This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

A celebration of beloved American author Wendell Berry, the five stories in Fidelity return listeners to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight-knit community within.

Malls, stadiums, and universities are actually liturgical structures that influence and shape our thoughts and affections. Humans - as Augustine noted - are "desiring agents", full of longings and passions; in brief, we are what we love. James K. A. Smith focuses on the themes of liturgy and desire in Desiring the Kingdom, the first book in a three-volume set on the theology of culture. He redirects our yearnings to focus on the greatest good: God.

Many Christians are disconnected from the past or imagine they are "above" history, immune to it, as if self-starters from clean slates in every generation. They suffer from a lack of awareness of time and the effects of history—both personal and collective—and thus are naive about current issues and fixated on the end times. Popular speaker and award-winning author James K. A. Smith shows that awakening to the spiritual significance of time is crucial for orienting faith in the twenty-first century.

At only ten years old, Katherine Forrester has already experienced her fair share of upheaval. It has been three years since she last saw her mother, a concert pianist whose career was cut short by a terrible accident. After a brief reunion, tragedy strikes once more, forcing Katherine from the familiarity of New York City to a foreign Swiss boarding school. Far from home, she struggles with the challenges of growing up. Stifled by her daily routine and the pettiness of her classmates, Katherine’s piano lessons with a gifted young teacher provide an anchor in the storm.

In this culmination of his highly acclaimed Cultural Liturgies project, James K. A. Smith examines politics through the lens of liturgy. What if, he asks, citizens are not only thinkers or believers but also lovers? Smith explores how our analysis of political institutions would look different if we viewed them as incubators of love-shaping practices—not merely governing us but forming what we love.

Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live it. Through the eyes of one man can be seen the values of Americans strive to recapture as we arrive at the next century.

For the past 50 years, Wendell Berry has been helping seekers chart a return to the practice of being creatures. Through his essays, poetry, and fiction, Berry has repeatedly drawn our attention to the ways in which our lives are gifts in a whole economy of gifts. Berry presents us with the sort of coherent vision for the lived moral and spiritual life that we need now. His work helps us remember our givenness and embrace our life as creatures.

You are invited into the classroom in which Thomas Merton delivered some of his most impassioned lectures on a timeless topic. In 1962 at Gethsemani Abbey, Thomas Merton taught an extraordinary course on the heart of Benedictine spirituality.

N. T. Wright's updated translation and insightful commentary breathe fresh life into the gospel of Matthew. Here, Jesus emerges as a multifaceted figure: the long-awaited Messiah, a teacher surpassing Moses, and the compassionate Son of Man sacrificing for all. Matthew invites listeners to embrace Jesus's wisdom and the transformative way of life he imparts. Matthew for Everyone, Part 1 includes chapters 1-15 and features a contemporary translation of the biblical text, thought-provoking commentary, and an all-new study guide.

Acclaimed author Karen Swallow Prior examines evangelical history, both good and bad. By analyzing the literature, art, and popular culture that has surrounded evangelicalism, she unpacks some of the movement's most deeply held concepts, ideas, values, and practices to consider what is Christian rather than merely cultural. The result is a clearer path forward for evangelicals amid their current identity crisis—and insight for others who want a deeper understanding of what the term "evangelical" means today.

In this classic book, Madeleine L’Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L’Engle’s beautiful and insightful essay, listeners will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one’s own art.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity.

The 13th-century mystic Meister Eckhart was the most brilliant Christian scholar of his day, but he was also legendary for the way that he opened listeners to the direct experience of God during his public talks. Today, his written wisdom remains alive as ever, ready to illuminate us. With Meister Eckhart's Living Wisdom, James Finley, one of today's best-known teachers of the Christian contemplative tradition, invites us into Eckhart's insights in the same way that this luminary teacher delighted in sharing them.

A young, shy, sickly priest is assigned to his first parish, a sleepy village in Northern France. Though his faith is devout, he finds nothing but indifference and mockery. The children laugh at his teachings, his parishioners are consumed by boredom, rumours are spread about him and he is tormented by stomach pains. Even his attempts to clarify his thoughts in a diary fail to deliver him from worldly concerns. Yet somehow, despite his suffering, he tries to find love for his fellow humans and even a state of grace.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found.

This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

A celebration of beloved American author Wendell Berry, the five stories in Fidelity return listeners to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight-knit community within.

In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his 50-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work.