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Henry VI, Part 1
- Arkangel Shakespeare
- Narrated by: David Tennant, Kelly Hunter, Clive Merrison, Norman Rodway, Isla Blair
- Length: 2 hrs and 39 mins
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Publisher's summary
The all-conquering King Henry V is dead, and the throne is occupied by his infant son, Henry VI. The good Duke Humphrey of Gloucester has been appointed protector, but a struggle for power soon develops between the young king's Lancastrian relatives and the powerful house of York under Richard Plantagenet. Meanwhile the French, led by Joan of Arc, the maid of Orleans, threaten to win back the territories lost to Henry V.
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- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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I wasted time, and now doth time waste me.
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Shakespeare: The Complete Works
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All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.
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Great collection marred by a few missing sections
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A Midsummer Night's Dream
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When Oberon, King of the Fairies, uses his magic upon four runaway lovers in a midsummer wood outside Athens, chaos ensues. Who really loves whom? Meanwhile, a band of well-meaning but bungling local actors have their rehearsal sabotaged by the mischievous Puck, who bewitches their leader, Bottom, and Titania, the Fairy Queen. The result is a lively and anarchic comedy that can only be resolved by an elaborate disentangling of spells.
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Shakespeare is rolling in his grave.
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What listeners say about Henry VI, Part 1
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- John W. White
- 01-23-21
Great performance of a great story.
This was way better than I expected. It includes the story of Joan of Arc and much else besides. Highly recommended.
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- Derek Hunter
- 10-29-20
Excellent production of early Shakespeare play
While not in any shape or form one of Shakespeare's best, it is still brilliant and this is an excellent production. This could be one of Shakespeare's worst plays and yet still very enjoyable and full of human drama.
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1 person found this helpful
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- S. Riggs
- 01-27-18
Very well done!
I loved the story. It was my first time through but I look forward to many more reads!
2nd read through. I like the first half better. 🙂
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- Tad Davis
- 07-14-14
Action-packed, crowded with characters
Henry VI Part One is another one of Shakespeare's early plays. There are three Henry VI plays, and there's a lot of discussion in scholarly circles as to what order they were written in and whether Shakespeare had any collaborators. The first part is especially problematic in that respect.
One theory that seems to be in favor at present is that Shakespeare originally wrote a two-part play about Henry VI that were later designated parts two and three. Rival playwrights, seeing the success of his plays about the reign, created a play that focused on other parts of the story: the wars in France, the hero John Talbot, and the evil and cunning (to the English!) Joan of Arc. This play was also successful; and eventually, because Elizabethan actors often moved from one company to another, it came into the possession of Shakespeare's company. He added a few scenes to tie it more closely to his own plays, and it was staged as a prequel.
However it came to be written, it's an exciting, colorful play with one spectacular battle scene after another. The courageous Talbot fights the evil French at Orleans, Rouen, and Bordeaux; cities are taken, lost, and retaken; swords clang and cannon go off. Meanwhile the English nobles at home quarrel amongst themselves and fail to send Talbot the support he needs.
The quarreling is more intense than usual because the King of England, son of the valiant Henry V, is a studious, uncertain, and ostentatiously devout minor. Played by none other than David Tennant, Henry VI is a weak king, who pleads ineffectually with his nobles to love God and befriend each other.
Meanwhile the Duke of York, played by Clive Merrison - the voice of Sherlock Holmes for BBC radio - begins to lay the groundwork for his own bid for the throne. He is, as so many characters in this play are, a descendant of Edward III, and while York's claim isn't as strong as he would like to think, it's not imaginary; and there's no question he would make a stronger and more effective king.
Talbot is overcome and killed by the deceitful French, and the "witch" Joan of Arc - played by Amanda Root - is captured and burned. The play ends in midstream, as the Duke of Suffolk lays plans to have Henry marry the noble but penniless Frenchwoman Margaret. Suffolk's intention is to dominate Henry through Margaret. Part Two will show how that works out for him. (Spoiler alert: not so well.)
The Arkangel production is terrific, as almost all of the Arkangels are, giving this rarely produced and imperfect play the same commitment and energy they give to the major tragedies. Sound, music, and top-knotch acting are all integrated into a rapidly moving historical epic.
One caveat. Though the producers go out of their way to make the factions clear, it IS audio. On stage, when the various groups enter, they wear white roses or red, instantly communicating their allegiance. That important visual cue is missing in audio. With such a large number of characters, it might be helpful to keep a copy of the play handy.
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6 people found this helpful
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- Anonymous User
- 01-28-20
Really hard to follow...
...all of the battles. Had to refer constantly a Sparknote summary to keep things straight. But some really memorable scenes (e.g. white vs. red rose) and characters (e.g. Joan of Arc).
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- Nicholas Luthy
- 01-27-23
My First History
I truly enjoyed this entire title. I didn’t know what to expect, but it was delightful from beginning to end. I loved that Shakespeare was able to work into the play some truly funny interactions.
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- Darwin8u
- 01-22-17
Good Lord, what madness rules in brainsick men
Henry VI, Part I is considered by some to have been written AFTER Henry VI, Part II and Part III so I'm technically reading this one a bit early. However, for narrative flow I am reading it first. Along with the other two Henry VI plays, and along with Richard III it makes up Shakespeare's War of the Roses tetralogy.
I wasn't super impressed. I mean this isn't Richard III or Hamlet or Macbeth. But this is young Shakespeare gearing up and there are flashes of brilliance and moments of perfection. I love how Shakespeare is utilizing Hall's The Union Of The Two Noble Families Of Lancaster And York, 1550 and Holinshed Chronicles of England, Scotland and Ireland to frame the fractures that happen between the nobles. While I think Joan of Arc is not given her due by Shakespeare and I really feel there was room here for more of an expansion of Joan, the scenes she was in, she stole. Finally, I LOVED the scenes between Lord Talbot and his son as they prepare to Battle Joan of Arc and Charles, Dauphin of France.
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Some of my favorite lines:
"For I must not yield to any rites of love,
For my profession's sacred from above.
When I have chased all thy few form hence,
Then will I think upon a recompense."
- Joan, Act I, 3
"For friendly counsel cuts off many foes."
- Henry, Act III, 1
"...partner of your weal or woe."
- Bedford, Act III, 5
"Care is no cure, but rather corrosive,
For things that are not to be remedied."
- Joan, Act III, 7
"Poor boy, he smiles, methinks, as who should say
'Had death been French, then death had died today.'
Come, come and lay him in his father's arms
My spirit can no longer hear these harms,
Soldiers, adieu. I have what I would have,
Now my old arms are young John Talbot's grave."
- Talbot, Act IV, 7
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13 people found this helpful