darwin8u on 05-16-12
By: Margaret Atwood
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Writing Tools (10th Anniversary Edition)
- 55 Essential Strategies for Every Writer
- By: Roy Peter Clark
- Narrated by: Neil Kaplan
- Length: 9 hrs and 22 mins
- Unabridged
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Ten years ago, Roy Peter Clark, America's most influential writing teacher, whittled down almost 30 years of experience in journalism, writing, and teaching into a series of 50 short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available. This new edition includes five brand-new, never-before-shared tools.
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Refreshing
- By Danielle on 06-15-21
By: Roy Peter Clark
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My Evil Mother
- A Short Story
- By: Margaret Atwood
- Narrated by: Hillary Huber
- Length: 57 mins
- Unabridged
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Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.
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Great easy read
- By Fundamental I. on 04-02-22
By: Margaret Atwood
pensive Margaret Atwood
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One of the Greats
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I could have continued listening.
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A writer who honestly likes writing
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Atwood Great, Audible Also There
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It’s not the kind of book with steps and bullet points and tips and tricks. It’s more of an essay, an attempt, to metatextually embody what is writing, the writer, and the others too. And it does.
Don’t get me wrong. Atwood is brilliant and this work is true to her brilliance. It is inspiring and revealing.
But it’s heavy lifting.
It’s riddled with scholarly references of stories, tales, and works I was largely not familiar with. They may have been minimally obscure works I would have encountered had I been in a situation to go to grad school for literature. She explained them well enough without being condescending, it was very honorable to this ignorant reader. I could still follow and get the gist. But it was work.
I think I would prefer to consume this as a handbook. A little at a time, at my own pace, as needed. It would need be a physical copy. And it would likely sit on my desk for accessibility when the mood struck. I’m certain I would like a paragraph or page at a time more than the unrestrained flow of narration.
And the narration. Atwood was 81 the day this was released. It’s a gift we got to hear this work in her own voice. Yes it’s gravely, more so at times than others. It has the dignified monotone of the high brow, scholarly reciter of their own work. That can be intimidating or grounding or annoying or inspiring. I found it to be a gift.
A Gift to Chew Not Imbibe
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amazing book
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Thought provoking and informative!
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For writers and readers alike
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A soft-spoken brilliance
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