
Concerning the Spiritual in Art
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Narrated by:
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David Pickering
About this listen
- This edition contains a biographical preface of the book's author.
Pioneering and Exploring the Spiritual Revolution in Modern Art
In the early 20th century, the pioneering and celebrated painter Wassily Kandinsky (1866-1944) wrote this groundbreaking work advocating a powerful role for spirituality in driving the creation of modern art. Voicing his own strong opinions as well as the philosophical passions of his peers, Kandinsky urged traditional artists to break free from the limiting restraints of the material world in their work. By faithfully using their own uninhibited thoughts and inner emotions for inspiration—essentially channeling the human spirit instead of representing material concerns—he believed that artists could transcend the norms of the time to reach new levels of abstract expression and aesthetic beauty. Likewise, he also challenged the viewing public to admire art with a fierce spiritual hunger.
With insightful explorations of form and color theory, creative inspiration, psychology, religion, music, ethics, and even politics, Kandinsky makes a strong case for his artistic revolution. The movement he inspired with his theories played a pivotal role in the development of modern art, particularly in the growth and evolution of abstract painting.
Featuring an enlightening introduction by the book's translator, Michael T. H. Sadler, providing generational and cultural context for Kandinsky and his work, Concerning the Spiritual in Art gives testimony to the mind and creative expression of Kandinsky and other artists of his generation. This seminal and thought-provoking book exploring the heart of the artistic endeavor belongs in the library of every serious artist and student of modern art.
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Story
Jerry Saltz is one of our most-watched writers about art and artists and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: Witty and provocative, he has attracted contemporary listeners to fine art as few critics have.
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WRONG for audio program
- By Karen Lehrer on 11-07-22
By: Jerry Saltz
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Photography Exposure
- 9 Secrets to Master the Art of Photography Exposure in 24h or Less
- By: James Carren
- Narrated by: Fred DeRuvo
- Length: 41 mins
- Unabridged
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This book will give you a rounded and complete idea of how to control exposure. The book isn't DSLR or analog specific and covers aspects of both. It explains the three components to exposure, which are ISO, aperture, and shutter speed. Concepts such as depth of field and a quick overview of Ansel Adams' zone system are also covered. The focus is mainly on how to get a great exposure from the start, but there are also tips on how to fix an overexposed or underexposed photo.
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Clear and Concise
- By Kindle Customer on 09-26-20
By: James Carren
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A Little History of Art
- Little Histories Series
- By: Charlotte Mullins
- Narrated by: Rachael Beresford
- Length: 11 hrs and 35 mins
- Unabridged
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Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity, and contributes to our overall wellbeing and positive mental health.
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Give it a solid meh.
- By Amazon Customer on 09-05-24
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The History of Western Art
- By: Peter Whitfield
- Narrated by: Sebastian Comberti
- Length: 5 hrs and 14 mins
- Unabridged
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What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.
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A whirlwind tour of Western art
- By Adeliese Baumann on 11-18-12
By: Peter Whitfield
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On Photography
- By: Susan Sontag
- Narrated by: Jennifer Van Dyck
- Length: 6 hrs and 12 mins
- Unabridged
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First published in 1973, this is a study of the force of photographic images, which are continually inserted between experience and reality. When anything can be photographed, and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely, with no expectations of discovering what it means. This collection of six lucid and invigorating essays, with the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.
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I'm Glad I Bought, Despite Some Negative Reviews
- By DEF on 10-18-13
By: Susan Sontag
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Creative Strategy and the Business of Design
- By: Douglas Davis
- Narrated by: Marc Thompson
- Length: 6 hrs and 47 mins
- Unabridged
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Remaining relevant as a creative professional takes more than creativity—you need to understand the language of business. The problem is that design school doesn't teach the strategic language that is now essential to getting your job done. Creative Strategy and the Business of Design fills that void and teaches left-brain business skills to right-brain creative thinkers.
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Massively Helpful Guide
- By Match Zimmerman on 05-23-23
By: Douglas Davis
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How to Be an Artist
- By: Jerry Saltz
- Narrated by: Jerry Saltz
- Length: 2 hrs and 20 mins
- Unabridged
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Art has the power to change our lives. For many, becoming an artist is a lifelong dream. But how to make it happen? In How to Be an Artist, Jerry Saltz, one of the art world’s most celebrated and passionate voices, offers an indispensable handbook for creative people of all kinds. From the first sparks of inspiration - and how to pursue them without giving in to self-doubt - Saltz offers invaluable insight into what really matters to emerging artists: originality, persistence, a balance between knowledge and intuition, and that most precious of qualities, self-belief.
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Terrible Book Waste of Money
- By Classic on 04-22-20
By: Jerry Saltz
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Reclaiming Art in the Age of Artifice
- A Treatise, Critique, and Call to Action (Manifesto)
- By: J.F. Martel, Donna Tartt
- Narrated by: J.F. Martel, Donna Tartt
- Length: 4 hrs and 38 mins
- Unabridged
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Received opinion holds that art is culturally determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society.
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The Truth
- By jim iannone on 01-14-25
By: J.F. Martel, and others
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Genius of Place
- The Life of Frederick Law Olmsted
- By: Justin Martin
- Narrated by: Richard Ferrone
- Length: 18 hrs and 47 mins
- Unabridged
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Frederick Law Olmsted is arguably the most important historical figure that the average American knows the least about. Best remembered for his landscape architecture, from New York's Central Park to Boston's Emerald Necklace to Stanford University's campus, Olmsted was also an influential journalist, early voice for the environment, and abolitionist credited with helping dissuade England from joining the South in the Civil War. This momentous career was shadowed by a tragic personal life, also fully portrayed here.
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Ponderous yet incomplete
- By John F. Caffrey on 01-23-19
By: Justin Martin
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Art & Fear
- Observations on the Perils (and Rewards) of Artmaking
- By: David Bayles, Ted Orland
- Narrated by: Arthur Morey
- Length: 3 hrs and 8 mins
- Unabridged
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Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. This is a book about what it feels like to sit in your studio or classroom, at your wheel or keyboard, easel or camera, trying to do the work you need to do. It is about committing your future to your own hands, placing free will above predestination, choice above chance. It is about finding your own work.
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Amazing!
- By zozobraswife on 05-10-12
By: David Bayles, and others
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From Bauhaus to Our House
- By: Tom Wolfe
- Narrated by: Dennis McKee
- Length: 3 hrs and 12 mins
- Unabridged
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In Tom Wolfe's hands, the strange saga of American architecture in the 20th century makes for both high comedy and intellectual excitement. This is his sequel to The Painted Word, the book that caused such a furor in the art world five years before. Once again Wolfe shows how social and intellectual fashions have determined aesthetic form in our time and how willingly the creators have abandoned personal vision and originality in order to work a la mode.
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So snarky I kept having to back up and repeat
- By Ellen on 04-08-09
By: Tom Wolfe
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Picasso's War
- How Modern Art Came to America
- By: Hugh Eakin
- Narrated by: Mack Sanderson
- Length: 15 hrs and 11 mins
- Unabridged
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In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr.
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Better Books on Picasso Available
- By john burke on 08-17-22
By: Hugh Eakin
t whoever who introduces the book glosses…
If reaching the general public is your aim, try just one line from the intentionally-very broad history
(I think it’s the 1880s to the 1940s, have not been buried in it for a while— my loss!) of George Heard Hamilton… just this one e.g. of WHAT CÉZANNE DID … created, through his life-long, witheringly modest process — I can only hope that either this person who has zoomed on with the hubris (I feel my upset at the flippant, fantastically inadequate
self-canonized to warrant doing such an introduction…. Anyway, exhaustion is going to be the winner tonight.
—since yours reads like… I don’t know… the Incredible Hulk wielding sandpaper… GHH characterized Cézanne’s built up architectonics (whether in a lemon, an onion, an apple, his studio rising up phenomenologically to engulf the great Cupid standing amid, only slightly poised onions.
Long story short, GHH’s gorgeous and I’d wager unrivaled for what it it is and is meant to be… DRUM ROLL…. When you’re looking at every brush stroke inserted and instantiated with such profound intention, GHH (reminder to the younger, that’s George Heard Hamilton — the characterization was this: [essentially the way Cézanne built and built the radically anti Renaissance … cutting now instantly to the chase: each of Suzanne‘s brush throats were mounting into “the cumulative deposit of successive instantaneities. Rock on theeee man from Aix
Last thing cause I can’t imagine where else I’ll have to put it is that a number of people said “says apples are like cannonballs“ – so as far as I know the first one to make that one was Barnett Newman and with no component, Richard Sarah said it many years later as though pure as the difference so all of this to me says still has possibly forever to be reckoned with
Possibly proofread all of this, but I hope the most important Salvatore elements come across
A not inestimable detail
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