
Evelina
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Narrated by:
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Dame Judi Dench
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Finty Williams
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Geoffrey Palmer
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By:
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Frances Burney
Fanny Burney's wickedly funny satire follows the trials and romantic adventures of the young and beautiful Evelina as she tries to make her way through 18th-century Britain handicapped by her three great problems: being poor, being illegitimate - and being a girl.
Evelina was a raging best seller when it was first published in 1778 and is widely credited with being the first of the great British domestic novels. Burney was a direct influence on her immediate follower, Jane Austen, who used some of the final lines from Burney’s novel Cecilia for one of her own fairly successful novels: "...if to pride and prejudice you owe your miseries...to pride and prejudice you will also owe their termination".
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Well-performed, classic women's lit
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Too many characters
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The book, I believe, is set during the regency period. At that time people wrote many letters often of some length. That is the means via which our story is moved.
Our heroine, Evelina, has been raised in the country by a parson in who's care her dying mother entrusted. She is well educated by him and, we learn, very comely though very innocent as she enters London's society.
I found the novel to be more a coming of age story than a love one. If you are interested in the times and manners of the period, as well as how people wrote and spoke, you should find this story most enlightening and enjoyable.
What great fun to go back in time in England
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Evelina
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This is the best version!
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I am astonished
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The story--well, it begins and ends largely in pleasant romantic fashion. Young, innocent girl with a good heart is thrust into the large, scary world. That is quite enjoyable, if well-trod territory. However, there is an early middle section that is rather tough to get through, where we spend time with uncouth and oafish characters who play practical jokes on each other and respond with tiresome indignation. This goes on and on. It reminded me of the clowns of Shakespeare's comedies, so often tiresome but not without their narrative and thematic purposes.
There are plenty of threads of darker, weightier material in the book. Evelina finds herself in some pretty scary situations in which I was unsure how far the author was willing to go. The book does an excellent job illustrating the duplicitous nature of men when courting a beautiful young woman and how corruption can so glibly wear the face of gentility.
There are many passages that are exquisitely written, which contrast all the more with the dialogue of the "low" characters. I was sad to the leave the core cast of characters by the end--Evelina, Orville, her foster father--and I will certainly, in time, look for another Frances Burney novel with which to pass the lonely, mundane hours shuttling to and from work.
Great performances, exasperating & rewarding story
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The performances are generally good. Geoffrey Palmer is excellent as Mr. Villars. Judi Dench is good but unremarkable (she has only a tiny handful of appearances). I’m going to depart from the opinion of all the other reviewers by saying that Finty Williams is...often good, but not consistently. She has the job of carrying the vast bulk of the narration, and her range does not seem always up to the task. She is often very successful in representing the many different voices in the narrative: her Captain Mervin and Madame Duval are certainly good, but several others seem less well done, for example, Mrs. Selwyn’s voice is not very consistent. Also, and perhaps more seriously, her reading sometimes seems to mistake the meanings of some sentences, miss crucial emphases, etc. But perhaps I am being overly critical. (And probably she is better than the other Evelinas available, whom I have not listened to.)
There are a number of obvious misreadings, unfortunately—I mean, words on the page are read out as other words. Artfulness instead of artlessness, impudence instead of imprudence, etc. (The errors are obvious from context. Mr Villars would never speak of the “artfulness” of Evelina’s nature.) Perhaps the actors were working from a not very well proofread script? Whoever produced this recording wasn’t always paying attention, it seems.
Overall, I recommend this, especially if you are familiar with the novels of Jane Austen. Not because this is similar to an Austen novel--it is very different! If nothing else, it's interesting to get to know the novels that Austen read, admired, was influenced by, and reacted to. Austen certainly read and was influenced by Burney. She acknowledged as much by naming the artful seducer of Sense and Sensibility (John Willoughby) after the artful would-be seducer of this novel (Sir Clement Willoughby), for example. (And it's also really interesting to compare some of Willoughby's final conversation with Elinor in S&S with some of the language in this novel: Marianne Dashwood would apparently find much of the language in Evelina hackneyed and risible. Thunderbolts and daggers!)
Strange, complex, experimental
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Excellent early novel
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Superb Narration; humorous, witty, etc
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