Mistletoe is beautiful and dangerous, much like the woman from Lord Frederick’s Percy’s past, so when he turns over a new leaf and arranges to marry for his estate, instead of his heart, he never expects the wrong bride to be the right choice. Gracelynn Ferguson never expected to take her elder sister’s place as a Christmas bride, but when she’s thrust into the choice, she will trust in her faithful novels and overactive imagination to help her not only win Frederick’s heart but also to solve the murder mystery of Havensbrook Hall.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

When concert pianist Vivienne Mourdant’s father dies, he leaves to her the care of a patient at Hurstwell Asylum. Vivienne had no idea the woman existed, and yet her portrait is shockingly familiar. When the asylum claims she was never a patient there, Vivienne is compelled to discover what happened to the figure she remembers from childhood dreams.

Three delightful Christmas tales from beloved storyteller Michelle Griep! Pour yourself a cuppa, get lost in the merriment of the season, and enjoy a Dickensian Christmas in three stories from fan favorite Michelle Griep: 12 Days at Bleakly Manor, A Tale of Two Hearts, and The Old Lace Shop.

Travel to the Regency era with a New York Times best-selling author's novel of "irresistible romance" (Eloisa James), in which a woman looking to recover a stolen painting accidentally kidnaps a duke instead.

Lady Grace Wyatt is content as a wallflower, focusing on scientific pursuits rather than the complications of society matches. But when a handsome, celebrated naturalist returns from abroad, Grace wishes, for once, to be noticed. Her solution: to “build” the perfect man, who will court her publicly and help her catch his eye. Grace’s colleague, anthropologist Sebastian Holloway, is just the blank slate she requires. To further his own research on English society, Sebastian agrees to let Grace transform him from a bespectacled, bookish academic into a dashing - albeit fake - rake.

Lady Jane Everard cannot abide the new earl of Hadley. The unmannered Scot is a menace to genteel ladies everywhere, what with his booming laugh and swishing kilt and endless supply of “ochs” and “ayes”. Jane wishes Lord Hadley would behave as an earl should and adhere to English rules of polite conduct.

As a young woman, Leah Penn-Leith fell hopelessly in love with Captain Fox Carnegie—the only irrational mark on her decidedly sensible life. Fox, unfortunately, did not return her regard. Their story should have ended there—Fox left for India and Leah returned home to Scotland to rear her much younger brothers. Twenty years later, Fox appears on Leah's doorstep—older, scarred, and world-weary—proposing a marriage of convenience between them.

Katherine Vareck is in for the shock of her life when she learns upon her husband Meri’s death that, before the accident, he had married two other women. And you know how the saying goes: Hell hath no fury like a woman who married a man who married two other women. Or something like that.

Juliet Graham fervently counts the days until her 21st birthday, when she can claim the inheritance that will grant her the freedom she has always craved and the guardianship of her younger brother. When forced to accompany the family to a house party at Shaldorn Castle, Juliet’s only objective is to keep to herself. That is, until a chance encounter with a boorish stranger stirs up an unexpected whirlwind of emotions in her. Thrown off-balance, Juliet does the unthinkable: loses her temper and insults the man - who turns out to be her unwilling host, the Duke of Halstead.

Tabby has a peculiar gift: She can communicate with the recently departed. It makes her special, but it also makes her dangerous. As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby's gift so she could profit from the recent craze for seances. Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery.

Reluctantly returning to London for yet another Season, shy Nora Hamilton has nearly given up hope that she will ever find the love match she longs for. After all, the one man she does harbor feelings for - her closest friend, James - has made it perfectly clear he views her as just that: a friend. With James traveling half a world away and Nora’s father pressuring her to marry for wealth and status, Nora is forced to set aside her desire for love and accept the future she has always dreaded. Until James returns unexpectedly and Nora’s feelings once again rush unbearably close to the surface.

While most young ladies attend balls and hunt for husbands, Ophelia Hardwick has spent the last 10 years masquerading as a man. As the land steward for the Earl of Carlyle, she’s found safety from the uncle determined to kill her and freedoms a lady could only dream of. Ophelia’s situation would be perfect - if only she wasn’t hopelessly attracted to her employer.

At birth, Mick Trewlove, the illegitimate son of a duke, was handed over to a commoner. Despite his lowly upbringing, Mick has become a successful businessman, but all his wealth hasn’t satisfied his need for revenge against the man who still won’t acknowledge him. What else can Mick do but destroy the duke’s legitimate son - and woo the heir’s betrothed into his own unloving arms.... Orphaned and sheltered, Lady Aslyn Hastings longs for a bit of adventure. With her intended often preoccupied, Aslyn finds herself drawn to a handsome man who seems to understand her so well.

For exactly one season, Lady Charlotte Wentworth played the biddable female the ton expected - and all it got her was society's mockery and derision. Now she's determined to be in charge of her own future. So when an unwanted suitor tries to manipulate her into an engagement, she has a plan. He can't claim to be her fiancé if she's engaged to someone else. Even if it means asking for help from the last man she would ever marry.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.

When Aurelie Harcourt's father dies in debtor's prison, he leaves her just two things: his wealthy family, whom she has never met, and his famous pen name, Nathaniel Droll. Her new family greets her with apathy and even resentment. Only the quiet houseguest, Silas Rotherham, welcomes her company. When Aurelie decides to complete her father's unfinished serial novel, she must keep her identity as Nathaniel Droll hidden while searching for the truth about her mother's disappearance - and perhaps even her father's death.

Focused on a career in medicine and not on romance, Willa Duvall is thrown slightly off course during the summer of 1865 when she discovers a never-opened love letter in a crack of her old writing desk. Compelled to find the passionate soul who penned it and the person who never received it, she takes a job as a nurse at the seaside Crestwicke Manor. Everyone at Crestwicke has feelings—mostly negative—about the man who wrote the letter, but he seems to have disappeared. With plenty of clues but few answers, Willa's search becomes even more complicated when she misplaces the letter.

A lonely young heiress becomes the poorest wealthy woman in Victorian England when her father dies without telling anyone where he hid his fortune. Can Tressa and the no-nonsense estate manager find the fortune before the greedy relatives get to it first? Tressa Harlowe's father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it.

In the search for the truth, the line between fact and fiction is beginning to fall out of focus It is 1903, and Lily Temple is a beautiful silent-film actress who spins fairy tales and plays frivolous roles in front of the cine-camera. But beneath the costumes and stage makeup is a woman with a quick wit, a murky past, and a tantalizing secret. As an underground investigator to the wealthy, Peter Driscoll has been tasked with locating the legendary Briarwood Teardrop, an exquisite sapphire that has been missing for years—and which Lily happens to be wearing beneath her gown.