You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes. On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three “saints” who control them. The mermaid and her doctor must embrace the cruelest parts of their true nature if they hope to survive.

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his black skin that attracts the eye of wealthy white folks and their trained cops. But when he delivers an occult page to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.

Tornado Onwubiko is one of seven people on Earth paired with sentient ships to explore and research the cosmos for twenty million euros. A decade of solitary life for a lifetime of wealth. Five years into the ten-year mission of total isolation comes a consolation: a temporary meetup among fellow travelers. A lot can happen in a week. For Tornado, who left a normal life behind, a little company can be life-changing.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Yetu holds the memories for her people - water-dwelling descendants of pregnant African slave women thrown overboard by slave owners - who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one - the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities.

Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy. And they’ll scare you straight to hell.

As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead.

One October morning, Laina gets the news that her brother has been shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it. As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence.

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs. Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares.

Daisy sees dead people—something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she’s completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with the supernatural might be no match for her mother’s secrets, nor what lurks within these walls…

Perched between branches and shadows, we watch, we scheme, fighting for a kingdom forgotten and forlorn. Until we rip her away with our claws, our prisoner, our pawn, our plaything. She’s innocent and pure, fragile and helpless…but oh so guilty by blood. She calls us beasts, wicked and evil, vicious and cruel. We are all that and worse. One of us offers her shelter beneath his wings, whispering promises of pleasure, seeking redemption. The other longs to shatter her into a million pieces, whispering promises of pain, seeking revenge.