SMERSH, the Russian intelligence unit whose acronym stands for “Death to Spies,” is hell-bent on destroying Special Agent James Bond. His death would deal a catastrophic hammer blow to the heart of the British Secret Service. The lure? A beautiful woman who needs 007’s help. Tatiana Romanova is a Russian spy who promises to hand over the prized Spektor decoding machine if Bond aids her defection. Bond suspects a trap but can’t resist the opportunity to give the British the upper hand in a chilling new front of the Cold War.

Dispatched by M to investigate the mysterious disappearance of MI6’s Jamaica station chief, Bond was expecting a holiday in the sun. But when he discovers a deadly centipede placed in his hotel room, the vacation is over. On this island, all suspicious activity leads inexorably to Dr. Julius No, a reclusive megalomaniac with steel pincers for hands. To find out what the good doctor is hiding, 007 must enlist the aid of local fisherman Quarrel and alluring beachcomber Honeychile Rider.

In the Australian desert, a nuclear bomb explodes. There are no survivors and no clues about who has made it or detonated it. In England, two police officers are shot dead when they apprehend a cargo vessel in Portsmouth dock. Vast quantities of heroin are later found on board.

Ian Fleming’s world travels and interests, as well as his journalism and wartime experiences, lent authority to everything he wrote. In 1959, the Sunday Times commissioned Fleming to write a series of dispatches from the world’s most beguiling locales. The result was Thrilling Cities, a masterpiece of well-observed travelogue that stands ably alongside the author’s Bond canon. From Hong Kong to Honolulu, New York to Naples, he left the bright main streets for the back alleys, abandoning tourist sites in favor of underground haunts, and mingling with celebrities, gangsters and geishas.

Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

SMERSH, the Russian intelligence unit whose acronym stands for “Death to Spies,” is hell-bent on destroying Special Agent James Bond. His death would deal a catastrophic hammer blow to the heart of the British Secret Service. The lure? A beautiful woman who needs 007’s help. Tatiana Romanova is a Russian spy who promises to hand over the prized Spektor decoding machine if Bond aids her defection. Bond suspects a trap but can’t resist the opportunity to give the British the upper hand in a chilling new front of the Cold War.

Dispatched by M to investigate the mysterious disappearance of MI6’s Jamaica station chief, Bond was expecting a holiday in the sun. But when he discovers a deadly centipede placed in his hotel room, the vacation is over. On this island, all suspicious activity leads inexorably to Dr. Julius No, a reclusive megalomaniac with steel pincers for hands. To find out what the good doctor is hiding, 007 must enlist the aid of local fisherman Quarrel and alluring beachcomber Honeychile Rider.

The Original James Bond Collection, Vol 1 has descriptive copy which is not yet available from the Publisher.

Creado en 1953 por Ian Fleming, James Bond es uno de los personajes más famosos de la iconografía popular en todos sus medios, especialmente en literatura y en cine. Máximo exponente de un género más vital que nunca, el agente 007 es el espía por antonomasia, aunque sus novelas, inexplicablemente, han resultado durante mucho tiempo imposibles de encontrar en el mercado español.

In the Australian desert, a nuclear bomb explodes. There are no survivors and no clues about who has made it or detonated it. In England, two police officers are shot dead when they apprehend a cargo vessel in Portsmouth dock. Vast quantities of heroin are later found on board.

It is the 4th of May, two days before the Coronation of King Charles III and the world’s favourite spy has his work cut out for him. Bond is sent at the last minute to thwart an attempt to disrupt the Coronation by the wealthy, eccentric and self-styled Athelstan of Wessex, who is on a deadly mission of his own to teach the United Kingdom a lesson. Can Bond dismantle his shady plans and defeat his privately hired team of mercenaries?

Fire top-spaendende fortaellinger om agent 007 i Hendes Majestaets hemmelige tjeneste - James Bond. Fra Jamaica til Berlin, fra London til New York. Behovet for James Bonds assistance er verdensomspaendende. Bond tager endnu en gang kampen op med alt fra kriminelle gangstere til russiske agenter - og kampen står ofte mellem liv og død.

Crackpot is what everybody calls the Pott family. So when they go to buy a new car and come back with a wreck, nobody is surprised. Except for the Potts themselves. First, the car has a name. And she tells them what it is. Then they find that she can fly... and swim... Chitty Chitty Bang Bang is a car on a mission to stop a criminal gang in its tracks and she is taking the Potts with her! Jump into the world s most loved magical car, for her first adventure ever!

It was a strong face, certainly—the eyes pale grey and very cold, the mouth was hard, the dark hair-grey-streaked now—still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorized biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination.

Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote.