The Heart Goes Last
A Novel
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Narrated by:
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Cassandra Campbell
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Mark Deakins
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By:
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Margaret Atwood
About this listen
Margaret Atwood puts the human heart to the ultimate test in an utterly brilliant new novel that is as visionary as The Handmaid's Tale and as richly imagined as The Blind Assassin.
Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around—and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed and everyone gets a comfortable, clean house to live in . . . for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates in the Positron prison system. Once their month of service in the prison is completed, they can return to their "civilian" homes.
At first, this doesn't seem like too much of a sacrifice to make in order to have a roof over one's head and food to eat. But when Charmaine becomes romantically involved with the man who lives in their house during the months when she and Stan are in the prison, a series of troubling events unfolds, putting Stan's life in danger. With each passing day, Positron looks less like a prayer answered and more like a chilling prophecy fulfilled.
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Critic reviews
“Thrilling, sometimes comic, often absurd and entirely engaging, spinning sins into the territory of Elvis-themed escorts, stuffed-animal carnality and customizable sexbots … What keeps The Heart Goes Last fresh, as with the rest of Atwood’s recent work, is that while it revisits earlier themes of her oeuvre, it never replicates. Rather, it reads like an exploration continued, with new surprises, both narratively and thematically, to be discovered … Margaret Atwood has become something nearly as fantastical as one of her storytelling subjects: a living legend who continues to remain fresh and innovative on the page.”—Mat Johnson, New York Times Book Review
"[The Heart Goes Last] affords an arresting perspective on the confluence of information, freedom, and security in the modern age."—The New Yorker
"This is quintessential Atwood territory, a bleak dystopian landscape littered with shady types who engage in twisted sexual manipulation and scientific engineering reminiscent of The Handmaid’s Tale and Oryx and Crake ... The writing here is so persuasive, so crisp, that it seeps under your skin ... [This] fast-paced novel is hard to put down when it comes screaming to its clever and terrifying conclusion."—Boston Globe
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When Keira first receives her breast cancer diagnosis, she never expects to end up joining a running group with three women she’s only just met. Totally blindsided, all she can think about is how she doesn’t want to tell her family or step back from work. Nor does she want to be part of a group of fellow cancer patients. Cancer is not her club. And yet it’s running - hot, sweaty, Lycra-clad running in the company of brilliant, funny women all going through treatment - that unexpectedly gives Keira the hope she so urgently needs.
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depressing
- By Jessica on 09-15-22
By: Josie Lloyd
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Our Tiny, Useless Hearts
- By: Toni Jordan
- Narrated by: Caroline Lee
- Length: 9 hrs and 3 mins
- Unabridged
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Henry has ended his marriage to Caroline and headed off to Noosa with Mercedes' grade three teacher, Martha. Caroline, having shredded a wardrobe-full of Henry's suits, has gone after them. Craig and Lesley have dropped over briefly from next door to catch up on the fallout from Henry and Caroline's all-night row. And Janice, Caroline's sister, is staying for the weekend to look after the girls because Janice is the sensible one.
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Caroline Lee enhances every story she narrates
- By stella on 12-02-18
By: Toni Jordan
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Ain't She Sweet?
- By: Susan Elizabeth Phillips
- Narrated by: Ann Marie Gideon
- Length: 11 hrs and 25 mins
- Unabridged
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The girl everybody loves to hate has returned to the town she'd sworn to leave behind forever. As the rich, spoiled princess of Parrish, Mississippi, Sugar Beth Carey had broken hearts, ruined friendships, and destroyed reputations. But 15 years have passed, and now she's come home - broke, desperate, and too proud to show it. The people of Parrish don't believe in forgive and forget. But none of them have reckoned on the unexpected strength of a woman who's learned survival the hard way.
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wonderfully read
- By older reader on 06-14-20
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Welcome to Paradise
- By: Rosalind James
- Narrated by: Emma Taylor
- Length: 12 hrs and 32 mins
- Unabridged
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Mira Walker is hoping that competing on a "living history" reality show will give her what's missing from her real life. Maybe she'll get closer to her boyfriend, who hasn't been all that nice to her lately. Get fired up about her job again. Who knows, she might even win a million dollars. Gabe Kincaid and his brother, Alec, are after that million, too, though. Mira and Scott are no threat at all, not when everybody involved is going to want to kill Scott after the first day. And there's no bond stronger than a twin's. What could possibly go wrong?
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Reality TV Romance Done Well
- By CandCrew on 06-07-15
By: Rosalind James
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Watermelon
- By: Marian Keyes
- Narrated by: Gerri Halligan
- Length: 13 hrs and 46 mins
- Unabridged
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At 29, Claire is full of the joys of life - that is, until her husband leaves her on the day she gives birth to her baby. With a broken heart, a beautiful newly born and an expanding mirror image, she decides to visit her eccentric family in Dublin. There she starts to feel better. So much better, in fact, that James is in for a surprise when he decides to slither back into her life....
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A fun read, every time
- By Audrey Smith on 01-06-23
By: Marian Keyes
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Upside Down
- The Men of the Sisterhood, Book 1
- By: Fern Michaels
- Narrated by: Laural Merlington
- Length: 3 hrs and 7 mins
- Unabridged
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Through public triumphs and private sorrows, the men in the Sisters' lives - husbands, friends, colleagues, and lovers - have offered invaluable aid and support. In the process, they've become an informal brotherhood of their own, able to relate to the unique challenges and rewards of life among the vigilantes.
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Lacking
- By Ken Huffman on 09-19-15
By: Fern Michaels
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I Predict a Riot
- Murder, Extortion & Carrot Cake
- By: Colin Bateman
- Narrated by: Adam Moore
- Length: 21 hrs and 33 mins
- Unabridged
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Walter has a rubbish job, so has Margaret. But when they meet through a dating agency, neither is who they seem. Margaret's married for a start, and Walter's encounter with her husband, Billy, leaves him black and blue. Billy's a dodgy accountant for politician and racketeer Pink Harrison, who is about to come unstuck.
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PICK ME PLEASE PICK ME WE'LL HAVE LOTS OF FUN
- By Louise on 10-19-08
By: Colin Bateman
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Borderline
- The Arcadia Project, Book 1
- By: Mishell Baker
- Narrated by: Arden Hammersmith
- Length: 11 hrs and 7 mins
- Unabridged
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A year ago Millie lost her legs and her filmmaking career in a failed suicide attempt. Just when she's sure the credits have rolled on her life story, she gets a second chance with the Arcadia Project: a secret organization that polices the traffic to and from a parallel reality filled with creatures straight out of myth and fairy tales. For her first assignment, Millie is tasked with tracking down a missing movie star who also happens to be a nobleman of the Seelie Court.
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It's the characters
- By Ken Schneyer on 02-11-17
By: Mishell Baker
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To Die For
- By: Linda Howard
- Narrated by: Franette Liebow
- Length: 9 hrs and 37 mins
- Unabridged
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Overall
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Blair Mallory lives the good life. She's pretty, confident, and the owner of a thriving upscale fitness center. But in the shadow of success, a troubled member of the club develops a strange fixation on her, imitating her style and dress. Matters take a darker turn when the look-alike is shot dead - and Blair witnesses the horror.
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Narration too horrible to listen to
- By Lifelong Reader on 01-16-09
By: Linda Howard
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The Incrementalists
- By: Skyler White, Steven Brust
- Narrated by: Ray Porter, Mary Robinette Kowal
- Length: 8 hrs and 47 mins
- Unabridged
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Story
The Incrementalists - a secret society of 200 people with an unbroken lineage reaching back 40,000 years. They cheat death, share lives and memories, and communicate with one another across nations, races, and time. They have an epic history, an almost magical memory, and a very modest mission: to make the world better, just a little bit at a time. Their ongoing argument about how to do this is older than most of their individual memories. Phil, whose personality has stayed stable through more incarnations than anyone else’s, has loved Celeste - and argued with her - for most of the last 400 years.
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Neat idea that went nowhere
- By Ynomrah on 11-05-13
By: Skyler White, and others
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Divorcing Jack
- A Novel
- By: Colin Bateman
- Narrated by: Glen Murrant
- Length: 7 hrs and 21 mins
- Unabridged
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Overall
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Performance
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Story
Dan Starkey is a journalist in Belfast, who shares with his wife, Patricia, an appetite for drinking and dancing. Dan meets Margaret, and things begin to get out of hand - terrifyingly, she is murdered. Before long, Dan is a target himself, racing as fast as he can against time to crack the mystery.
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This Belfast Gal was unimpressed
- By Barbarama on 09-30-23
By: Colin Bateman
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Get Lucky
- By: Katherine Center
- Narrated by: Morgan Hallett
- Length: 8 hrs and 13 mins
- Unabridged
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Performance
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Filled with wit and heart, Get Lucky by Katherine Center explores the deep bonds of sisterhood. Sarah Harper’s whole world revolved around her job at a New York advertising agency before an email snafu got her fired. Now she’s seeking refuge at her sister Mackie’s home in Houston. But Mackie, who’s unable to get pregnant, is also down-and-out these days. So Sarah decides to do something good and becomes a surrogate mother.
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Finding what matters most in life
- By bizymom7 on 10-12-24
By: Katherine Center
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From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.
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BORED with her own novel?
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Brilliant Science Fiction
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Cat's Eye
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Disturbing, humorous, and compassionate, Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the the fierce politics of childhood and its secret world of friendship, longing, and betrayal.
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Excellent
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Lady Oracle
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From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.
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A Feminist Romp
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Stone Mattress
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A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.
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Staggeringly Good
- By The Amester on 06-01-15
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The Edible Woman
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- Narrated by: Lorelei King
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Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....
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Representation of a Thousand Lives
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From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.
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BORED with her own novel?
- By Darwin8u on 05-16-12
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The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?
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Brilliant Science Fiction
- By Michael on 05-20-03
By: Margaret Atwood
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Cat's Eye
- By: Margaret Atwood
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- Length: 16 hrs and 31 mins
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Disturbing, humorous, and compassionate, Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the the fierce politics of childhood and its secret world of friendship, longing, and betrayal.
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Excellent
- By Sarah on 08-24-15
By: Margaret Atwood
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Lady Oracle
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From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.
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A Feminist Romp
- By annkpowers on 07-02-22
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Stone Mattress
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A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.
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Staggeringly Good
- By The Amester on 06-01-15
By: Margaret Atwood
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The Edible Woman
- By: Margaret Atwood
- Narrated by: Lorelei King
- Length: 9 hrs and 37 mins
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Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....
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Representation of a Thousand Lives
- By Talia R. on 04-17-22
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Old Babes in the Wood
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- By: Margaret Atwood
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Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.
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Awful
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The Blind Assassin
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For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.
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Good book, TERRIBLE audio!
- By Whitney on 04-27-09
By: Margaret Atwood
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Alias Grace
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- Unabridged
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Overall
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Performance
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Story
It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.
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Beautiful and Intense Story
- By Aparries on 11-27-17
By: Margaret Atwood
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Life Before Man
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Overall
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Performance
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Story
Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices - after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men.
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Not my favorite
- By wife of chippy on 11-25-19
By: Margaret Atwood
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Moral Disorder and Other Stories
- By: Margaret Atwood
- Narrated by: Susan Denaker
- Length: 7 hrs and 35 mins
- Unabridged
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In these ten interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present.
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good book, badly read
- By Nancy on 02-27-07
By: Margaret Atwood
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Bodily Harm
- By: Margaret Atwood
- Narrated by: Angela Nevard
- Length: 10 hrs and 5 mins
- Unabridged
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A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.
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Worst Atwood story. I kept thinking that someone else actually wrote it!!
- By Amazon Customer on 12-11-23
By: Margaret Atwood
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The Grass Dancer
- By: Susan Power
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- Unabridged
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Story
Back in the 1860s, Ghost Horse, a handsome young sacred clown, loved and lost to death the beautiful warrior woman Red Dress. As their spirits seek desperately to be reunited, they influence the sometimes violent fate of those who have followed them. Now in the 1980s, Red Dress's teenage descendant Charlene Thunder has fallen hopelessly in love with Harley Wind Soldier, the dashing traditional dancer of Ghost Horse's lineage.
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Great Story. Horrid Narration.
- By T. Arcangel on 04-16-16
By: Susan Power
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Dancing Girls
- By: Margaret Atwood
- Narrated by: Laurel Lefkow
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- Unabridged
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Story
Students and journalists, farmers and birdwatchers, ex-wives, adolescent lovers, and dancing girls. All are ordinary people. Or are they? In this splendid collection of short stories, Margaret Atwood maps the human motivation we scarcely know we have in a startlingly original voice, full of a rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters that evoke laughter, compassion, terror, and recognition.
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This is a great listen
- By Russell on 03-31-23
By: Margaret Atwood
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On Writers and Writing
- By: Margaret Atwood
- Narrated by: Margaret Atwood
- Length: 6 hrs and 33 mins
- Unabridged
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What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?
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l just love Margaret Atwood.
- By Brandy Ringleb on 01-11-21
By: Margaret Atwood
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Whiteout
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- Unabridged
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Performance
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Story
A missing canister of a deadly virus. A lab technician bleeding from the eyes. Toni Gallo, the security director of a Scottish medical research firm, knows she has problems, but she has no idea of the nightmare to come. As a Christmas Eve blizzard whips out of the north, several people, Toni among them, converge on a remote family house. All have something to gain or lose from the drug developed to fight the virus. As the storm worsens, the emotional sparks—jealousies, distrust, sexual attraction, rivalries—crackle; desperate secrets are revealed; hidden traitors and unexpected heroes emerge.
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Ken Follett goes Danielle Steeel
- By B. W. Larsen on 01-27-05
By: Ken Follett
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Paper Boat
- New and Selected Poems: 1961-2023
- By: Margaret Atwood
- Narrated by: Margaret Atwood
- Length: 9 hrs and 41 mins
- Unabridged
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Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961-2023 assembles Atwood’s most vital poems in one essential volume. In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voice to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own.
By: Margaret Atwood
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My Evil Mother
- A Short Story
- By: Margaret Atwood
- Narrated by: Hillary Huber
- Length: 57 mins
- Unabridged
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Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.
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Great easy read
- By Fundamental I. on 04-02-22
By: Margaret Atwood
What listeners say about The Heart Goes Last
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Patricia
- 04-14-16
Great listen!!
The story was A great listen filled with humor of every kind. I loved the narration and the surprise "gift" to the main character at the end:0)
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- Doc
- 06-13-17
Another great Atwood novel
Wonderful narration and great plot twists. I enjoyed every minute of this audio book!
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- liltxtwister
- 10-13-15
3.5 Stars
Probably a 3.5 star for me. It was entertaining, but not something that will stay with me for long.
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- Christine
- 05-20-20
Great book
Great book except in chapter 5 theres a huge plot mistake. Stan and Charmaine have just been at their house for a month and are supposed to be returning to the prison, but in that same chapter they said Stan was guna be late checking into prison but yet his wife Charmaine is going to be there another month longer and was waiting to check out. plot mistake but otherthan that I like it
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- Bren
- 11-27-15
Disappointed with Story Development
What did you like best about The Heart Goes Last? What did you like least?
The concept for the plot was excellent. However, I expected deeper development from Atwood. At times the story advanced from plot point to plot point with no real explanation of how or why. I felt like the two main characters were almost shallow - victims of circumstance - who never really changed throughout the book. Their circumstances changed multiple times, but they themselves (and their responses) were still the same. Perhaps this was a commentary on our doe-eyed "nothing is my fault and bad things keep happening to me" younger generation. I felt that there was an over-emphasis on meaningless sex (particularly that which was initiated by one particular character). Yes, this may have been another commentary on our society, but it seemed to only be required so it could be referred back to later in the novel. Atwood also employed a form deus ex machina several times in which I thought, "Well, isn't that convenient . . . " Finally, the ending was too neat and tidy. If Atwood was making a social commentary, then I believe having an ending with all the loose ends tied up is unfitting. Having read (and loved) Atwood in the past, perhaps I expected too much. Bottom line? It was an okay listen, but I felt it lacked crafting and adequate development.
Was The Heart Goes Last worth the listening time?
If you have nothing more intriguing in your wish list, then yes.
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- Diane Simons
- 03-23-18
The future
i love Margaret Atwood. Her view of the future is sometime grim, but this was grim and humorous
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- Barbara Segal
- 12-07-22
Dark Humor and Dystopian Musings
Choosing a Margaret Atwood novel, one always knows that human nature will be examined and dissected in all it's darker corners. What was unexpected was the humor, the cultural references, and the preeminence of plot in this story. Told through the experiences of it's two main characters, the clueless Pollyanna like wife, Charmaine, and the dissatisfied catastrophizing husband, Stan, the story follows their journey from destitute car dwellers, to an ostensible utopian community, which becomes more horrific as the novel unfolds. The narrators were fabulous, taking on, not just multiple character voices, but the tone of their attitudes and most private thoughts. The writing, however was not as rich in imagery and language as other Atwood novels, but it's realistic quality suited the characters and fast moving plotline. Overall, I'd give it a C+, not compelling enough for a 4 star recommendation, but, as an examination of free will, extreme capitalism, and the consequences of individual choices and desires, it's worth a listen
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- Mal
- 10-03-15
Enjoyable
I enjoyed this book because while parts of it were about the timeless nature of relationships other pArts were totally futuristic enough to make things interesting. Stan and his wife go from living in their car after losing everything in a national financial collapse. After spending what seems like an eternity struggling just to get by they are excepted in to a new program where they agree to live in absolute comfort in a pristine new home and one month in prison and that's when unsettling things begin to happen. The home is lovely... The prison not bad but then they are drawn in to a weird plot that each of them is only aware of from their own circumstances. Loved the bazzair twists and turns. A very different kind of story but very enjoyable.
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5 people found this helpful
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- Amazon Customer
- 01-26-17
My first Atwood
Really enjoyed this story and performance. has definitely made me an Atwood fan. Great story!
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- Sarah
- 08-17-16
lighter tone than normal Atwood books
Any additional comments?
I think that if I had read this book in paper instead of audio, I wouldn’t have known what to make of it. The Heart Goes Last is more satirical and farcical than Atwood’s other dystopian books. But the narrators nailed it. Cassandra Campbell, who voiced Charmaine, was absolutely perfect, capturing the a character who is like a child, naive and prone to believing in fantasies but that picks up on more than people give her credit for. I don’t think I would really have gotten the character as Atwood intended if I hadn’t heard Campbell’s interpretation. Stan, voiced by Mark Deakins, is more easily relatable and Deakins does a great job of believably exposing his flaws. Plus a couple of times I thought I was listening to a toned down Nathan Fillion and that is always happy times. I couldn’t believe that this Atwood novel came out last year without me hearing a peep about it, I guess because many people didn’t like it. Probably thought it was too far off her normal tone. But I particularly enjoyed it paired with the dive into the industrial prison complex, the nature of sexuality vs lust, the examination of whether safety and security are worth trading in free-will, all written with an obvious smile on Atwood’s face. I get vicariously gleeful when reading a work that the author obviously had such a blast writing.
Definitely worth another couple of rereads and a good discussion about over hot beverages.
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