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Henry IV, Part 2
- Arkangel Shakespeare
- Narrated by: Jamie Glover, Julian Glover, Richard Griffiths
- Length: 3 hrs and 3 mins
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Publisher's summary
Prince Hal parts from his past to fulfill his royal destiny in this essential conclusion to Henry IV, Part 1.
Rebellion still simmers in England and King Henry's health is failing. Prince Hal has proved his courage but the king still fears that his son's pleasure-loving nature will bring the realm to ruin. Meanwhile, Falstaff and his ribald companions waste the nights in revelry, anticipating the moment when Hal will ascend the throne. Falstaff is in Gloucestershire when news arrives that the king has died. Has the dissolute old knight's hour come at last?
Hal is played by Jamie Glover and King Henry by Julian Glover. Richard Griffiths is Falstaff.
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- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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Can't bother with a title
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What listeners say about Henry IV, Part 2
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 07-13-16
Another hit
After you've listened to Henry IV Part One, get the other half of the story here. Although Part One can sort of stand on its own, with a great battle scene at the climax, skipping Part Two would deprive you of one of the best plays about aging ever written - and also one of the great father/son scenes of all time.
There's not so much sturm and drang in Part Two. There's another batch of rebels to bring to heel, but they're defeated by a trick, by Hal's brother John - a serious, devious young man who cares about as much for Falstaff as Falstaff does for him - which is to say, not much. (Falstaff's speech about the virtues of sack is a miniature masterpiece.) Meanwhile Falstaff is feeling the effects of age. There's a poignancy about his scenes with the prostitute Doll Tearsheet, or the country bumpkin Justice Shallow, that's unlike anything in the first play. And it leads up to one of the most painful scenes of rejection in all of Shakespeare.
Prince Hal has much to do to convince his father, the dying Henry Bolingbroke, that he's not a wastrel and good-for-nothing. He's playing a long game. When he ascends the throne, he plans to throw off all his old companions and let his true virtue show forth, arousing his subjects to wonder and admiration. In a long and moving scene, he and his father finally come to terms.
The cast of Part One continues here, with Julian and Jamie Glover as Hal 4 and Hal 5; Richard Griffiths as Falstaff; and introducing the energetic Edward de Souza as the crazy Marlowe-quoting Ancient Pistol ("What? Shall we have incision? Shall we imbrue? Then death rock me asleep, abridge my doleful days! Why then let grievous, ghastly, gaping wounds untwind the Sisters Three!").
Is Hal a cynical jerk, or is he making a painful but necessary decision to reform? Some of the scenes in this play really hurt, up close and personal. Falstaff is a bloated scoundrel, but he's also - as Pistol later says of King Henry V himself - "a lad of life, an imp of fame, of parents good, of fist most valiant. I kiss his dirty shoe, and from heart-string I love the lovely bully."
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- Diana S. Long
- 01-28-18
Excellent and entertaining
I listened to the Arkangel full cast production of the play while reading the text from the Delphi Complete Works of Shakespeare. This is the second of King Henry and the third of the plays in the group. I found it just as witty as the other plays of Shakespeare and combined with the bawdy songs and capers pulled off with some of the characters like Folstaff a totally delightful play. In this play the Prince of Wales is confronted by his father the dying King and as the crown passes the Prince finally makes the choice to take his new role seriously and cast aside his frivolous youth...and friends. The confrontation that starts the play ends on an odd note...a truce, a peace and a somewhat underhanded maneuver by the Crown, thinking of that saying “all's fair in love and war”, I would suppose this would be a good example. The final speech, an epilogue at the end of the play, seems almost an apology to the patrons that they would not be getting their money's worth.
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- Anonymous User
- 12-18-19
Listen to Part I first.
I was told Part II stands alone, so I listen to it the first time and was frustrated. Then I listened to Part I and afterwards Part II again and appreciated the latter much more. Specifically, Act I made more sense.
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- Darwin8u
- 07-06-17
Virtue is chok'd with foul ambition
I was recently at a book signing for Don Winslow's new book The Force and he brought up his life-long fascination with Shakespeare and how the Godfather books/movies (at least the first two) are basically a retelling of Shakespeare's Henry IV with the moral poles flipped (with Al Pacino playing Hal and Diane Keaton as a gender-bent Falstaff). I can run with that.
Anyway, Henry IV, Part 2 is fantastic. It is less playful than Henry IV, Part 1 and the comic role of Falstaff drops an octave into tragicomedy. Falstaff still possesses a comedic greatness to him, but he has suddenly seen his relationship with Hal changed at the end as Hal puts away childish things and takes up the mantle (and crown) of his father. One of my favorite of Shakespeare's Histories (right there with Richard III). It is a mature and serious play. Youth's sandbox has been replaced with the battlefield and folly has been replaced with responsibility.
Favorite lines:
“Rumour is a pipe
Blown by surmises, jealousies, conjectures
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wavering multitude,
Can play upon it.” (Prologue, Scene 1)
"I am not only witty in myself, but the cause that wit is in other men." (Act I, Scene 2)
"I were better to be eaten to death with a rust, than to be scoured to nothing with perpetual motion." (Act I, Scene 2)
"A good wit will make use of anything; I will turn diseases to commodity." (Act I, Scene 2)
“By my troth, I care not; a man can die but once; we owe God a death and let it go which way it will he that dies this year is quit for the next” (Act 3, Scene 2)
"Commit
The oldest sins the newest kind of ways." (Act 4, Scene 4)
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8 people found this helpful