For years, guitarist Quinn Porter has been on the road, chasing gig after gig, largely absent to his twice-ex-wife Belle and their odd, Guinness records-obsessed son. When the boy dies suddenly, Quinn seeks forgiveness for his paternal shortcomings by completing the requirements for one of his son's unfinished Boy Scout badges. For seven Saturdays Quinn does yard work for Ona Vitkus, the spry 104-year-old Lithuanian immigrant the boy had visited weekly.

1963, Mexico, Maine. The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on a father's wages from the Oxford Paper Company. Until the sudden death of Dad, when Mum and the four closely connected Wood girls are set adrift. Funny and to-the-bone moving, When We Were the Kennedys is the story of how this family saves itself, at first by depending on Father Bob, Mum's youngest brother, a charismatic Catholic priest who feels his new responsibilities deeply.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force - irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

Woodrow Wilson Nickel, age 105, feels his life ebbing away. But when he learns giraffes are going extinct, he finds himself recalling the unforgettable experience he cannot take to his grave. It’s 1938. The Great Depression lingers. Hitler is threatening Europe, and world-weary Americans long for wonder. They find it in two giraffes who miraculously survive a hurricane while crossing the Atlantic. What follows is a twelve-day road trip in a custom truck to become Southern California’s first giraffes. Behind the wheel is the young Dust Bowl rowdy Woodrow.

Two sisters, one farm. A family is split when their father leaves their shared inheritance entirely to Helen, his younger daughter. Despite baking award-winning pies at the local nursing home, her older sister, Edith, struggles to make what most people would call a living. So she can't help wondering what her life would have been like with even a portion of the farm money her sister kept for herself.

Forty-four-year-old Alice Holtzman is stuck in a dead-end job, bereft of family, and now reeling from the unexpected death of her husband. Alice has begun having panic attacks whenever she thinks about how her life hasn't turned out the way she dreamed. Even the beloved honeybees she raises in her spare time aren't helping her feel better these days.

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

Folks in Moab live for ice cream socials, baseball, and the local paper’s weekly gossip column. Sheriff Winston Browne has watched over Moab with a generous eye for a decade, and by now he’s used to handling the daily dramas that keep life interesting for Moab’s quirky residents. But just after Winston receives some terrible, life-altering news, a seemingly mute runaway with no clear origin arrives in Moab. The residents do what they believe is right and take her in - until two suspicious strangers arrive and begin looking for her.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.”

For years, guitarist Quinn Porter has been on the road, chasing gig after gig, largely absent to his twice-ex-wife Belle and their odd, Guinness records-obsessed son. When the boy dies suddenly, Quinn seeks forgiveness for his paternal shortcomings by completing the requirements for one of his son's unfinished Boy Scout badges. For seven Saturdays Quinn does yard work for Ona Vitkus, the spry 104-year-old Lithuanian immigrant the boy had visited weekly.

1963, Mexico, Maine. The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on a father's wages from the Oxford Paper Company. Until the sudden death of Dad, when Mum and the four closely connected Wood girls are set adrift. Funny and to-the-bone moving, When We Were the Kennedys is the story of how this family saves itself, at first by depending on Father Bob, Mum's youngest brother, a charismatic Catholic priest who feels his new responsibilities deeply.

Originally published in 1940, this book is a rare phenomenon, a living classic that introduces and elucidates the various levels of reading and how to achieve them - from elementary reading, through systematic skimming and inspectional reading, to speed reading. Audiences will learn when and how to “judge a book by its cover,” and also how to X-ray it, read critically, and extract the author’s message from the text.

In nine interlinking stories, the town of Abbot Falls reacts as Ernie Whitten, a pipefitter, builds a giant ark in his backyard. Ernie was weeks away from a pension-secured retirement when the union went on strike. Now his wife Marie is ill. Struck with sudden inspiration, Ernie builds the ark as a work of art for his wife to see from the window; a vessel to carry them both away; or a plea for God to spare Marie, come hell or high water.

From a cemetery in a mythical small town in Illinois, the dead speak about their lives. Each free-verse monologue stands as an epitaph for the person speaking, yet the play is ultimately about life, not death. Featuring 50 performers with specially commissioned original music, this is the only audio version of this landmark classic available.

Spoon River Anthology is a collection of poems that describe life - and death - in a small town. Each poem is a monologue delivered by a resident of Spoon River, describing events in their lives, and the circumstances that led to their occasionally untimely end. Edgar Lee Masters wrote this theatrical masterpiece to highlight the typical small town. The fascinating characters and realistic imagery make it easy to see why this is an American classic.

Spoon River has 244 accounts of the lives of people in the town that explain its goings on over a couple of centuries. Each free form verse is presented as an epitaph of one of the citizens delivered themselves, often criticizing the words said about them on their tombstone or the monument or stone left above them. The stories build on one another as well as reference various family members and others mentioned in other stories.

When Lydia takes a job running the Senior Citizens’ Social Club three afternoons a week, she assumes she’ll be spending her time drinking tea and playing gentle games of cards. The members of the Social Club, however, are not at all what Lydia was expecting. From Art, a failed actor turned kleptomaniac to Daphne, who has been hiding from her dark past for decades to Ruby, a Banksy-style knitter who gets revenge in yarn, these seniors look deceptively benign—but when age makes you invisible, secrets are so much easier to hide.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had cleared out of the building realized this was not the usual false alarm. As one fireman recounted later, “Once that first stack got going, it was good-bye, Charlie.” The fire was disastrous: It reached 2,000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed 400,000 books and damaged 700,000 more.

Every day Iona, a larger-than-life magazine advice columnist, travels the ten stops from Hampton Court to Waterloo Station by train, accompanied by her dog, Lulu. Every day she sees the same people, whom she knows only by nickname: Impossibly-Pretty-Constant-Reader and Terribly-Lonely-Teenager. Of course, they never speak. Seasoned commuters never do. Then one morning, the man she calls Smart-But-Sexist-Manspreader chokes on a grape right in front of her. He’d have died were it not for the timely intervention of Sanjay, a nurse, who gives him the Heimlich maneuver.

Nothing could be more out of character, but after fifty-nine years of marriage, as her husband Bernard’s health declines, and her friends' lives become focused on their grandchildren—which Jenny never had—Jenny decides she wants a little something for herself. So she secretly applies to be a contestant on the prime-time TV show Britain Bakes. Whisked into an unfamiliar world of cameras and timed challenges, Jenny delights in a new-found independence. But that independence, and the stress of the competition, starts to unearth memories buried decades ago.

By early 1960s standards, Margaret Ryan, Viv Buschetti, and Bitsy Cobb, suburban housewives in a brand-new "planned community" in Northern Virginia, appear to have it all. The fact that "all" doesn't feel like enough leaves them feeling confused and guilty, certain the fault must lie with them. Things begin to change when they form a book club with Charlotte Gustafson—the eccentric and artsy "new neighbor" from Manhattan—and read Betty Friedan's just-released book, The Feminine Mystique.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...