
Fake Accounts
Failed to add items
Add to Cart failed.
Add to Wish List failed.
Remove from wishlist failed.
Adding to library failed
Follow podcast failed
Unfollow podcast failed

Get 2 free audiobooks during trial.
Buy for $18.00
No default payment method selected.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrated by:
-
Rebecca Lowman
-
By:
-
Lauren Oyler
About this listen
"This novel made me want to retire from contemporary reality. I loved it." (Zadie Smith)
A woman in a tailspin discovers that her boyfriend is an anonymous online conspiracy theorist in this "incisive" and "funny" debut novel that "brilliantly captures the claustrophobia of lives led online and personae tested in the real world" (Publishers Weekly, starred review).
On the eve of Donald Trump's inauguration, a young woman snoops through her boyfriend's phone and makes a startling discovery: He's an anonymous internet conspiracy theorist, and a popular one at that. Already fluent in internet fakery, irony, and outrage, she's not exactly shocked by the revelation. Actually, she's relieved - he was always a little distant - and she plots to end their floundering relationship while on a trip to the Women's March in DC. But this is only the first in a series of bizarre twists that expose a world whose truths are shaped by online lies.
Suddenly left with no reason to stay in New York and increasingly alienated from her friends and colleagues, our unnamed narrator flees to Berlin, embarking on her own cycles of manipulation in the deceptive spaces of her daily life, from dating apps to expat meetups, open-plan offices to bureaucratic waiting rooms. She begins to think she can't trust anyone - shouldn't the feeling be mutual?
Narrated with seductive confidence and subversive wit, Fake Accounts challenges the way current conversations about the self and community, delusions and gaslighting, and fiction and reality play out in the internet age.
©2021 Lauren Oyler (P)2021 Random House AudioListeners also enjoyed...
-
No One Is Talking About This
- A Novel
- By: Patricia Lockwood
- Narrated by: Kristen Sieh
- Length: 4 hrs and 43 mins
- Unabridged
-
Overall
-
Performance
-
Story
As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void.
-
-
Funny, moving, glad to have read it
- By Terra on 05-26-21
-
Half of a Yellow Sun
- By: Chimamanda Ngozi Adichie
- Narrated by: Zainab Jah
- Length: 18 hrs and 10 mins
- Unabridged
-
Overall
-
Performance
-
Story
Adichie illuminates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a 13-year-old houseboy working for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor’s beautiful young mistress who's abandoned her life in Lagos for a dusty town and her lover’s charm; and Richard, a shy young Englishman infatuated with Olanna’s willful twin sister Kainene.
-
-
A Little Background Adjustment
- By Perkbrooke on 03-13-18
-
Emma
- An Audible Original Drama
- By: Jane Austen, Anna Lea - adaptation
- Narrated by: Emma Thompson, Joanne Froggatt, Isabella Inchbald, and others
- Length: 8 hrs and 21 mins
- Original Recording
-
Overall
-
Performance
-
Story
Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.
-
-
Background sonds RUINED this
- By Sandra Dodd on 09-09-18
By: Jane Austen, and others
-
Such a Fun Age
- By: Kiley Reid
- Narrated by: Nicole Lewis
- Length: 9 hrs and 58 mins
- Unabridged
-
Overall
-
Performance
-
Story
Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young Black woman out late with a White child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.
-
-
This is embarrassing!
- By Anonymous User on 01-31-20
By: Kiley Reid
-
The Grace Year
- A Novel
- By: Kim Liggett
- Narrated by: Emily Shaffer
- Length: 11 hrs and 42 mins
- Unabridged
-
Overall
-
Performance
-
Story
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. That’s why they’re banished for their 16th year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life - a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear.
-
-
Excellent narration and great message
- By Sara Madison on 10-09-19
By: Kim Liggett
-
Romantic Comedy (Reese's Book Club)
- A Novel
- By: Curtis Sittenfeld
- Narrated by: Kristen Sieh
- Length: 9 hrs and 5 mins
- Unabridged
-
Overall
-
Performance
-
Story
Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she’s long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life. But when Sally’s friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show.
-
-
Not really for me
- By Emma on 04-19-23
-
No One Is Talking About This
- A Novel
- By: Patricia Lockwood
- Narrated by: Kristen Sieh
- Length: 4 hrs and 43 mins
- Unabridged
-
Overall
-
Performance
-
Story
As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void.
-
-
Funny, moving, glad to have read it
- By Terra on 05-26-21
-
Half of a Yellow Sun
- By: Chimamanda Ngozi Adichie
- Narrated by: Zainab Jah
- Length: 18 hrs and 10 mins
- Unabridged
-
Overall
-
Performance
-
Story
Adichie illuminates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a 13-year-old houseboy working for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor’s beautiful young mistress who's abandoned her life in Lagos for a dusty town and her lover’s charm; and Richard, a shy young Englishman infatuated with Olanna’s willful twin sister Kainene.
-
-
A Little Background Adjustment
- By Perkbrooke on 03-13-18
-
Emma
- An Audible Original Drama
- By: Jane Austen, Anna Lea - adaptation
- Narrated by: Emma Thompson, Joanne Froggatt, Isabella Inchbald, and others
- Length: 8 hrs and 21 mins
- Original Recording
-
Overall
-
Performance
-
Story
Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.
-
-
Background sonds RUINED this
- By Sandra Dodd on 09-09-18
By: Jane Austen, and others
-
Such a Fun Age
- By: Kiley Reid
- Narrated by: Nicole Lewis
- Length: 9 hrs and 58 mins
- Unabridged
-
Overall
-
Performance
-
Story
Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young Black woman out late with a White child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.
-
-
This is embarrassing!
- By Anonymous User on 01-31-20
By: Kiley Reid
-
The Grace Year
- A Novel
- By: Kim Liggett
- Narrated by: Emily Shaffer
- Length: 11 hrs and 42 mins
- Unabridged
-
Overall
-
Performance
-
Story
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. That’s why they’re banished for their 16th year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life - a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear.
-
-
Excellent narration and great message
- By Sara Madison on 10-09-19
By: Kim Liggett
-
Romantic Comedy (Reese's Book Club)
- A Novel
- By: Curtis Sittenfeld
- Narrated by: Kristen Sieh
- Length: 9 hrs and 5 mins
- Unabridged
-
Overall
-
Performance
-
Story
Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she’s long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life. But when Sally’s friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show.
-
-
Not really for me
- By Emma on 04-19-23
-
The Sisters Brothers
- A Novel
- By: Patrick deWitt
- Narrated by: John Pruden
- Length: 7 hrs and 42 mins
- Unabridged
-
Overall
-
Performance
-
Story
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living - and whom he does it for. With The Sisters Brothers, Patrick deWitt pays homage to the classic Western....
-
-
The Cruelty To Animals is Hard to Take
- By Leslie on 07-22-12
By: Patrick deWitt
-
Red Pill
- A Novel
- By: Hari Kunzru
- Narrated by: Hari Kunzru
- Length: 8 hrs and 44 mins
- Unabridged
-
Overall
-
Performance
-
Story
After receiving a prestigious writing fellowship in Germany, the narrator of Red Pill arrives in the Berlin suburb of Wannsee and struggles to accomplish anything at all. Instead of working on the book he has proposed to write, he takes long walks and binge-watches Blue Lives - a violent cop show that becomes weirdly compelling in its bleak, Darwinian view of life - and soon begins to wonder if his writing has any value at all.
-
-
Paranoia justified
- By Daved Baker on 11-05-20
By: Hari Kunzru
-
Berlin
- A Novel
- By: Bea Setton
- Narrated by: Ell Potter
- Length: 9 hrs and 2 mins
- Unabridged
-
Overall
-
Performance
-
Story
When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.
-
-
A modern day Bell Jar!!
- By elizabeth houser on 06-27-24
By: Bea Setton
-
When We Cease to Understand the World
- By: Benjamin Labatut, Adrian West - translator
- Narrated by: Adam Barr
- Length: 5 hrs and 40 mins
- Unabridged
-
Overall
-
Performance
-
Story
When We Cease to Understand the World is a book about the complicated links between scientific and mathematical discovery, madness, and destruction. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, Erwin Schrödinger - these are some of the luminaries into whose troubled lives Benjamín Labatut thrusts the listener, showing us how they grappled with the most profound questions of existence.
-
-
the true heir w.g. sebald
- By Thomas on 12-23-21
By: Benjamin Labatut, and others
-
The Witching Hour
- By: Anne Rice
- Narrated by: Kate Reading
- Length: 50 hrs and 1 min
- Unabridged
-
Overall
-
Performance
-
Story
Demonstrating once again her gift for spellbinding storytelling, Anne Rice makes real for us a great dynasty of four centuries of witches - a family given to poetry and incest, murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being called Lasher who haunts the Mayfair women. Moving in time from today's New Orleans and San Francisco to long-ago Amsterdam and the France of Louis XIV, from the coffee plantations of Port-au-Prince to Civil War New Orleans and back to today, Anne Rice has spun a mesmerizing tale.
-
-
THANK YOU AUDIBLE!
- By Wendy on 10-22-15
By: Anne Rice
-
Pure Colour
- A Novel
- By: Sheila Heti
- Narrated by: Sheila Heti
- Length: 3 hrs and 49 mins
- Unabridged
-
Overall
-
Performance
-
Story
In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her.
-
-
Nothing else like it
- By Teri Kline on 03-20-22
By: Sheila Heti
-
The Time Traveler's Wife
- By: Audrey Niffenegger
- Narrated by: Fred Berman, Phoebe Strole
- Length: 17 hrs and 38 mins
- Unabridged
-
Overall
-
Performance
-
Story
Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.
-
-
One of my favorite books
- By Joey on 01-13-08
-
An Absolutely Remarkable Thing
- A Novel
- By: Hank Green
- Narrated by: Kristen Sieh, Hank Green
- Length: 9 hrs and 25 mins
- Unabridged
-
Overall
-
Performance
-
Story
The Carls just appeared. Coming home from work at three a.m., 23-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship - like a 10-foot-tall Transformer wearing a suit of samurai armor - April and her friend Andy make a video with it, which Andy uploads Online. The next day April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world - everywhere from Beijing to Buenos Aires - and April, as their first documentarian, finds herself at the center of an intense media spotlight.
-
-
Grape jelly in the void
- By Marissa Lehnerz on 09-27-18
By: Hank Green
-
Looking for Alaska
- By: John Green
- Narrated by: Wil Wheaton
- Length: 6 hrs and 40 mins
- Unabridged
-
Overall
-
Performance
-
Story
Miles Halter is fascinated by famous last words - and tired of his safe life at home. He leaves for boarding school to seek what the dying poet François Rabelais called the “Great Perhaps”. Much awaits Miles at Culver Creek, including Alaska Young, who will pull Miles into her labyrinth and catapult him into the Great Perhaps.
-
-
I am concussed dot-dot-dot
- By Bren McKenna on 10-01-19
By: John Green
-
Luster
- A Novel
- By: Raven Leilani
- Narrated by: Ariel Blake
- Length: 6 hrs and 39 mins
- Unabridged
-
Overall
-
Performance
-
Story
Edie is stumbling her way through her 20s - sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage - with rules.
-
-
Spellbinding
- By Nana on 08-07-20
By: Raven Leilani
-
The Paper Palace
- A Novel
- By: Miranda Cowley Heller
- Narrated by: Nan McNamara
- Length: 12 hrs and 37 mins
- Unabridged
-
Overall
-
Performance
-
Story
It is a perfect July morning, and Elle, a 50-year-old happily married mother of three, awakens at “The Paper Palace” - the family summer place she has visited every summer of her life. But this morning is different: Last night, Elle and her oldest friend, Jonas, crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, Elle will have to decide between the life she has made with her genuinely beloved husband and the life she always imagined she would have had with her childhood love.
-
-
The story has too much child abuse discription
- By DTurek on 07-14-21
-
Atonement
- By: Ian McEwan
- Narrated by: Jill Tanner
- Length: 14 hrs and 14 mins
- Unabridged
-
Overall
-
Performance
-
Story
In Atonement, three children lose their innocence, as the sweltering summer heat bears down on the hottest day in 1935, and their lives are changed forever. Cecilia Tallis is of England's priviledged class; Robbie Turner is the housekeeper's son. In their moment of intimate surrender, they are interrupted by Cecilia's hyperimaginative and scheming 13-year-old sister, Briony. And as chaos consumes the family, Briony commits a crime, the guilt of which she shall carry throughout her life.
-
-
An amazing book about complex human perception
- By Amazon Customer on 08-17-04
By: Ian McEwan
Keep your credit for a better story.
Don’t waste your time & money!
Something went wrong. Please try again in a few minutes.
Starts great, but so many missed opportunities
Something went wrong. Please try again in a few minutes.
Well
Something went wrong. Please try again in a few minutes.
Thin plot, lots of padding, prolix literary color
Something went wrong. Please try again in a few minutes.
No
Something went wrong. Please try again in a few minutes.
"If I did [say what I mean], I would say that last week I watched every video you’ve got on your website so I could hear the sound of your voice again. I would say that a woman stood next to me on the subway and I think she used the same shampoo as you, and I could hardly breathe for how much I missed you. I would say that I walked around all day with a Meg-shaped shadow beside me, and I only came in here because of the signs outside, and so I wouldn’t call you up at nine o’clock on a Friday night and beg you to talk to me again—about Frisbee, the weather, the name for that piece of a letter you told me about—"
The unnamed narrator in Fake Accounts has no such declaration made via comment thread, much less in person. That’s primarily because she is chasing her own emptiness rather than true love. Oyler writes with dizzying intellect, but her heroine (HA! HA!) is mentally over-fed, and aesthetically, spiritually and philosophically undernourished. I envision her as Francois Boucher’s reclined nude painted in 1752. Stomach down on a disheveled mass of pillows with her naked bottom in the air, her arms are folded on the edge of the couch-- a perfect cradle for a phone. The woman’s enigmatic eyes are looking outside the frame not at one lover, but an off-stage chorus of former boyfriends. The comparison was brought to mind after an ersatz sex scene in the book. It’s really a narrative fragment where famous porn stars read passages from their favorite books while they are brought to orgasm by off screen vibrators.
Meg in Love Lettering and the narrator in Fake Accounts are both ensnared by games of coded declarations. Which would you prefer as a prize? An honest, if needy, confession of your soul mate, or the undying scrolling of thousands? These books share the same cautionary tale of careless messaging. One girl avoids conflict with an implacable sunny disposition— a post traumatic reverberation from a childhood sabotaged by her parent’s unhappy marriage. The other avoids her loneliness by carefully curating an addictive half presence on multiple dating and social media platforms. What gets them in to trouble is a virtual blind spot. Meg thinks no one can decode her calligraphic scavenger hunts, while Oyler’s narrator thinks she can outsmart and outfake anyone on or offline. Their irresponsible arrogance is mutual. When an older friend asks Meg what message she left on Reid’s voice mail, her response is baffling. “Nothing, since I’m under fifty and this is the twenty-first century. Who leaves messages?” Healthy adults who want to communicate with each other, that’s who.
In Fake Accounts the narrator tweets when she is late to meet her boyfriend at a movie theatre. “I’m a pretty girl and I’m always late.” Although she had sent him a message to go ahead and get seats because she was late, she uses beauty to exonerate her bad habit in a very public way that she thinks he won’t see because he’s not on social media. That arrogance is the same disingenuous posturing that begs for thumbs up and hearts throughout the novel. At one point the narrator is in a waiting room as part of a visa application process in Berlin. She recites a long litany of obscure nationalities all waiting with her. Although it’s a clever way to illustrate how tone deaf and privileged this girl truly is, there’s something cloying about it. Is the author asking us to exonerate her for writing a book about a navel gazing, privileged woman from Brooklyn? She could have written an explication of how social media CEO’s and the Alt Right are frog marching us all to the brink of humanity’s mass grave. But no. We get front row seats to a very long, if clever, humiliation as social shaming art piece.
Why drag Salinger and Austen into this? Because these are both well written works that would not be possible if Catcher in The Rye and Pride and Prejudice had not endured. Holden Caufield captured our hearts because in spite of his confused teenage angst, he went to the pond in Central Park to save the ducks. He worried over the graffiti that might tarnish his brilliant sister’s childhood. Oyler’s narrator seems to care for her innocent twin charges that she strolls through Berlin. I kept waiting for her to leave them in a park or let them get kidnapped, but she keeps them safe throughout their time together. Her appreciation of and adaptation to the immediate needs of two infants make me think there might be hope for her after all. Oyler’s fakeness is the direct descendant of Salinger’s phoniness. What she gets from Austen is the cost of pride and prejudice. What was a country dance or a ball in 1815 has become the endless drama of swiping and scrolling. Austen’s careful grooming of the Benett daughters for marriage is no different than the constant curation of moments in Fake Accounts. Every online interaction is a performance against which a person’s value will be measured. Thumbs up or thumbs down is dependent upon avoiding the censure of others.
Meg and Reid’s love story is fraught with miscommunication and childhood trauma that threatens to derail their budding relationship. We never meet Jane, the object of Holden Caufield’s desire, but she is always on his mind. Meg becomes Reid’s ideal because of her uncanny ability to code with the semiotic power of typography. She is his balm in an alienating city, as Jane is the only one who listened to Holden explain the poetry in his dead brother’s baseball mitt. Ultimately, however, Reid and Meg are successful for the same reason that Mr. Darcy and Elizabeth Bennet fall in love. They are honest people who learn to communicate in a dishonest world of social pomp and circumstance. Oyler and Clayburn are pedaling the same wish fantasy. Someone out there can read you like a book. Not speed read, but absorb all the footnotes, subtexts, pretexts, contexts—all of it. You are not just naked on a private couch with this person. You are naked every moment of the day because they know you so well they can anticipate your needs. They also see right through your lies, even the innocent sins of omission. In Fake Accounts the wish fantasy becomes a funny nightmare, whereas Love Lettering is a plausible fairy tale. Although I do have doubts that professional calligraphers and community college math teachers can afford to live in New York.
Why read popular romance when you can justify your existential angst with intelligent social commentary? I want to understand the underpinnings of our socially curated reality. Oyler is a brilliant and funny writer, as is Salinger, but their stories are tragic and too real to read over and over again. Fairytales are necessary, and uncomplicated happy endings just make us feel better, right? So next year when I get the blues because of whatever is dominating the news, or because I’ve read another biting literary work on our failings as humans, I will be picking up Kate Clayburn’s Love Lettering—right after I binge watch the BBC 1995 production of Pride and Prejudice. And then the blues will descend for another reason. No one reads anyone like a favorite book over and over again.
The Love Child of Great Books
Something went wrong. Please try again in a few minutes.
This book is joke what I had hoped for when I was searching for content. It’s complete trash IMO.
Dreadful
Something went wrong. Please try again in a few minutes.
Don't Waste Your Valuable Time Listening to this T
Something went wrong. Please try again in a few minutes.
Long winded
Something went wrong. Please try again in a few minutes.
Absolutely the WORST book ever written
Something went wrong. Please try again in a few minutes.