Raina Bretton is a rag woman in London's East End when a handsome stranger appears in a dank alley and offers her a glittering smile and a chance for adventure. Rothburne Abbey has a unique position for her, one that will take her away from her hardscrabble life and give her a chance to be a lady. Things she could only dream of might be coming true. But some dreams turn out to be nightmares. Though Raina has traded squalor for silk and satin, something about the abbey is deeply unsettling.

Focused on a career in medicine and not on romance, Willa Duvall is thrown slightly off course during the summer of 1865 when she discovers a never-opened love letter in a crack of her old writing desk. Compelled to find the passionate soul who penned it and the person who never received it, she takes a job as a nurse at the seaside Crestwicke Manor. Everyone at Crestwicke has feelings—mostly negative—about the man who wrote the letter, but he seems to have disappeared. With plenty of clues but few answers, Willa's search becomes even more complicated when she misplaces the letter.

When concert pianist Vivienne Mourdant’s father dies, he leaves to her the care of a patient at Hurstwell Asylum. Vivienne had no idea the woman existed, and yet her portrait is shockingly familiar. When the asylum claims she was never a patient there, Vivienne is compelled to discover what happened to the figure she remembers from childhood dreams.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.

A lonely young heiress becomes the poorest wealthy woman in Victorian England when her father dies without telling anyone where he hid his fortune. Can Tressa and the no-nonsense estate manager find the fortune before the greedy relatives get to it first? Tressa Harlowe's father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it.

The Home Office has asked Sir Bertrand Thorndike to head an investigation into stolen royal jewels. It's the perfect chance for Bertie to step out of his brother's long shadow. His superior, The Duke of Haverly, has a plan that makes him balk: in order to sell his cover, Bertie must play the part of a man looking for love, ready to reform his rakish ways. The duke is willing to let Bertie name his own investigative team, but his recommendation that the team include Philippa Cashel has Bertie on his guard. Does the duke-known for his behind-the-scenes machinations-have an ulterior motive?

After eight years in India, Oxford's most eligible bachelor, Edmund Price, has come out of the shadows to run for Parliament and is in search of an Egyptologist to value a newly acquired collection. Expecting a renowned Oxford professor, Edmund instead finds himself entangled with Ami, the professor's determined daughter. As they delve into the treasures, their connection deepens, but trouble emerges when a golden griffin—rumored to bear the curse of Amentuk—surfaces, and they're left to wonder if the curse really is at play, or if something more nefarious is hiding among the shadows . . .

In 1910, Effie James is committed to doing anything to save her younger sister, who witnessed a shocking murder, leaving her mute and in danger of the killer’s retribution. Effie must prove what her sister saw, but when a British gentleman arrives, he disrupts Effie’s quest with his attempts to locate his wife, Isabelle Addington, who was last seen at the supposed crime scene in the abandoned house at 322 Predicament Avenue.

In 1921, Marian Arnold, the heiress to a brewing baron’s empire, seeks solace in the glass butterfly house on her family’s Wisconsin estate as Prohibition and the deaths of her parents cast a long shadow over her shrinking world. When Marian’s sanctuary is invaded by nightmarish visions, she grapples with the line between hallucinations of things to come and malevolent forces at play in the present. With dead butterflies as the killer’s ominous signature, murders unfold at a steady pace. Marian, fearful she might be next, enlists the help of her childhood friend Felix.

As a young woman, Leah Penn-Leith fell hopelessly in love with Captain Fox Carnegie—the only irrational mark on her decidedly sensible life. Fox, unfortunately, did not return her regard. Their story should have ended there—Fox left for India and Leah returned home to Scotland to rear her much younger brothers. Twenty years later, Fox appears on Leah's doorstep—older, scarred, and world-weary—proposing a marriage of convenience between them.

Julia Cummings has long been acquainted with loss - her mother, her brother, her sister, her friend, all gone too soon. But the loss that pushed her grief to the limit as a young girl was that of her best friend, Lucas Jonquil, who abandoned her without looking back. Now, eight years later, Lucas has returned to Lampton Park, and Julia has steeled herself - she will never forgive the man who broke her heart.

At a dinner party in London during the season, Fitzwilliam Darcy meets an enchanting young woman. Though he recognizes her beauty and poise, he is struck by a sense of familiarity and realizes she is someone connected to him. What follows is a whirlwind of events in which the woman's lineage is discovered and her true identity is established. Darcy quickly realizes she is a woman estimable in her own right, and he finds himself besotted. But amid the miraculous events of a lost soul returning home, dark forces conspire against the young woman, for her loss was not an accident.

As the beloved stepdaughter of the Earl of Castleton, Lady Mariah Lyons cherishes her home at Plumford Manor, but her idyllic world will be threatened when the estate passes to Cyril Lightbourne, a childhood friend she hasn’t seen or heard from in years. Once, Mariah dreamed their friendship would kindle into something more, but that was before she heard Cyril was courting the cruelhearted Lady Pearl. Now Mariah is willing to welcome him as a friend and pray he will be the heir her stepfather needs, but she’ll keep her heart locked safely away from anyone with such poor taste.

Much to her father's dismay, Miss Amelia Buxton aspires to become a spinster, just like her eccentric aunt. Growing up with parents who married for every reason but love, she has never seen a joyful marriage. When Amelia requests a summer trip to the legendary waters of Brighton, her father allows her the excursion, but with one requirement: She must return engaged, or agree to the proposal of the man of his choosing.

When their father's death leaves them impoverished, Sarah Summers and her genteel sisters fear they will be forced to sell the house and separate to earn livelihoods as governesses or companions. Determined to stay together, Sarah convinces them to open their seaside home to guests to make ends meet and provide for their ailing mother. Instead of the elderly invalids they expect to receive, however, they find themselves hosting eligible gentlemen. Sarah is soon torn between a growing attraction to a mysterious Scottish widower and duty to her family.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Ryder, Garrett, Kenzo, and Diesel - The Vipers. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.

I'm addicted to my stalker. He watches me at night, sneaking in through my living room window and making my blood turn to ice. I feel him all around me as chills snake down my spine. Each night he becomes bolder, getting closer and welcoming himself into my bedroom, feeding his addiction.

When concert pianist Vivienne Mourdant’s father dies, he leaves to her the care of a patient at Hurstwell Asylum. Vivienne had no idea the woman existed, and yet her portrait is shockingly familiar. When the asylum claims she was never a patient there, Vivienne is compelled to discover what happened to the figure she remembers from childhood dreams.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.

When Aurelie Harcourt's father dies in debtor's prison, he leaves her just two things: his wealthy family, whom she has never met, and his famous pen name, Nathaniel Droll. Her new family greets her with apathy and even resentment. Only the quiet houseguest, Silas Rotherham, welcomes her company. When Aurelie decides to complete her father's unfinished serial novel, she must keep her identity as Nathaniel Droll hidden while searching for the truth about her mother's disappearance - and perhaps even her father's death.

It is 1901 when clockmaker and brilliant tinker Sydney Forrester inherits Blakely House, the eclectic estate of an estranged uncle she's never met. The well-known but mysterious industrialist has left behind a stunning array of peculiar inventions—and a couple of nephews intent on removing this interloper from the estate. Convinced that Sydney has something to do with their uncle's death, the late master's nephews contest the will and work against their cousin at every turn.

A lonely young heiress becomes the poorest wealthy woman in Victorian England when her father dies without telling anyone where he hid his fortune. Can Tressa and the no-nonsense estate manager find the fortune before the greedy relatives get to it first? Tressa Harlowe's father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it.

Focused on a career in medicine and not on romance, Willa Duvall is thrown slightly off course during the summer of 1865 when she discovers a never-opened love letter in a crack of her old writing desk. Compelled to find the passionate soul who penned it and the person who never received it, she takes a job as a nurse at the seaside Crestwicke Manor. Everyone at Crestwicke has feelings—mostly negative—about the man who wrote the letter, but he seems to have disappeared. With plenty of clues but few answers, Willa's search becomes even more complicated when she misplaces the letter.

Vibrant and scrappy Maggie McCleod tried not to get fired from her wartime orchestra, but her sharp tongue landed her in trouble, so an overseas adventure with the USO’s camp show promises a chance at a fresh start. Wealthy and elegant Catherine Duquette signs with the USO to leave behind her restrictive life of privilege and to uncover the truth behind the disappearance of the handsome pilot whose letters mysteriously stopped arriving. The two women are joined by an eclectic group of performers.

Left with an estate on the brink of bankruptcy after their father's death, Lady Marigold Fairfax and her brother open a private investigation firm marketed to the elite . . . to spy on the elite. Dubbed The Imposters, Ltd., their anonymous group soon becomes the go-to for the crème of society when they want answers delivered surreptitiously. But the many secrets Marigold learns about her peers pale in comparison to her shock when she and her brother are hired to investigate her best friend's father as a potential traitor.

1946: World War II has ended and all over the world, young women are beginning to fulfill the promises made to the men they wed in wartime. In Sydney, Australia, four women join 650 other war brides on an extraordinary voyage to England—aboard HMS Victoria, which still carries not just arms and aircraft but a thousand naval officers. Rules are strictly enforced, from the aircraft carrier’s captain down to the lowliest young deckhand. But the men and the brides will find their lives intertwined despite the Navy’s ironclad sanctions.

Former Marine Callum Shaw always knew he would someday join his family’s construction business in Gossamer Falls. He longs for a family of his own but has almost given up on that ever happening. The beautiful artist who has hired him to build her new house is funny, gifted, and everything Cal could ever want in a partner, but he vows to keep his distance. He’s loved—and lost—someone like her before.

In the eyes of London Society, Gillian Phelps is suitable enough. Though the ton whispers about her change of residence, any speculation remains just that: ballroom gossip. No one—not even the other Huntresses, the group of ladies she calls her dearest friends—knows that she is harboring a devastating family secret. Gillian has become adept at hiding the reality of her circumstances, but the close quarters of a house party will test her ability to conceal the crushing truth. And with so many people to deceive, the late arrival of another guest is a most unwelcome surprise.

When their father's death leaves them impoverished, Sarah Summers and her genteel sisters fear they will be forced to sell the house and separate to earn livelihoods as governesses or companions. Determined to stay together, Sarah convinces them to open their seaside home to guests to make ends meet and provide for their ailing mother. Instead of the elderly invalids they expect to receive, however, they find themselves hosting eligible gentlemen. Sarah is soon torn between a growing attraction to a mysterious Scottish widower and duty to her family.

Miss Clara Marie Stanton's family may be eccentric, but they certainly aren't insane. London, England, 1860: When Clara's ex-fiancé begins to spread rumors that her family suffers from hereditary insanity, it's all she can do to protect them from his desperate schemes, society's prejudice, and a lifetime in an asylum. Then Clara's grandfather Drosselmeyer brings on an apprentice with a mechanical leg, and all pretense of normalcy takes wing.

New York, 1898. The only thing more shocking than Arthur Stanhope III’s unexpected death is the revelation that his will bestows his company—and most of the vast fortune that goes with it—to the nearest male heir, leaving his mother, wife, and daughter nearly impoverished. His widow, Sylvia, quickly realizes she must set aside her grief to ensure their daughter, Adelaide, is launched into society as soon as the appropriate mourning period passes.

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.