In Big Beacon, Norwich's favourite son and best broadcaster, Alan Partridge, triumphs against the odds. TWICE. Using an innovative 'dual narrative' structure you sometimes see in films, Big Beacon tells the story of how Partridge heroically rebuilt his TV career, rising like a phoenix from the desolate wasteland of local radio to climb to the summit of Mount Primetime and regain the nationwide prominence his talent merits.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Years on from Trainspotting Sick Boy is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity which to him represents one last throw of the dice. However, to realise his ambitions within the Adult industries, Sick Boy must team up with old pal and fellow exile Mark Renton.

In ancient Egypt, Atticus agrees to raid a secret chamber underneath the library of Alexandria, dodging deadly traps, only to learn that on-site security includes two members of the Egyptian pantheon.

Juice is a man who contains multitudes: He's a top shagger; a drug-dealing, gonzo porn star; and taxi driver. As we ride along in Juice's cab through the depraved streets of Edinburgh, Juice encounters a series of charmingly filthy characters, all of whom present their own, uh, unique challenges. Has he finally met his match in Hurricane "Bawbag"? Can he discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison?

Daft Wee Stories is Limmy’s first book. It is a collection of stories. There are short stories. There are longer stories. There are stupid stories. There are thoughtful stories. There are upside-down stories. There are normal-way-up stories. There are weird stories. There are less weird stories. There are really weird stories. There is nothing else like it. Have a listen.

Guy is about to finish writing his breakthrough online article. He overheard the story by chance in a pub and it’s guaranteed to go viral - all he needs to do is persuade the World’s Unluckiest Man to talk to him. His best friend Larry’s quest for killer clickbait material has led him to a recently appeared shanty town in Glasgow, where he finds some kind of urban voodoo cult. Ex-cop Sam has already come face-to-face with the terrifying force behind both these phenomena, but he’s been trying to put it out of his mind.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

A young woman turns up at a police station. She has been kept prisoner in her own home. Abused and tortured, her every move watched, her every thought controlled. Now she's finally escaped. That's what she says. But when the police arrive at the address she's given them, her story doesn't seem to add up. Her husband is missing, but his phone and wallet are still in the house. She says she's the victim, but what if she's not? What if the stories she's telling aren't her stories at all....

Former soldier. Ex-copper. Current man on the edge. Shunned by his old colleagues, and dividing his time between a dead-end job and the bottom of a whisky bottle, former Police Scotland detective superintendent Bob Hoon’s life is a mess. Then an old face from Hoon’s Special Forces days turns up asking for help: His teenage daughter has been missing for months, the police have drawn a blank, and he needs the kind of help that only Hoon can provide. And besides, Hoon owes him one.

A weekly newspaper dedicated to the weird and the wonderful (but mostly the weird), The Stranger Times is the go-to publication for the unexplained and inexplicable. At least that's their pitch. The reality is rather less auspicious. Their editor is a drunken, foul-tempered and foul-mouthed husk of a man who thinks little of the publication he edits. His staff are a ragtag group of misfits. And as for the assistant editor...well, that job is a revolving door - and it has just revolved to reveal Hannah Willis, who's got problems of her own.

Prison Officer Jim Dalton works on the male side of HMP Peterborough. It’s a dangerous place, fuelled by testosterone-driven violence, but he has the prisoners’ respect. When Dalton is transferred to the female side of the prison, his next shift is so easy he can’t believe that the officers over there get paid the same wages. He sleeps well for the first time in years.

An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor.

It’s the summer of 1994, and all Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the simmering violence of her divided community. And as a first step, Maeve’s taken a summer job in a local shirt factory working alongside Protestants with her best friends, kind, innocent Caroline Jackson and privileged and clever Aoife O’Neill.

Charged with gross incompetence, Satan is fired from his job as prince of Hell and exiled to that most terrible of places: English suburbia. Forced to live as a human under the name of Jeremy Clovenhoof, the dark lord not only has to contend with the fact that no one recognizes him or gives him the credit he deserves but also has to put up with the bookish war-gamer next door and the voracious man-eater upstairs.