Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Meet Agatha Dorn, cantankerous archivist, grammar pedant, gin afficionado and murder mystery addict. When she discovers a lost manuscript by Gladden Green, the Empress of Golden Age detective fiction, Agatha's life takes an unexpected twist. She becomes an overnight sensation, basking in the limelight of literary stardom. But Agatha's newfound fame takes a nosedive when the 'rediscovered' novel is exposed as a hoax. And when her ex-lover turns up dead, with a scrap of the manuscript by her side, Agatha suspects foul play.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

To trace the history of the twenty-first century so far is to trace a history of unaffordability and shortage. After years of refusing to build sufficient housing, America has a national housing crisis. After years of limiting immigration, we don’t have enough workers. Despite decades of being warned about the consequences of climate change, we haven’t built anything close to the clean-energy infrastructure we need. Ambitious public projects are finished late and over budget—if they are ever finished at all.

Wit’s End isn’t just a state of mind. It’s the name of a gravel road, the address of a rundown, off-the-grid cabin, 120 shabby square feet of fixer-upper Patrick Hutchison purchased on a whim in the mossy woods of the Cascade Mountains in Washington state. To say Hutchison didn’t know what he was getting into is no more an exaggeration than to say he’s a man with nearly zero carpentry skills. Well, used to be. You can learn a lot over six years of renovations. CABIN is the story of those renovations, but it's also a love story; of a place, of possibilities, and of the process of construction.

Rough-around-the-edges Harriet Morrow has long been drawn to the idea of whizzing around the city on her bicycle as a professional detective, solving crimes for a living without having to take a husband. She seizes the chance when the prestigious Prescott Agency hires her as its first woman operative. The move sparks controversy—with skeptical male colleagues, a high-strung office secretary, and her boss, Mr. Theodore Prescott, all waiting for her to unravel under the pressure.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

Maggie Webb has lived the last decade caring for elderly husband, Stanley, as memory loss gradually erases all the beautiful moments they created together. It's the loneliest she's ever felt in her life. When a mysterious stranger named Hassan appears at her door, he reveals a shocking truth: Stanley isn't losing his memories. Someone is actively removing them to hide a long-buried secret from coming to light. If Maggie does what she's told, she can reverse it. She can get her husband back.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

A parallel universe. South Texas. Narcotics are legal, and there’s a new contraband on the market: ancient Olmec artifacts, shrunken indigenous heads, and filtered animals - species of animals brought back from extinction to clothe, feed, and generally amuse the very wealthy. Esteban Bellacosa has lived in the border town of MacArthur long enough to know to keep quiet. But his simple life starts to get complicated when the swashbuckling investigative journalist Paco Herbert invites him to come to an illegal underground dinner serving filtered animals.

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne—in an earthquake-ravaged dystopian reimagining of Nepal.

One evening in downtown Seoul, Jeong-su is smoking a cigarette outside when he sees something impossible: a huge black orb appears out of nowhere and sucks his neighbor inside. Jeong-su manages to get away, but the terrifying sphere can move through walls, so he’s sure he won’t be able to hide for long. The orb soon begins consuming every person caught in its path, and no one knows how to stop it. Impervious to bullets and tanks, the orb splits and multiplies, chasing the hapless residents of Seoul out into the country and sparking a global crisis with widespread violence and looting.

Cam Stassen, a coming-of-age young man. He always thought that he would join the family guild. It wasn’t meant to be. On the summer solstice, the day where all those that turned eighteen throughout the year received their Class. Young Cam was given a unique Class. A crafting Class. Everything changed. He would no longer be the fighter that he grew up training for. He would no longer be able to join the family guild and rise high in the ranks. No, not anymore.

In a place and time unknown, two elderly sisters live in a walled garden, secluded from the outside world. Evelyn and Lily have only ever known each other. What was before the garden, they have forgotten; what lies beyond it, they do not know. Each day is spent in languid service to their home: tending the bees, planting the crops, and dutifully following the instructions of the almanac written by their mother. So when a nameless boy is found hiding in the boarded house at the center of their isolated grounds, their once solitary lives are irrevocably disrupted.

All across London, billionaires receive an emergency alert from specialist extraction company B of the Bang. A nuclear missile is inbound, and society's elite have less than 70 minutes to reach the bunkers. As they head for the exits, it's your fault if you get in the way.

John Abbott is all in. He's up to his eyeballs in debt to pay for school, and he's just moved his small family forty light-years from Earth for a plum job with the wealthy interstellar corporation, The Sarovar Company. John's first assignment is to discreetly investigate possible corruption at the remote Arrowhawk Station, where Company traders buy the famous Sarovari Weave from the three-sided, crablike Weavers.

How do social movements arise, wield power, and decline? Renowned scholar Linda Gordon investigates these questions in a groundbreaking work, narrating the stories of many of America's most influential twentieth-century social movements. Beginning with the turn-of-the-century settlement house movement, Gordon then scrutinizes the 1920s Ku Klux Klan and its successors, the violent American fascist groups of the 1930s.

In a world without rain, the desert sands are controlled by the only group with the technology and infrastructure to give water to the thirsty: The Distributor. When Friedrich, a nerdy engineer, discovers a bug in the Distributor’s systems, he realizes this is a chance to overthrow their oppressive regime. Friedrich’s tech can offer a better life to thousands in the Barrens, but he’ll need to reach the Distributor across hundreds of miles of empty desert.

Tony Malik, a half-Irish, half-Arab FBI agent based in New York, specializes in tracking money from drug and arms deals. His life takes a dramatic turn when a long-term relationship ends and his job hangs in the balance. Amid personal turmoil, Malik becomes intrigued by his Palestinian father's past. He decides to visit his ancestral homeland for his niece's wedding, accepting a seemingly simple FBI assignment along the way.

The protagonist of this story has no understanding of the words winter, cold, or snow because he has never experienced the phenomena they describe. We find ourselves in Victorica, a province of La Pampa, Argentina, some time after 2197–the year in which the last of the Antarctic icecaps melted and an unprecedented climate catastrophe ensued, radically transforming the landscape of the region into a Caribbean Pampas.

When an EMP decimates the United States, Lori, a former Marine Raider, must embark on a treacherous journey with her daughter across the former United States from Pennsylvania to a rumored sanctuary in Washington State.

At Thorne Hall, a grand estate nestled in the Berkshires, fifteen restless spirits roam, bound within the mansion’s walls since the Gilded Age. Elegy Thorne bears the weight of her family’s curse to preserve the mansion as it was in the 1890s, using ancient folk songs to keep the spirits secret and silent in order to avoid deadly consequences. When a mischievous child spirit wreaks havoc on the manor, the Thorne family calls upon their trusted preservationist to restore the mansion.

A Post-Apocalyptic Survival Novel The fight for survival isn’t over—it’s only just begun. Blake Sullivan and his makeshift family have reclaimed the compound, but victory comes at a cost. Supplies are dwindling, tensions are high, and the weight of leadership rests heavy on his shoulders. They may have won the battle, but the war for their future is far from over. As the group struggles to build a sustainable life, new challenges emerge. Reinforcing the compound, forging alliances with neighboring survivors, and securing enough food to make it through the coming seasons are only the ...

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.