Evelina
Or, the History of a Young Lady's Entrance into the World
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Narrated by:
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Orson Scott Card
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Emily Rankin
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Stefan Rudnicki
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Gabrielle de Cuir
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By:
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Frances Burney
About this listen
Originally published in 1778, Evelina is Frances Burney's first and most beloved novel. It was a landmark in the development of the novel of manners and went on to influence such enduringly popular authors as Jane Austen.
By turns hilarious and grim, witty and lyrical, the story follows young Evelina as she leaves the seclusion of her country home and enters into late eighteenth-century London society - both its pleasures and its dangers. Life in eighteenth-century England is vividly rendered as Evelina is educated in the ways of the world and, eventually, love. As she battles such cruelties as social snobbery and delights in such thrills as pleasure gardens and balls, Evelina strives toward her final triumph, while capturing the hearts of listeners everywhere along the way.
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Oscar Wilde's first play confronts the hypocrisy of public "morality" compared with genuine, private kindness. The reasons for its continued popularity are not difficult to identify: the play's witty dialogue contains many of Wilde's most quoted aphorisms, its stylish setting provides opportunities for elegant presentation, and its cast of memorable characters play out a story which is genuinely moving. This new audio production brings together a full cast worthy of Wilde's creative genius.
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An exciting night at the
- By Karen on 11-28-04
By: Oscar Wilde
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Clarissa, or The History of a Young Lady, Volume 1
- By: Samuel Richardson
- Narrated by: Samuel West, Lucy Scott, Roger May, and others
- Length: 33 hrs and 40 mins
- Unabridged
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A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma. Terrifying and enlightening, Clarissa weaves a tapestry of narrative experimentation into a gripping morality tale of good versus evil.
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Gripping Novel & Performance
- By Harold on 07-29-18
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The Confessions
- By: Jean-Jacques Rousseau
- Narrated by: Frederick Davidson
- Length: 30 hrs
- Unabridged
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Dr. Johnson may have been correct in saying that “Rousseau was a very bad man,” but none can argue that his ideas are among the most influential in all of world history. It was Rousseau, the father of the romantic movement, who was responsible for introducing at least two modern day thoughts that pervade academia. The Confessions is Rousseau’s landmark autobiography. Both brilliant and flawed, it is nonetheless beautifully written and remains one of the most moving human documents in all of literature.
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Extraordinary in its ordinariness...
- By Varni-Maree on 08-28-12
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Vicar of Wakefield
- By: Oliver Goldsmith
- Narrated by: Patrick Tull
- Length: 7 hrs and 23 mins
- Unabridged
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The simple village vicar, Mr. Primrose, is living with his wife and six children in complete tranquility until unexpected calamities force them to weather one hilarious adventure after another. Goldsmith plays out this classic comedy of manners with a light, ironic touch that is irresistibly charming.
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Snidely Whiplash Ravishes Hapless Maidens
- By Joseph R on 12-26-09
By: Oliver Goldsmith
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The Warden
- By: Anthony Trollope
- Narrated by: Nigel Hawthorne
- Length: 7 hrs and 51 mins
- Unabridged
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Set in the world of the Victorian professional and landed classes, the story centres on Mr Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to it.
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a delight
- By Janet on 12-22-08
By: Anthony Trollope
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The Tenant of Wildfell Hall
- By: Anne Brontë
- Narrated by: Mary Sarah Agliotta
- Length: 13 hrs and 33 mins
- Unabridged
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Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.
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A good story ruined by the narrator
- By i. Ski on 04-17-14
By: Anne Brontë
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Can You Forgive Her?
- By: Anthony Trollope
- Narrated by: Timothy West
- Length: 28 hrs and 8 mins
- Unabridged
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Can You Forgive Her? is the first of the six in the Palliser series. Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined, and none remains unscathed. But above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the audiobook.
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Superb performance and sound
- By David on 05-21-10
By: Anthony Trollope
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The Portrait of a Lady
- By: Henry James
- Narrated by: John Wood
- Length: 23 hrs and 55 mins
- Unabridged
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When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors, declaring that she will never marry. It is only when she finds herself irresistibly drawn to the cultivated but worthless Gilbert Osmond that she discovers that wealth is a two-edged sword.
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Highly recommended
- By David on 06-26-10
By: Henry James
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The Moonstone
- By: Wilkie Collins
- Narrated by: Patrick Tull
- Length: 20 hrs and 28 mins
- Unabridged
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No, the "Moonstone" isn't a celestial relic, it's a gigantic yellow diamond of unearthly beauty that was given to Rachel Verinder as a present on her 18th birthday - and stolen that very night! Betteredge, one of the most beloved butlers in English literature, is the focus of this seminal detective novel, which examines how one family's life is turned upside-down by the theft. And find out why the answers to all of life's problems can be found in the pages of Robinson Crusoe.
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One of the best readings ever
- By Catherine on 05-22-03
By: Wilkie Collins
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What listeners say about Evelina
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Chip
- 01-04-22
An entertaining listen
Though this novel was written in 1778, it feels fresh in its observations and language. The characters are fairly well-drawn--though with the limitation of the narrators being the letter writers, there are some motivations and characters that are left with shallow outlines. Some of the characters and events also seemed superfluous--though that is also common in Dickens, Gaskell, and Trollope--but it made me appreciate how tightly written Jane Austen's novels are. I enjoyed the narration, though at times it tended toward the melodramatic--though at somewhat melodramatic moments! Orson Scott Card's afterword also seems superfluous--I didn't find that it added anything to listening to the novel--and he needs to read Lady Susan if he thinks Jane Austen utterly rejected the epistolary form.
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- Katrina
- 03-18-22
A hidden gem
If you like Jane Austen, then Evelina is a must! It is an engaging story and I could hardly pause the story for anything. Highly recommend!
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- A Anderson
- 06-04-21
Immersive reading
The readers were amazing, and I was so impressed with the amount of expression and accuracy to the characters. Truly excellent
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- Amazon Customer
- 01-22-23
American accent
Great book when known to the history of it.
Next time please choose British native performers. The American accent was out of place.
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- BBS
- 05-18-23
Off to read the rest of Fanny Burney’s works
This is the type of underrated classic we need to make viral!
P.S. I loved Orson Scott Card’s Afterword (he is the author of Ender’s Game, for those who aren’t aware)
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- Yas
- 05-23-21
Happy discovery
First of all, it is lovelily read. The only negative I could find about the performance, is the accent not being British, taking away some of the authenticity. However, it is a good performance, therefore after my original deception, I enjoyed every minute.
As for the story itself, I read it because I learnt it was one of Jane Austen's favourites. As I said in the title, it is a happy discovery. I will read Cecilia next with the hopes of another lovely read.
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- Anonymous User
- 06-11-22
A bit over the top …
It’s an engaging story, but many, even most, of the characters are too extreme—all bad or all good— and some of them are simply insufferable. Many scenes and events are also repeated—this nit-wit of a girl gets herself into the same ridiculous situations again and again, and she can never get up the gumption to say NO when someone is “forcing” her to do something she knows is unwise. So, while you frequently want to wring the heroine’s neck, it’s nonetheless pretty entertaining and very well performed.
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- Alex
- 07-25-21
Satisfactory, a solid B
Appreciated there being multiple narrators and the main woman does a good job portraying different voices, etc. However I do wish everyone had an English accent (or Scottish where it pertains), as it would have felt more authentic.
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- Jordan S.
- 10-21-20
American Narrator...but don't let that stop you
I get that the venerable Orson Scott Card loves this book so much that he selected the narrators (and bought the rights...?) but an American woman is a poor choice to voice an English girl. That being said, I found the story itself so charming and the narration otherwise so faultless that it was easy for me to sink into the book. May be harder for a British reader, however, to get over the very English story voiced by an American.
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- Anonymous User
- 12-08-22
Lovely story loved by Jane Austen
Fascinating look at English women of the late 1700s, written in letters, mostly from a naive young woman, raised by an English country parson, but, of course, the true daughter of a wronged English woman and a French aristocrat who denies her birthright.
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