
Girl on a Wire
Cirque American
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Narrated by:
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Marisol Ramirez
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By:
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Gwenda Bond
About this listen
A ballerina, twirling on a wire high above the crowd. Horses, prancing like salsa dancers. Trapeze artists, flying like somersaulting falcons. And magic crackling through the air. Welcome to the Cirque American!
Sixteen-year-old Jules Maroni’s dream is to follow in her father’s footsteps as a high-wire walker. When her family is offered a prestigious role in the new Cirque American, it seems that Jules and the Amazing Maronis will finally get the spotlight they deserve. But the presence of the Flying Garcias may derail her plans. For decades, the two rival families have avoided each other as sworn enemies.
Jules ignores the drama and focuses on the wire, skyrocketing to fame as the girl in a red tutu who dances across the wire at death-defying heights. But when she discovers a peacock feather - an infamous object of bad luck - planted on her costume, Jules nearly loses her footing. She has no choice but to seek help from the unlikeliest of people: Remy Garcia, son of the Garcia clan matriarch and the best trapeze artist in the Cirque.
As more mysterious talismans believed to possess unlucky magic appear, Jules and Remy unite to find the culprit. And if they don’t figure out what’s going on soon, Jules may be the first Maroni to do the unthinkable: fall.
©2014 Gwenda Bond (P)2014 Brilliance Audio, all rights reservedListeners also enjoyed...
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Missing The Modern
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Very good
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A bit of adventure and romance with a twist or two
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predictable
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Interesting, intriguing.
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A must read!
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good not great
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Girl on a Wire
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In a lovely coincide I happened to be listening to this book while I was in Sarsota, Florida. Sarasota was were the Ringling Circus had their winter quarters and there is still a bit of a circus presence there with the John and Mable Ringling Museum of Art and the Ringling College of Art and Design. I saw some of the circus paraphernalia at museum, including the train cars.
Romeo and Juliet at the Circus
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1) Occasionally, the narrating actress gives sentences a weird emphasis. It's moderately distracting, but rare enough that I didn't get frustrated.
2) I'm no circus performer but I would swear that, once or twice, the author added enough random details to betray the fact that she has a flawed understanding of how an actual safety net works.
Besides this, there were several lovely sections in the main character's voice, plus a few descriptions that added value to the piece, and I look forward to more from this author.
Mostly dreamy, like a parasol.
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