Farmer, ecologist, and writer Berry provides some rich and fertile ground for recreating life and culture. He speaks of enduring values, the wholeness of life and the interdependence of all creatures, especially humankind. Berry's self-discipline, ethical sense and human compassion come through as he leads us from the microcosm of his Kentucky hill farm to the macrocosm of a sane and reasoned planetary vision based on personal integrity, faithfulness, and love.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his 50-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work.

Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live it. Through the eyes of one man can be seen the values of Americans strive to recapture as we arrive at the next century.

The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found.

Myth is our wild way of telling the truth, of sharing stories that have our living earth speaking through them. There is an old insistence that we each have a twin we know nothing about. A wild, curious twin that was thrown out the window the night we were born, taking much of our energy with them. This story is a quest to find and court our wild twin, for they have something important to tell us. If there was something we were here to do in our few, brief years, we can be sure that the wild twin is holding the key.

Since the beginning of time, humankind has looked upon nature and seen the divine. In the writings of the great thinkers across religions, the natural world inspires everything from fear, to awe, to tranquil contemplation; God, or however one defined the sublime, was present in everything. Yet today, even as we admire a tree or take in a striking landscape, we rarely see nature as sacred.

Since its founding in 1959, Island Records has been home to legendary artists representing wildly divergent musical styles, yet who share the same maverick, outsider spirit of its founder, Chris Blackwell. Time and again, Blackwell and his Island cohorts identified and nurtured musicians overlooked by other labels, including Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Traffic, Nick Drake, Tom Waits, Robert Palmer, Free, the B-52’s, John Martyn, and Jimmy Cliff.

"As a man is, so he sees." These words of mystical poet and artist William Blake are just as relevant now as they were when they were written in 1802 - perhaps more so. Throughout his life, Blake undertook a voyage beyond rationality and materialism to an interior, visionary realm where "all things appear as they are - infinite." Yet all human beings, he believed, are capable of opening their eyes to a fuller experience of life.

An extraordinary visit with one of America's leading poets provides a unique exploration of the mystery of maleness. Bly uses fairy tales to illuminate the dark recesses of the psyche, and the result is a powerful intimation of the male experience and potential. From the soft, feminine male persona to the deeply buried wildman, Bly takes us on a journey through unmapped territory of the masculine. For men and women this is a conversation not to be missed.

Drunk with the Divine, Rumi wrote 20,000 poems of mystical, ineffable love of God. "There is a ferocity in his longing that maybe we don't understand," says Barks. Listen in and understand a little better. A wondrous, exhilarating look at the exultant poetry of Jelaluddin Rumi, the 13th century Sufi poet, with Coleman Barks.

How does a body of poetry written in a remote part of the world find its way to best seller lists in the U.S. over 700 years later? What is the compelling quality inherent in great literature that resonates throughout the ages? Coleman Barks, poet and translator of Jelalludin Rumi's poetry, explores the genius, mystery and rapture of Rumi's work; why he has become the most-read poet in America, and what his poetry has in common with the immortal writings of Dickinson, Emerson and Thoreau.

In Sweden there is a kind of decluttering called döstädning, dö meaning "death" and städning meaning "cleaning." This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner rather than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs listeners to embrace minimalism.

Acknowledged as one of the greatest religious teachers of this or any other age, the late J. Krishnamurti was a visionary whose ideas are still ahead of his time. New Dimensions host Michael Toms was fortunate to capture this philosopher's penetrating wisdom in 1983, just a few years before his death at the age of 90.