Henry IV, Part 2
Arkangel Shakespeare
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Narrated by:
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Jamie Glover
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Julian Glover
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Richard Griffiths
About this listen
Prince Hal parts from his past to fulfill his royal destiny in this essential conclusion to Henry IV, Part 1.
Rebellion still simmers in England and King Henry's health is failing. Prince Hal has proved his courage but the king still fears that his son's pleasure-loving nature will bring the realm to ruin. Meanwhile, Falstaff and his ribald companions waste the nights in revelry, anticipating the moment when Hal will ascend the throne. Falstaff is in Gloucestershire when news arrives that the king has died. Has the dissolute old knight's hour come at last?
Hal is played by Jamie Glover and King Henry by Julian Glover. Richard Griffiths is Falstaff.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Fahrenheit 451
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- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Starship Troopers
- By: Robert A. Heinlein
- Narrated by: R.C. Bray
- Length: 8 hrs and 15 mins
- Unabridged
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Slayers: A Buffyverse Story
- By: Christopher Golden, Amber Benson
- Narrated by: Amber Benson, Charisma Carpenter, James Charles Leary, and others
- Length: 8 hrs and 2 mins
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- By Anonymous User on 10-12-23
By: Christopher Golden, and others
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In the world's most celebrated and lyrical love story, the sublime devotion of two young lovers transcends their earthly fate. The noble Veronese houses of Montague and Capulet are locked in a bitter feud. When Romeo (a Montague) and Juliet (a Capulet) fall in love, they are swept up in a series of violent events and cruel twists of fortune. Despite the passion and innocence of their love, they fall victim to the enmity between their families, and their story ends in tragedy.
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Well played!
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Chaos and confusion mount to a crescendo in a wild and fast-paced comedy of mistaken identity, one of Shakespeare's earliest plays. Young Antipholus of Syracuse is searching the world for his identical twin brother, separated from him at birth. With him is his servant Dromio, who lost his twin brother at the same time. The pair arrive in Ephesus where, unbeknownst to them, their twins are living.
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Ill deeds is doubled with an evil word
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The Merchant of Venice
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In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.
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One Of Shakespeare's Best
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What listeners say about Henry IV, Part 2
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 07-13-16
Another hit
After you've listened to Henry IV Part One, get the other half of the story here. Although Part One can sort of stand on its own, with a great battle scene at the climax, skipping Part Two would deprive you of one of the best plays about aging ever written - and also one of the great father/son scenes of all time.
There's not so much sturm and drang in Part Two. There's another batch of rebels to bring to heel, but they're defeated by a trick, by Hal's brother John - a serious, devious young man who cares about as much for Falstaff as Falstaff does for him - which is to say, not much. (Falstaff's speech about the virtues of sack is a miniature masterpiece.) Meanwhile Falstaff is feeling the effects of age. There's a poignancy about his scenes with the prostitute Doll Tearsheet, or the country bumpkin Justice Shallow, that's unlike anything in the first play. And it leads up to one of the most painful scenes of rejection in all of Shakespeare.
Prince Hal has much to do to convince his father, the dying Henry Bolingbroke, that he's not a wastrel and good-for-nothing. He's playing a long game. When he ascends the throne, he plans to throw off all his old companions and let his true virtue show forth, arousing his subjects to wonder and admiration. In a long and moving scene, he and his father finally come to terms.
The cast of Part One continues here, with Julian and Jamie Glover as Hal 4 and Hal 5; Richard Griffiths as Falstaff; and introducing the energetic Edward de Souza as the crazy Marlowe-quoting Ancient Pistol ("What? Shall we have incision? Shall we imbrue? Then death rock me asleep, abridge my doleful days! Why then let grievous, ghastly, gaping wounds untwind the Sisters Three!").
Is Hal a cynical jerk, or is he making a painful but necessary decision to reform? Some of the scenes in this play really hurt, up close and personal. Falstaff is a bloated scoundrel, but he's also - as Pistol later says of King Henry V himself - "a lad of life, an imp of fame, of parents good, of fist most valiant. I kiss his dirty shoe, and from heart-string I love the lovely bully."
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- Diana S. Long
- 01-28-18
Excellent and entertaining
I listened to the Arkangel full cast production of the play while reading the text from the Delphi Complete Works of Shakespeare. This is the second of King Henry and the third of the plays in the group. I found it just as witty as the other plays of Shakespeare and combined with the bawdy songs and capers pulled off with some of the characters like Folstaff a totally delightful play. In this play the Prince of Wales is confronted by his father the dying King and as the crown passes the Prince finally makes the choice to take his new role seriously and cast aside his frivolous youth...and friends. The confrontation that starts the play ends on an odd note...a truce, a peace and a somewhat underhanded maneuver by the Crown, thinking of that saying “all's fair in love and war”, I would suppose this would be a good example. The final speech, an epilogue at the end of the play, seems almost an apology to the patrons that they would not be getting their money's worth.
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- Anonymous User
- 12-18-19
Listen to Part I first.
I was told Part II stands alone, so I listen to it the first time and was frustrated. Then I listened to Part I and afterwards Part II again and appreciated the latter much more. Specifically, Act I made more sense.
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- Darwin8u
- 07-06-17
Virtue is chok'd with foul ambition
I was recently at a book signing for Don Winslow's new book The Force and he brought up his life-long fascination with Shakespeare and how the Godfather books/movies (at least the first two) are basically a retelling of Shakespeare's Henry IV with the moral poles flipped (with Al Pacino playing Hal and Diane Keaton as a gender-bent Falstaff). I can run with that.
Anyway, Henry IV, Part 2 is fantastic. It is less playful than Henry IV, Part 1 and the comic role of Falstaff drops an octave into tragicomedy. Falstaff still possesses a comedic greatness to him, but he has suddenly seen his relationship with Hal changed at the end as Hal puts away childish things and takes up the mantle (and crown) of his father. One of my favorite of Shakespeare's Histories (right there with Richard III). It is a mature and serious play. Youth's sandbox has been replaced with the battlefield and folly has been replaced with responsibility.
Favorite lines:
“Rumour is a pipe
Blown by surmises, jealousies, conjectures
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wavering multitude,
Can play upon it.” (Prologue, Scene 1)
"I am not only witty in myself, but the cause that wit is in other men." (Act I, Scene 2)
"I were better to be eaten to death with a rust, than to be scoured to nothing with perpetual motion." (Act I, Scene 2)
"A good wit will make use of anything; I will turn diseases to commodity." (Act I, Scene 2)
“By my troth, I care not; a man can die but once; we owe God a death and let it go which way it will he that dies this year is quit for the next” (Act 3, Scene 2)
"Commit
The oldest sins the newest kind of ways." (Act 4, Scene 4)
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8 people found this helpful