The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim. A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it.

In a small grim room, the body of a woman is discovered, panic and pain etched in her face. The scene matches in every detail a series of murders two years ago-murders that ended when irrefutable forensic evidence secured the conviction of a deeply disturbed young man named Derek Tyler. But there's no way Tyler could have killed the latest victim. He's been locked up in a mental institution since his trial, barely speaking a word. So is there a copycat?

Four in the morning, mid-December, and snow blankets St. Andrews School. Student Alex Gilbery and his three best friends are staggering home from a party when they stumble upon the body of a young woman. Rosie Duff has been raped, stabbed and left for dead in the ancient Pictish cemetery. The only suspects are the four young students stained with her blood. Twenty-five years later, police mount a cold case review. Among the unsolved murders they're examining is that of Rosie Duff. But someone else has his own idea of justice.

Lindsay Gordon, self-proclaimed cynical socialist lesbian feminist journalist, is less than overjoyed at the prospect of spending a weekend at a posh girls' boarding school. Tensions are running high over the school's financial problems; the fact that school alumna and renowned musician Lorna Smith-Couper will return to the school to perform at a benefit concert only exacerbates anxieties. When Smith-Couper is found strangled with her own cello string right before the concert, Lindsay and Cordelia find their new relationship tested in unique ways as they seek to find the murderer among a long list of suspects.

A Greek tragedy in modern England, A Place of Execution is a taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multi-layered narrative that turns expectations on their head and reminds us that what we know is what we do not know.

thriller with a nightmare scenario: a parent who loses her child in a bustling international airport. Young Jimmy Higgins is snatched from an airport security checkpoint while his guardian watches helplessly from the glass inspection box. But this is no ordinary abduction, as Jimmy is no ordinary child. His mother was Scarlett, a reality TV star who, dying of cancer and alienated from her unreliable family, entrusted the boy to the person she believed best able to give him a happy, stable life: her ghost writer, Stephanie Harker.

A killer is on the loose, blurring the line between fact and fiction. His prey - the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.

In Trick of the Dark, forensic psychiatrist Charlotte Flint is in desperate need of a distraction after her testimony in a high-profile case comes under fire, threatening her career. Enter Dr. Corinna Newsam, an old professor of Charlotte’s who is convinced her son-in-law was murdered by her daughter’s new lover.

After torrential summer rains uncover a bizarrely tattooed body on a Lake District hillside, a long-disregarded old wives' tale takes on a chilling new plausibility. For centuries, Lakelanders have whispered that Fletcher Christian, made infamous by Mutiny on the Bounty, staged the massacre on Pitcairn so that he could return home. And once there, what if he could tell his story to an old friend and schoolmate, William Wordsworth, who turned it into a long narrative poem—a poem that remained hidden lest it expose Wordsworth to the gallows for harboring a fugitive?

Met cop DI Rob Marshall is hot on the trail of the serial killer known as the Chameleon, who has abducted, tortured and killed a series of young women in Northwest London. As they close in, the Chameleon—who switches identity to get close to his victims—shoots Marshall’s partner and escapes.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

DI Nikki Galena: A police detective with nothing left to lose, she's seen a girl die in her arms, and her daughter will never leave the hospital again. She's gotten tough on the criminals she believes did this to her. Too tough. And now she's been given one final warning: make it work with her new sergeant, DS Joseph Easter, or she's out.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.