This volume of six linked stories and the novella from which the book derives its title is set in Port William from 1908 to the Second World War. Here Wendell Berry introduces two of his more indelible and poignant characters, Ptolemy Proudfoot and his wife Miss Minnie, remarkable for the comic and affectionate range that—with the mastery of this consummate storyteller working at the height of his powers—here approaches the Shakespearean.

This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live it. Through the eyes of one man can be seen the values of Americans strive to recapture as we arrive at the next century.

Join us for an hour of wisdom from one of the most highly respected of modern American writers and poets. Using words like "affection", "satisfaction", "care", and "joy", Berry calls for a re-evaluation of the basic values and practices of our lives. He illustrates his ideas with glimpses of his own life and those of his Kentucky farm neighbors, and describes a future where we can learn to find love, wisdom and meaning in the people, the places and the work of our own daily lives.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

Stacy Keach and Jane Kaczmarek star in this 1949 masterpiece by Arthur Miller, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play's iconic traveling salesman, whose family is torn apart by his desperate obsession with greatness and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions.

"Jacob have I loved, but Esau have I hated." With her grandmother's taunt, Louise knew that she, like the biblical Esau, was the despised elder twin. Caroline, her selfish younger sister, was the one everyone loved. Growing up on a tiny Chesapeake Bay island in the early 1940s, angry Louise reveals how Caroline robbed her of everything: her hopes for schooling, her friends, her mother, even her name. While everyone pampered Caroline, Wheeze (her sister's name for her) began to learn the ways of the watermen and the secrets of the island.

According to the UN Convention to Combat Desertification (UNCCD), each year, an estimated 24 billion tons of fertile soil are lost due to erosion. That’s a whopping 3.4 tons lost every year for each person on the planet.

As a mother, friend, and traveler, Sally Clarkson has witnessed on countless occasions how a shared cup of tea can impact a heart. These simple moments of hospitality become poignant opportunities for women to support each other in faith while drawing nearer to God. With Teatime Discipleship, Sally invites you into her beautiful home, pours you a steaming cup of tea, and shares the prayers, Scripture, stories, recipes, and traditions that are dear to her heart.

Raised as a fourth-generation farmer, when Will Harris inherited White Oak Pastures he was a full-time commodity cowboy who played hard and fast with every tool the system offered–chemicals, antibiotics, steroids, and more. His ancestors had built a highly profitable, conventionally run machine, but over time he found himself disgusted with the excess, cruelty, and smalltown devastation this system entailed. So he bet the farm on forging a different way of doing things. One that works with nature not against it, and bridges the quickly widening delta between consumers and their food.

Amy Carmichael stood on the deck of the steamer, waving good-bye once again to her old friend Robert Wilson. How could she have known she would never see him or the British Isles again? Amy was certain God had called her to India. Indeed! India would be home for the rest of her life. Amy's life was marked by a simple, determined obedience to God, regardless of circumstances. Her story and legacy are stunning reminders of the impact of one person who will fear God and nothing else.

Historic statements of faith—such as the Heidelberg Catechism, the Apostles’ Creed, and the Westminster Confession of Faith—have helped the Christian church articulate and adhere to God’s truth for centuries. However, many modern evangelicals reject these historic documents and the practices of catechesis, proclaiming their commitment to “no creed but the Bible.” And yet, in today’s rapidly changing culture, ancient liturgical tradition is not only biblical—it’s essential.

For the past 50 years, Wendell Berry has been helping seekers chart a return to the practice of being creatures. Through his essays, poetry, and fiction, Berry has repeatedly drawn our attention to the ways in which our lives are gifts in a whole economy of gifts. Berry presents us with the sort of coherent vision for the lived moral and spiritual life that we need now. His work helps us remember our givenness and embrace our life as creatures.

What does it mean to be human? This timeless question proves critical as we seek to understand our purpose, identity, and significance. Amidst the many voices clamoring to shape our understanding of humanity, the Bible reveals important truths related to our human identity and vocation that are critical to the flourishing of all of creation. Carmen Joy Imes seeks to recover the theologically rich message of the creation narratives starting in the book of Genesis as they illuminate what it means to be human.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

This volume of six linked stories and the novella from which the book derives its title is set in Port William from 1908 to the Second World War. Here Wendell Berry introduces two of his more indelible and poignant characters, Ptolemy Proudfoot and his wife Miss Minnie, remarkable for the comic and affectionate range that—with the mastery of this consummate storyteller working at the height of his powers—here approaches the Shakespearean.

This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his 50-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work.

Since its publication in 1977, The Unsettling of America has been recognized as a classic of American letters. In it, Wendell Berry argues that good farming is a cultural and spiritual discipline. Today’s agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the land - from the intimate knowledge, love, and care of it.

The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found.