On Writers and Writing
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Narrated by:
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Margaret Atwood
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By:
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Margaret Atwood
About this listen
What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world?
Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift? Atwood's wide reference to other writers, living and dead, is balanced by anecdotes from her own experiences, both in Canada and elsewhere. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.
Margaret Atwood was born in 1939 in Ottawa and grew up in northern Quebec, Ontario, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College. Throughout her 30 years of writing, Atwood has received numerous awards and honorary degrees. Hew novel The Blind Assassin won the 2000 Booker Prize for Fiction. She is the author of more than 25 volumes of poetry, fiction, and non-fiction and is perhaps best known for her novels, which include Alias Grace (1996), The Robber Bride (1994), Cat's Eye (1988), The Handmaid's Tale (1983), Surfacing (1972) and The Edible Woman (1970). Acclaimed for her talent for portraying both personal lives and worldly problems of universal concern, Atwood's work has been published in more than 35 languages, including Japanese, Turkish, Finnish, Korean, Icelandic, and Estonian.
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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The Plight Before Christmas
- By: Kate Stewart
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Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.
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Gaslighting and games
- By FMC on 12-22-22
By: Kate Stewart
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He's Gone
- By: Rebecca Collomosse
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- Length: 10 hrs and 21 mins
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My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
- By TerriSweeta on 12-04-24
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The Answer Is No
- A Short Story
- By: Fredrik Backman, Elizabeth DeNoma - translator
- Narrated by: Stacy Gonzalez
- Length: 1 hr and 49 mins
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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- By joey1603 on 12-01-24
By: Fredrik Backman, and others
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Starship Troopers
- By: Robert A. Heinlein
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Dead Med
- By: Freida McFadden
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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Students and journalists, farmers and birdwatchers, ex-wives, adolescent lovers, and dancing girls. All are ordinary people. Or are they? In this splendid collection of short stories, Margaret Atwood maps the human motivation we scarcely know we have in a startlingly original voice, full of a rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters that evoke laughter, compassion, terror, and recognition.
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This is a great listen
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Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....
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What listeners say about On Writers and Writing
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 07-24-21
pensive Margaret Atwood
I really liked hearing the book read by Margaret Atwood herself. At times she put in almost too much detail, but overall it was very rewarding.
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- Anna Battle
- 09-10-21
One of the Greats
I read a lot of craft books (books on writing), and this one surprised me with Atwood's simple honesty and gruff charisma. She is very candid, well read, and mixes her thoughts on writing with a multitude of relatable anecdotes. If you write or are a fan of her work, definitely pick this one up. Her narration is also wonderful - it is very special when an author voices their own work.
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8 people found this helpful
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- Sarge
- 08-02-21
I could have continued listening.
I could have continued listening but time ran out. I always appreciate it when the author reads their own work. Atwood’s insight is so precise and her references to other works not only brings the listener a broad spectrum of creative viewpoints but illustrates the broad foundation of literature that she draws from. The closing interview was audio shock after swimming lazily to the flow of Atwood’s voice. It took me a while to come around but I did eventually. I enjoyed my time.
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- Placeholder
- 11-03-22
A writer who honestly likes writing
Unlike some listeners who say they would have preferred to read this book, I was very happy to listen. I like her no-fanfare voice and Canadian accent as well as her marvelous sense of humour and irony which is accentuated through her voice. The content is a major review of literature ancient and modern and much of it that I had not read, I now will read. I am thankful she was not brought up on TV.
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- Koala koala
- 02-01-24
Atwood Great, Audible Also There
The book was as lovely and informative and thoughtful as any Atwood book, but I was absolutely astounded to hear in the interview and Audible credits that the book I’ve so enjoyed was not, in fact, ON WRITERS AND WRITING, but NEGOTIATIONS WITH THE DEAD. Shock! Awe! Double checking the title, comparing the TOC of the print of this book which I also have and have read. As it turns out, Audible lied to me. This is ON WRITERS. Alas, I cannot rate on production quality, otherwise this would get one star in that category.
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- Ryan Clark
- 11-12-22
A Gift to Chew Not Imbibe
Reading @therealmargaretatwood’s #OnWritersAndWriting could have threatened the knowing that I am writer though I’m not writing, but I remained largely unscathed. It also could have inspired or grounded the knowing, but I’m not certain it did that either. There were times I hit “huh, I never thought of it that way,” and I am always seeking that out and seldom finding it, so goodie, but I found myself largely just getting through the audiobook. My #adhd tendencies drifted me away from being able to focus more than usual, in part, because it was an intellectual feat to stay on track.
It’s not the kind of book with steps and bullet points and tips and tricks. It’s more of an essay, an attempt, to metatextually embody what is writing, the writer, and the others too. And it does.
Don’t get me wrong. Atwood is brilliant and this work is true to her brilliance. It is inspiring and revealing.
But it’s heavy lifting.
It’s riddled with scholarly references of stories, tales, and works I was largely not familiar with. They may have been minimally obscure works I would have encountered had I been in a situation to go to grad school for literature. She explained them well enough without being condescending, it was very honorable to this ignorant reader. I could still follow and get the gist. But it was work.
I think I would prefer to consume this as a handbook. A little at a time, at my own pace, as needed. It would need be a physical copy. And it would likely sit on my desk for accessibility when the mood struck. I’m certain I would like a paragraph or page at a time more than the unrestrained flow of narration.
And the narration. Atwood was 81 the day this was released. It’s a gift we got to hear this work in her own voice. Yes it’s gravely, more so at times than others. It has the dignified monotone of the high brow, scholarly reciter of their own work. That can be intimidating or grounding or annoying or inspiring. I found it to be a gift.
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4 people found this helpful
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- Ella
- 03-12-22
amazing book
amazing book, I need to reread some of my old books with a new perspective/light
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2 people found this helpful
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- Amazon Customer
- 11-27-23
Thought provoking and informative!
As I am New to jump on the bandwagon. This book was so refreshing I wish it was longer lol
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- SJSmith
- 03-20-21
For writers and readers alike
This little memoir was enormously helpful and insightful. I struggled with Ms. Atwood's vocal frying, but I still think it was important to hear it in her voice.
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- James Adams
- 03-22-21
A soft-spoken brilliance
What a delightful experience to hear calm brilliance, wit and musings from what must be a Canadian national treasure. Required reading I’m sure for anyone remotely inspired to putting creative pen to paper, this book is a beautiful meditation on the relationship of the written word (thus its Writer) to the readers of said word. Count me, late again, a new fan of Ms. Atwood and her ilk: the un-young and too un-sung.
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