Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Joanne knows how lucky she is—Richard is a wonderful husband, Evie is the most gorgeous baby girl, they live in a beautiful house—life couldn't be better. But then Richard's twenty-year-old daughter Chloe turns up. Chloe hasn’t spoken to her father since the day he married Joanne two years ago. But with the arrival of her baby sister Evie, Chloe wants to make peace. Richard is delighted, and since Joanne is struggling with the new baby, he suggests Chloe could move in and help.

Merritt Coletto and her husband, Luca, have the life they dreamed of: a coastal home, a promising future, and a growing family. That dream ends with a late-night knock on the door. Weak, broken, and emaciated, it’s Luca’s first wife, Lydia. Missing for ten years, presumed dead, and very much alive, she has quite a story. Racked with guilt over the beautiful life they’ve built, Merritt and Luca agree to help get Lydia back on her feet - it’s the least they can do. But the more enmeshed Lydia becomes in Merritt’s family, the more questions Merritt has.

Kit Darling is a maid with a snooping problem. She’s the “invisible girl,” compelled to poke into her wealthy clients’ closely guarded lives. It’s a harmless hobby until Kit sees something she can’t unsee in the home of her brand-new clients: a secret so dark it could destroy the privileged couple expecting their first child. This makes Kit dangerous to the couple. In turn, it makes the couple—who might kill to keep their secret—dangerous to Kit.

Avery Mason, host of American Events, knows the subjects that grab a TV audience’s attention. Her latest story - a murder mystery laced with kinky sex, tragedy, and betrayal - is guaranteed to be ratings gold. New DNA technology has allowed the New York medical examiner’s office to make its first successful identification of a 9/11 victim in years. The twist: The victim, Victoria Ford, had been accused of the gruesome murder of her married lover. In a chilling last phone call to her sister, Victoria begged her to prove her innocence.

Alice and Seth are a perfect love story: the handsome doctor and his beautiful fiancée. They’re wealthy, well liked and made for each other—the envy of all their friends. Alice can’t wait for the day of their dream wedding. But when she arrives at the altar, she doesn’t recognise the man waiting to marry her. When this stranger insists he’s Seth, her husband-to-be, the entire congregation seems to agree. Even her parents try to persuade Alice to go through with the wedding.

True crime writer Wylie Lark doesn’t mind being snowed in at the isolated farmhouse where she’s retreated to write her new book. A cozy fire, complete silence. It would be perfect, if not for the fact that decades earlier, at this very house, two people were murdered in cold blood and a girl disappeared without a trace.

Mary is a quiet middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself. But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things. Fired from her job in New York, she moves back to her hometown hoping to reconnect with her past and inner self. What she finds instead are visions of terrifying mutilated specters that come with increasing regularity.

Simon and Vicky couldn’t seem more normal: a wealthy Chicago couple, he a respected law professor, she an advocate for domestic violence victims. A stable, if unexciting marriage. But one thing’s for sure: absolutely nothing is what it seems. The pair are far from normal, and one of them just may be a killer. When the body of a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky’s secrets begin to unravel. A secret whirlwind affair. A twenty-million-dollar trust fund about to come due.

Can you ever really know someone? When Deborah, an unpopular 17-year-old, meets the charming and handsome Larry, he sweeps her off her feet. The trouble is, Larry has a secret. Then a series of grisly murders casts a shadow over everything. As Deborah's world starts to fall apart, she begins to suspect the man she loves of a terrible betrayal. And to keep their marriage alive, sacrifices must be made.

There are two sides to every story: yours and mine, ours and theirs, his and hers. Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep.

Nina can never forgive Maggie for what she did. And she can never let her leave. They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past. Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there.

One night, Molly Clarke walked away from her life. She doesn't want to be found. Or at least, that's the story. The car abandoned miles from home. The note found at a nearby hotel. The shattered family that couldn’t be put back together. They called it a “walk away.” It happens all the time. Women disappear, desperate to leave their lives behind and start over. But is that what really happened to Molly Clarke?

The day after her ninth birthday, Lucie and Blake Sullivan agree, for the very first time, to let their daughter, Grace, make the four-minute walk back home alone from a friend’s house down the street. They joke with friends about hiding behind bushes to ensure she is safe. But the joke turns sour when Grace does not appear. Despite the best efforts of the police and local community, Grace seems to have vanished into thin air. With hope fading fast, Lucie knows she can rely on her husband to support her. That is until the day she makes a shocking discovery....

Angela was just a baby when she was abandoned, and a children's home is no place to grow up. When manager Ray takes girls off to his 'den' in the garden, they always come back crying.... So, when wealthy couple James and Rosemary come to choose a child to adopt, Angela is desperate to escape. Years later, Angela starts to search for her birth mother, Evelyn, hoping to heal the scars of her childhood. But strange and sinister events start to unfold. And Evelyn fears she may not survive her daughter's return.

Sophie Duguet is losing her grip. Haunted by visions from her past of her loving husband, who committed suicide after a car accident. One morning she wakes to find Leo, the child in her care, strangled in his bed by Sophie's own shoelaces. She can remember nothing of the night before. Could she really have killed him? She flees in panic, but this only cements her guilt in the eyes of the law. Not long afterwards it happens again - she wakes with blood on her hands, with no memory of the murder committed.

One night, Molly Clarke walked away from her life. She doesn't want to be found. Or at least, that's the story. The car abandoned miles from home. The note found at a nearby hotel. The shattered family that couldn’t be put back together. They called it a “walk away.” It happens all the time. Women disappear, desperate to leave their lives behind and start over. But is that what really happened to Molly Clarke?

When Simon Serrailler was a rookie constable with the Met, he did something reckless in the course of a night's work which caused a man's death. But his act was praised by his colleagues, and he was called a hero. Years later, now a detective chief superintendent who has been badly injured in the course of duty, he receives a medal for bravery at Buckingham Palace while recollecting that fateful night of his early career, when chance disguised itself as bravery.

A shocking double-murder scene greets Detective Inspector Philip Brennan when he is called to a flat in Colchester. Two women are viciously cut open and laying spread-eagled, one tied to the bed, one on the floor. The woman on the bed has had her stomach cut into and her unborn child is missing. But this is the third time Phil and his team has seen such an atrocity. Two other pregnant women have been killed in this way and their babies taken from them. No one can imagine what sort of person would want to commit such horrible crimes.