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King John: The Arkangel Shakespeare
- Narrated by: Michael Feast, Michael Maloney, Eileen Atkins
- Length: 2 hrs and 27 mins
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Publisher's summary
King John of England is pitted against the united powers of France, Brittany, Austria, and the Papacy. Will England be destroyed by his fatal indecision?
As alliances are made, broken, and remade, the paranoid and erratic John reveals his weakness and reliance on those around him - including his powerful mother, Queen Elinor, and Faulconbridge, the cynical and witty bastard son of the dead King Richard I.
In this early history play, King John is played by Michael Feast, the Bastard by Michael Maloney, and Constance by Eileen Atkins.
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Tales from Shakespeare by Charles and Mary Lamb is a retelling of 20 of Shakespeare’s most beloved stories. Within the pages of this book, the 19th-century authors bring to life the Shakespearean plots and characters of another age in an easy-to-understand prose of a newer generation.
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A classic
- By Jacque Eddy on 10-07-19
By: Charles Lamb, and others
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The Canterbury Tales: A Retelling
- By: Peter Ackroyd
- Narrated by: Keith Moore, Toby Leonard Moore, Colin McPhillamy, and others
- Length: 16 hrs and 55 mins
- Unabridged
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Author Peter Ackroyd has won the Somerset Maugham Award, the Whitbread Novel of the Year, and the Guardian Fiction Prize, and was shortlisted for the Booker Prize. Based on Geoffrey Chaucer’s immortal work, this retelling of The Canterbury Tales follows a party of travelers as they tell stories amongst themselves about love and chivalry, saints and legends, travel and adventure. Through allegory, satire, and humor, the tales help pass the time during their journey.
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WOW
- By Mitchell Drimmer on 02-25-15
By: Peter Ackroyd
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Medea
- By: Euripides
- Narrated by: Jonathan Waters
- Length: 1 hr and 28 mins
- Unabridged
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Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.
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Great Narrator makes this story work
- By cosmitron on 08-02-18
By: Euripides
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Don Quixote (Adapted for Modern Listeners)
- By: Miguel de Cervantes
- Narrated by: Johnny Heller
- Length: 4 hrs and 39 mins
- Abridged
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Quixotic is a word that the dictionary defines as "extravagantly chivalrous or romantic; visionary...." and that is a fitting definition, indeed, for this charming retelling of Don Quixote, the 17t- century Spanish classic by Miguel de Cervantes, now updated for the modern listener. The gallant and fragile Quixote will touch listeners, as will his faithful squire Sancho Panza and the tragically beautiful heroine of the gentle Don’s chivalries, the fair Dulcinea.
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Great way in
- By pxriver on 07-12-18
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Don Quixote
- By: John Ormsby - translator, Miguel de Cervantes
- Narrated by: Roy McMillan
- Length: 36 hrs and 5 mins
- Unabridged
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The most influential work of the entire Spanish literary canon and a founding work of modern Western literature, Don Quixote is also one of the greatest works ever written. Hugely entertaining but also moving at times, this episodic novel is built on the fantasy life of one Alonso Quixano, who lives with his niece and housekeeper in La Mancha. Quixano, obsessed by tales of knight errantry, renames himself ‘Don Quixote’ and with his faithful servant Sancho Panza, goes on a series of quests.
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More than funny
- By Colin on 08-21-11
By: John Ormsby - translator, and others
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The Decameron
- By: Giovanni Boccaccio
- Narrated by: Simon Russell Beale, Gunnar Cauthery, Alison Pettitt, and others
- Length: 28 hrs and 5 mins
- Original Recording
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The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio's answer to the sublime other-worldliness of Dante's Divine Comedy.
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Not Up to the Usual Naxos Standard
- By John on 11-15-17
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The Talisman
- By: Sir Walter Scott
- Narrated by: David McCallion
- Length: 12 hrs and 43 mins
- Unabridged
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The Talisman revolves around the Third Crusader's camp in the Holy Land whereby there exists a truce between the Christians and the Muslims. The camp, which is led by King Richard I of England (the Lion-heart) who is grievously ill, is being torn apart by tensions between rival leaders.
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a simple story but a joy to listen to
- By Adele Lemmon on 08-23-19
By: Sir Walter Scott
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Four Arthurian Romances
- By: Chrétien de Troyes
- Narrated by: Nicholas Boulton
- Length: 16 hrs and 48 mins
- Unabridged
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The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.
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Ukemi Audio: Doing the Lord’s Work
- By John on 09-29-17
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Sir Gawain and the Green Knight
- By: J. R. R. Tolkien
- Narrated by: Terry Jones
- Length: 4 hrs and 25 mins
- Unabridged
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A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.
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An absolute delight!
- By Shannon Slee on 07-15-18
By: J. R. R. Tolkien
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Gargantua and Pantagruel
- By: François Rabelais
- Narrated by: Bill Homewood
- Length: 34 hrs and 50 mins
- Unabridged
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Here is a grotesque and carnivalesque collection of exuberant, fantastical stories that takes us from the ancient world through to the European Renaissance. At the heart of these tall tales are the giant Gargantua and his equally seismic son, Pantagruel. Containing magical adventures, maniacal punning, slapstick humor, erudite allusions, and just about any bodily function one can think of, here is quite possibly the zaniest, most risqué book ever written.
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The king of all the narrators
- By amazon on 02-13-20
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For truth hath better deeds than words to grace it
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I wasted time, and now doth time waste me.
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Not told entirely
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I wasted time, and now doth time waste me.
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King Henry is married to Katherine of Aragon, but he has been smitten by the charms of the queen's maid of honor, Anne Bullen, and is tempted to divorce his dignified and noble wife. Meanwhile, the lords of England resent the influence of Henry's trusted advisor, Cardinal Wolsey, who is gradually drawing power into his own hands. As Katherine and Wolsey suffer their tragic falls, new figures rise to fill their places, but they, too, will be brought low by the inexorable sweep of time and fortune.
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Not told entirely
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The Comedy of Errors
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Ill deeds is doubled with an evil word
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King Lear
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This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.
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tragedy par excellence
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Henry IV, Part 1
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While King Henry's England is threatened by rebellion, the king's scapegrace son Hal haunts the taverns of London, his companions a crew of rogues and thieves let by Falstaff. The earl of Northumberland and his fiery son Hotspur scheme to overthrow the crown. Can Hal be brought to a sense of duty as Prince of Wales? Or will the influence of Falstaff prove too strong? The issue is decided when Hal, Hotspur, and Falstaff come together at the climactic battle of Shrewsbury.
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O, while you live, tell truth, and shame the Devil
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Henry VI, Part 3
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The Yorkists have been temporarily victorious and the Duke of York has assumed the throne, but the Lancastrians, led by Queen Margaret, counter-attack. As the fortunes of war shift, both the innocent and the guilty are swept up in the maelstrom. And increasingly dominant amid the chaos is the sinister figure of the crook-backed Richard, Duke of Gloucester.
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I can smile, and murder while I smile.
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Shakespeare: The Complete Works
- Argo Classics
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All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.
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Great collection marred by a few missing sections
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The Winter's Tale
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King Leontes of Sicilia is seized by sudden and terrible jealousy of his wife Hermione, whom he accuses of adultery. He believes the child Hermione is bearing was fathered by his friend Polixenes, and when the baby girl is born he orders her to be taken to some wild place and left to die. Though Hermione's child escapes death, Leontes' cruelty has terrible consequences. Loss paves the way for reunion, and life and hope are born out of desolation and despair.
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A Snapper-Up of Unconsidered Trifles
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Twelfth Night
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Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.
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If you be not mad, be gone
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Titus Andronicus
- Arkangel Shakespeare
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The noble Titus returns victorious to Rome bringing Tamora, Queen of the Goths as his captive. When one of Tamora's sons is condemned to die, she vows revenge, and, aided by the villainous Aaron, she exacts a terrible retribution, inaugurating a grim cycle of rape, murder, and cannibalism. This macabre, often brilliant tragedy comes from the earliest stage of Shakespeare's dramatic career.
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My tears are now prevailing orators!
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Troilus and Cressida
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Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.
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Wounds Heal Ill That Men Do Give Themselves
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Pericles
- Arkangel Shakespeare
- By: William Shakespeare
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- Length: 2 hrs and 16 mins
- Original Recording
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Pericles, Prince of Tyre, undergoes a tyrant's fury, storm, and shipwreck. He wins love and suffers loss, but what is lost may also be found. With the ancient poet Gower acting as narrator, we follow the adventures of Pericles from young manhood to maturity. This strange and powerful tale of loss and recovery is the first in the group of romance comedies created by Shakespeare at the end of his dramatic career.
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Scan the outward habit by the inward man
- By Darwin8u on 11-23-17
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Timon of Athens
- Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Alan Howard, Norman Rodway, Damian Lewis
- Length: 2 hrs and 18 mins
- Original Recording
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The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.
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Here lies a wretched corse of wretched soul bereft
- By Darwin8u on 11-01-17
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Hamlet: The Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Simon Russell Beale, Imogen Stubbs, Jane Lapotaire, and others
- Length: 3 hrs and 25 mins
- Original Recording
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Distressed by his father's death and his mother's over-hasty remarriage, Hamlet, Prince of Denmark, is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet's beloved, the innocent Ophelia, are swept up in his tragedy.
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Excellent Presentation
- By L. Jay on 11-22-16
What listeners say about King John: The Arkangel Shakespeare
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 05-26-20
That Bastard
The performance of the Bastard was laughably over the top. But literally everyone else crushed it. It helps to have a copy of the play in front of you to read along. Without faces for reference it can take a moment to recognize who is speaking making it easy to miss key information, especially in the beginning when the voices aren't as recognizable. Acting aside, the story itself is sublime and written by the Best, almost at his best.
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- Michael
- 07-09-21
Good, but Not the best Balanced
I have started listening to the Shakespeare plays I no longer recall and this was one of them. It was better than I expected, but is not the most balanced of Shakespeare. The comedy is not as funny or biting as the best of his plays. Nevertheless there are some great scenes (as Hubert and Arthur).
I am very glad to have listened to this and may even listen again as I have never seen this performed.
The production is quite good, except the comic relief is weak.
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- Darwin8u
- 05-08-17
Life is as tedious as a twice-told tale
“Life is as tedious as a twice-told tale
Vexing the dull ear of a drowsy man.”
― William Shakespeare, King John, Act III.4
All I want is the bastard. I want Stoppard to Rosencrantz and Guildenstern Are Dead King John. The Universe revolves, uncorked around the Bastard not the King. I'm not sure who I want to play the Bastard, but he needs to be Laurence Olivier, Richard Burton, and Edmund Kean all unwrapped, warped, and twisted into one. He needs to be unhinged, demonic, and perfect: a ballet dancer -- spitting bullets and drenched in virtue's fire. The Bastard Philip demands it. Every play Shakespeare writes gives me a character I want to carry in my pocket. The Bastard proves I own no pockets large enough for Shakespeare's coin. Enough. I need to cool down. Think rationally. Gather my wits. The play itself was soft. 3-stars, small planets, at most, but I round my review up, as I round my day, week, and May up because I discovered the Bastard Philip today (and Lady Constance wasn't too shabby either).
How can you not love THIS,
a soliloquy on self-interest?
Mad world! mad kings! mad composition!
John, to stop Arthur's title in the whole,
Hath willingly departed with a part,
And France, whose armour conscience buckled on,
Whom zeal and charity brought to the field
As God's own soldier, rounded in the ear
With that same purpose-changer, that sly devil,
That broker, that still breaks the pate of faith,
That daily break-vow, he that wins of all,
Of kings, of beggars, old men, young men, maids,
Who, having no external thing to lose
But the word 'maid,' cheats the poor maid of that,
That smooth-faced gentleman, tickling Commodity,
Commodity, the bias of the world,
The world, who of itself is peised well,
Made to run even upon even ground,
Till this advantage, this vile-drawing bias,
This sway of motion, this Commodity,
Makes it take head from all indifferency,
From all direction, purpose, course, intent:
And this same bias, this Commodity,
This bawd, this broker, this all-changing word,
Clapp'd on the outward eye of fickle France,
Hath drawn him from his own determined aid,
From a resolved and honourable war,
To a most base and vile-concluded peace.
And why rail I on this Commodity?
But for because he hath not woo'd me yet:
Not that I have the power to clutch my hand,
When his fair angels would salute my palm;
But for my hand, as unattempted yet,
Like a poor beggar, raileth on the rich.
Well, whiles I am a beggar, I will rail
And say there is no sin but to be rich;
And being rich, my virtue then shall be
To say there is no vice but beggary.
Since kings break faith upon commodity,
Gain, be my lord, for I will worship thee.
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14 people found this helpful
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- Tad Davis
- 03-20-16
Good production of an inept play
One of Shakespeare's few artistic failures. The characters are cardboard and the dramatic construction surprisingly inept. It's generally dated to around 1595, but it feels more like prentice work.
In the central sequence, France and England meet on a battlefield near the city of Angiers. They both demand the support of the city, but the civic leaders are in no rush to pick sides. So the two armies decide to join together in an attack on the city, raze it, then return to the attack on each other.
But wait: the city leaders propose that King John's daughter Blanche marry the French dauphin Louis, and thus settle the disputes amicably. The two kings immediately agree.
But then Pandulph, a papal legate, enters the scene and demands that the French King abandon his alliance with John, because John - held up, anachronistically, as a kind of Protestant hero - refuses to accept the Pope's choice for Archbishop of Canterbury.
And so reluctantly, after the hurly burly, we're right back where we started: France and England are at odds and are about to fight a battle.
In the battle that follows, King John takes Prince Arthur prisoner. Arthur is his nephew and another claimant to the throne. John wishes he could communicate his intentions mentally to Arthur's jailer, Hubert, rather than speaking them out loud. But Hubert plays dumb and forces John to say that he wants Arthur dead. Hubert agrees to do it.
But when we next meet Hubert and Arthur, the irons are in the fire - literally - and Hubert has a signed warrant to put out Arthur's eyes. What happened to the plans to kill him without writing anything down? Arthur pleads for mercy, and Hubert backs off.
But then he goes to tell John that Arthur is, in fact, dead. He hopes to secrete Arthur somewhere safe. John, aware now that killing Arthur was a mistake, turns on Hubert and berates him. But, says Hubert, "here is your hand and seal" for the deed. Clearly he shows a warrant to John; but which one? The one he showed to Arthur - the one that says Arthur is to be blinded? Or the one that says Arthur is to be killed - a warrant that John explicitly refused in the earlier scene to provide?
In any case, don't worry, says Hubert, I didn't really do it after all. Arthur is still alive and safe.
But in the meantime, unbeknownst to Hubert, Arthur tries to escape by leaping from a window and dies on the rocks below. So once again, after all the hurly burly, we're right back where the story was headed anyway.
It's almost as if two playwrights were working on the play but not exchanging notes while they worked. You definitely need a dance card for this one. SparkNotes has a good scene by scene summary.
The cast is great: Eileen Atkins, Michael Maloney, Trevor Peacock, Bill Nighy. They do their best. It's not their fault.
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3 people found this helpful
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- Diana S. Long
- 01-15-18
Emotionally charged
I listened to the Arkangel full cast recording of the play along with reading in E Book format from the Delphi Complete Works of William Shakespeare. This is one of the history plays by Shakespeare published in 1596 and depicts the reign of “the Magna Carta” king, I can't say for sure but he might not have been viewed by history in a good light as he does appear to be a tad bit villainous. France's King supports Prince Arthur and his mother as the rightful heirs of England's throne as Arthur is the son of the eldest brother of John. King John is not having any of this treachery and goes to France where they end up fighting. Forget the fighting, a wedding ensues and we are enjoying this when a pesky messenger from Rome enters and spoils all the fun. Once again swords are drawn and the clash of medal rings out from the battlefield, well what's this..the English absconds with young Arthur....dire deeds are afoot and France comes to the rescue..well almost...some pretty intense moments here and when the play comes to an end, I am emotionally drained. Exciting and entertaining, however just reading the E Book without the audio would not make it so. I am enjoying reading and listening to Shakespeare this way, highly recommend.
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2 people found this helpful
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- William
- 11-23-20
Great performance
This was a very well done version of King John. I recommend this to any Shakespeare fan out there.
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- Anonymous User
- 01-19-20
Shakespeare's "adminstrative" play
Kind of boring, and I am generally a fan of Shakespeare's history plays. It just seemed like a bunch of situations to be administered, brokered, and reneged on with little foresight or overall strategy for England's future.
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