Five feet two inches of slick repartee, near-purple hair, and poetic imagination, twenty-year-old Rune hasn't been in Manhattan for very long. But she's crafty enough to have found a squatter's paradise in an empty TriBeca loft, and a video store job that feeds her passion for old movies. It's a passion she shares with her favorite customer, Mr. Kelly, a lonely old man who rents the same video over and over. The flick is a noir classic based on a real-life unsolved bank heist and a million missing dollars. It's called Manhattan Is My Beat.

In a small grim room, the body of a woman is discovered, panic and pain etched in her face. The scene matches in every detail a series of murders two years ago-murders that ended when irrefutable forensic evidence secured the conviction of a deeply disturbed young man named Derek Tyler. But there's no way Tyler could have killed the latest victim. He's been locked up in a mental institution since his trial, barely speaking a word. So is there a copycat?

After torrential summer rains uncover a bizarrely tattooed body on a Lake District hillside, a long-disregarded old wives' tale takes on a chilling new plausibility. For centuries, Lakelanders have whispered that Fletcher Christian, made infamous by Mutiny on the Bounty, staged the massacre on Pitcairn so that he could return home. And once there, what if he could tell his story to an old friend and schoolmate, William Wordsworth, who turned it into a long narrative poem—a poem that remained hidden lest it expose Wordsworth to the gallows for harboring a fugitive?

Was the biggest case of his career the worst mistake he ever made? Ten years ago, DCI Jack Logan stopped the serial child-killer dubbed "Mister Whisper", earning himself a commendation, a drinking problem, and a broken marriage in the process...When another child disappears a hundred miles north in the Highlands, Jack is sent to lead the investigation and bring the boy home. But as similarities between the two cases grow, could it be that Jack caught the wrong man all those years ago?

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

As a favor to her rock journalist boyfriend, Thai-boxing, rock-and-roll private detective Kate Brannigan agrees to track down a missing song-writer Moira Pollock, a search that takes her into some of the seediest parts of Leeds and Bradford. But little does she realize that finding Moira is only a prelude to murder. Juggling her other cases, including a search to uncover the source of counterfeit luxury goods, Brannigan finds herself for the first time on the trail of a killer.

A woman is found in a local cemetery, crushed to death under a gravestone. A production company is there, filming the remake of a classic sci-fi TV show on the grounds, making the investigation more difficult for DCI Harry McNeil. It's his first day in charge of the cold case unit in Edinburgh. After spending four years in Professional Standards, he has little choice but to take the promotion.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

D.I. Duncan McAdam is dispatched home to the Misty Isle. A body has been found buried in a remote location on the Waternish peninsula. Well-preserved in the peat, Isla Matheson—missing for the better part of two decades—is revealed to a shocked island community. A teenage runaway is dead...and no one is talking.

Met cop DI Rob Marshall is hot on the trail of the serial killer known as the Chameleon, who has abducted, tortured and killed a series of young women in Northwest London. As they close in, the Chameleon—who switches identity to get close to his victims—shoots Marshall’s partner and escapes.

Former soldier. Ex-copper. Current man on the edge. Shunned by his old colleagues, and dividing his time between a dead-end job and the bottom of a whisky bottle, former Police Scotland detective superintendent Bob Hoon’s life is a mess. Then an old face from Hoon’s Special Forces days turns up asking for help: His teenage daughter has been missing for months, the police have drawn a blank, and he needs the kind of help that only Hoon can provide. And besides, Hoon owes him one.

Ailsa Connolly was a brilliant psychologist and a respected criminologist. She was also a serial killer. Six years ago, DCI Sean Bracken caught her just before he was about to become her seventh victim. Every year on the anniversary of her incarceration, she taunts him with a phone call, giving him one message: "When I get out, I'll kill you." Now, Bracken has transferred back to Edinburgh and is thrown into the deep end on his first day back on duty. There's a killer who is emulating Ailsa, threatening to surpass her body count.

When a 15-year-old girl fails to make it home after school, DI Heather Filson believes she’s dealing with just another teenage runaway. The girl’s grandfather, a notorious Glasgow gangster, disagrees. Convinced one of his underworld enemies has grabbed her, he’s prepared to bathe the city in blood in order to bring his princess home.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

A Greek tragedy in modern England, A Place of Execution is a taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multi-layered narrative that turns expectations on their head and reminds us that what we know is what we do not know.

thriller with a nightmare scenario: a parent who loses her child in a bustling international airport. Young Jimmy Higgins is snatched from an airport security checkpoint while his guardian watches helplessly from the glass inspection box. But this is no ordinary abduction, as Jimmy is no ordinary child. His mother was Scarlett, a reality TV star who, dying of cancer and alienated from her unreliable family, entrusted the boy to the person she believed best able to give him a happy, stable life: her ghost writer, Stephanie Harker.

As a favor to her rock journalist boyfriend, Thai-boxing, rock-and-roll private detective Kate Brannigan agrees to track down a missing song-writer Moira Pollock, a search that takes her into some of the seediest parts of Leeds and Bradford. But little does she realize that finding Moira is only a prelude to murder. Juggling her other cases, including a search to uncover the source of counterfeit luxury goods, Brannigan finds herself for the first time on the trail of a killer.

Lindsay Gordon, self-proclaimed cynical socialist lesbian feminist journalist, is less than overjoyed at the prospect of spending a weekend at a posh girls' boarding school. Tensions are running high over the school's financial problems; the fact that school alumna and renowned musician Lorna Smith-Couper will return to the school to perform at a benefit concert only exacerbates anxieties. When Smith-Couper is found strangled with her own cello string right before the concert, Lindsay and Cordelia find their new relationship tested in unique ways as they seek to find the murderer among a long list of suspects.

The dead talk - to the right listener. They can tell us all about themselves: where they came from, how they lived, how they died, and, of course, who killed them. Forensic scientists can unlock the mysteries of the past and help serve justice using the messages left by a corpse, a crime scene, or the faintest of human traces.