Since they were children running barefoot about Toulouse Plantation, Josie and Cleo have been as close as sisters, forging an unbreakable bond that defies their roles as mistress and slave. Together, the two have shared secrets and protected each other through happiness and heartbreak. They never dream they could also share an intense passion for the same man, the elegant, charming, and irresistibly seductive Bertrand Chamard.

In 1850 Charleston, South Carolina, brutality and cruelty simmer just under the genteel surface of Southern society. In an era where ladies are considered mere property, beautiful and headstrong Willow Hendricks' father has filled her life with turmoil, secrets, and lies. Her father rules her life until she finds a kindred spirit in spunky, outspoken Whitney Barry, a northerner from Boston. Together these Charleston belles are driven to take control of their own lives - and they are plunged into fear and chaos in their quest to fight for the rights of slaves.

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.

When two Union soldiers stumble onto a plantation in northern Georgia on a warm May day in 1864, the last thing they expect is to see the Union flag flying high - or to be greeted by a group of freed slaves and their Jewish mistress. Little do they know that this place has an unusual history. Twelve years prior, Adelaide Mannheim - daughter of Mordecai, the only Jewish planter in the county - was given her own maid, a young slave named Rachel. The two became friends, and soon they discovered a secret.

Born in West Africa in the mid-eighteenth century, Maryam Prescilla Grace—a.k.a “Momma Grace” will live a long, wondrous life marked by hardship, oppression, opportunity, and love. Though she will be “gifted” various names, her birth name is known to her alone. Over the course of 100-plus years, she survives capture, enslavement by several property owners, the Atlantic crossing when she is only eleven years of age, and a brief stint as a pirate’s ward, acting as both a spy and a translator.

Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation, belonging to neither world. She’d been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil’s Half Acre.

Orphaned during her passage from Ireland, young, white Lavinia arrives on the steps of the kitchen house and is placed, as an indentured servant, under the care of Belle, the master's illegitimate slave daughter. Lavinia learns to cook, clean, and serve food while guided by the quiet strength and love of her new family. In time Lavinia is accepted into the world of the big house, caring for the master's opium-addicted wife and befriending his dangerous yet protective son. She attempts to straddle the worlds of the kitchen and big house, but her skin color will forever set her apart.

Daniel and Lori love each other, yet to live as one in 1856, they must escape from the unyielding society that imprisons them. Lori was born a slave in North Carolina, yet by chance was raised alongside Daniel in a wealthy abolitionist household. The sudden death of Daniel's mother catapults Lori back into bondage. Relegated to chattel on a rice plantation, Lori lives in constant fear under the tormenting scrutiny of Daniel's wretched aunt.

A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity.

Olivia's marriage to an African-American man was unacceptable to her mother Emma, Southern-bred descendant of prominent South Carolina slaveholders. Olivia assumed that bigotry was the product of her mother's loyalty to long-dead relatives, an allegiance to maintain the family's white blood line. After Emma's death though, Olivia finds a letter and an old journal among her belongings.

The year is 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. The year is 1852: Josephine is a 17-year-old house slave who tends to the mistress of a Virginia tobacco farm - an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine.

In August 1831, Nat Turner leads a group of escaped slaves in a rebellion that rocks the South. The revolt comes to a quick and violent end. In November, Nat is publicly hanged, and as his body swings, a false sense of peace washes over Jerusalem, Virginia. Unbeknownst to the world, on the day Nat Turner dies, his son, Nat Hope Turner, is born. Reared by Big Mama on the Turner plantation, young Nat's identity is kept secret to keep him safe. As Nat grows to manhood, he leads his own uprising against slavery and is forever after known as Black.

Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.

1863: In a small Creole cottage in New Orleans, an ingenious young Black woman named Stella embroiders intricate maps on repurposed cloth to help enslaved men flee and join the Union Army. Bound to a man who would kill her if he knew of her clandestine activities, Stella has to hide not only her efforts but her love for William, a Black soldier and a brilliant musician.

A free woman of color in the 1830s, Margaret Morgan lived a life full of promise. One frigid night in Pennsylvania, that changed forever. They tore her family apart. They put her in chains. But they never expected her to fight back. In 1837, Margaret Morgan was kidnapped from her home in Pennsylvania and sold into slavery. The state of Pennsylvania charged her kidnapper with the crime, but the conviction was later overturned by the U.S. Supreme Court. Yet, the heart of this story is not a Supreme Court ruling.