Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

Four years after their bitter divorce, Claire and Aaron Litvak get a phone call no parent is prepared for: their 22-year-old daughter Lindsey, teaching English in China during a college gap year, has been critically injured in a hit and run accident. At a Shanghai hospital they wait at her bedside, hoping for the best and preparing for the worst.

Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online.

For a quarter century, more than a million readers and listeners—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom passed down from Anne’s father—also a writer—in the iconic passage that gives the book its title.

From the author of the global breakout bestseller The Last Love Note comes the story of a young woman struggling to piece her life back together in the wake of a tragic accident, and the man who gives up everything to help her. When Evie Hudson wakes in an unfamiliar hospital room, she thinks she’s fresh out of a teenage party with her best friend, Bree. Except, Bree isn’t around anymore and high school was years ago. Evie had just survived the crash that killed her husband, Oliver—whom she can't remember either.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what’s happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy’s carefully constructed life.

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

“Love is our only hope,” Anne Lamott writes in this perceptive new book. “It is not always the easiest choice, but it is always the right one, the noble path, the way home to safety, no matter how bleak the future looks.” In Somehow: Thoughts on Love, Lamott explores the transformative power that love has in our lives: how it surprises us, forces us to confront uncomfortable truths, reminds us of our humanity, and guides us forward. “Love just won't be pinned down,” she says. “It is in our very atmosphere” and lies at the heart of who we are. We are, Lamott says, creatures of love.

How We Learn to Be Brave is an inspirational guide to the key junctures in life that, if navigated with faith and discernment, pave the way for us to become our most courageous selves, by the bishop of the famed Episcopal Diocese of Washington, D.C.

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

New York, 2022. Jessa Gidney is trying to have it all—a high-powered legal career, a meaningful marriage, and hopefully, one day, a child. But when her professional ambitions come up short and Jessa finds herself at a turning point, she leans into her family's history of activism by taking on pro bono work at a nearby ICE detention center. There she meets Isobel Pérez—a young mother fighting to stay with her daughter—but as she gets to know Isobel, an unsettling revelation about Isobel's health leads Jessa to uncover a horrifying pattern of medical malpractice within the detention facility.

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

After six years of a stolen hour here, another there, tonight is going to be different for Nick Holloway and Jenny Parrish. They’ve booked a room in a new luxury hotel in Manhattan, where they’ll spend the entire night together for the first time. Expectations are running high for this brief reprieve from ordinary life: they both need a good bout of ravishing sex and witty conversation. But that’s not what they get. Because they’ve barely gotten started when a smoke alarm goes off.

Naema, an elderly princess dedicated to her pet causes, is in a bind: struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends.

In an unnamed city in India, violence is erupting between Hindus and Muslims, each side viewing the other with suspicion, rage, and blame. As their identities sharpen, friends and colleagues turn against each other. Hospital beds fill up and classrooms empty out. Curfews are imposed. Residents flee en masse. Three intellectuals find themselves paralyzed by anxiety and fear. Shruti, a creative writer, spends her time writing and rewriting the same sentence. Hanif is sidelined by his academic department for his secular beliefs.

Susanna, George, and their eight-year-old daughter, Dina, have been lucky, so far, in these four years since war broke out in their country. Even as their fellow "minority-sect" neighbors and classmates are murdered or imprisoned, George’s loyal work teaching "dominant-sect" literature has kept them fed and protected. But then the day comes: the university fires George—despite his years of collaboration, he is no longer safe. Left without money or allies, it is time for the family to run.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew—and while they rescue her from certain death, they are not pleased to have an unexpected passenger along on their classified mission. But Ada doesn’t care—all that matters to her is enjoying their fine food and sweet, sweet oxygen—until Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

After damaging climate change, humanity is divided, torn into the technophobic nature-worshippers on Earth and the banished children of science on the new worlds. Jaruss awakens, drifting 300 light-years from Earth, trapped, memoryless, and alone. Who is he, where does he come from, and what are these recurring nightmares that trouble his sleep? To find out, he must outwit an efficiency-obsessed AI and join the dangerous crew of the stealth ship, Pangolin.

It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them. 18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators.

What to Expect When You're Dead chronicles the ways ancient peoples answered questions such as: How to achieve a good death and afterlife? What's the best way to dispose of a body? Do the dead face a postmortem judgement—and where do they end up? Do the dead have bodies in the afterlife—and can they eat, drink, and have sex? And what can the living do to stay on good terms with the nonliving?

In the waning months of George W. Bush’s presidency, Neel Chima, a former naval officer and federal prosecutor, is recruited to join a new federal intelligence agency—one with greater than usual powers and fewer than usual restrictions. Neel soon finds himself intimately involved in the surveillance of domestic terrorism suspects and the selection of foreigners for drone assassination—men who often look just like his Sikh family members. As both his ambitions and his moral qualms mount, he is drawn farther and farther away from his wife and two young daughters.

Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.