"Chekhov is probably better known in Britain for his plays than for his prose. For many, however, it is his short stories that mark the high water of his genius. It might at first glance be hard for those not used to his style of narrative to see what the fuss is about - and fuss there is: for most authors and lovers of literature Chekhov is incomparably the greatest short story writer there ever was."

In Moscow an unknown author approaches a publisher (the narrator), asking him to read and publish his manuscript. The narrator agrees to read it before the author returns three months later. At the heart of the story in the manuscript is a love triangle and themes of corruption, concealed love, and fatal jealousy. When one of the central characters is discovered dead, the narrative becomes a murder-mystery as the search for the culprit begins.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

This is a story from the In the Ravine and Other Stories collection.

This is a story from the In the Ravine and Other Stories collection.

From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time.

In this exclusive collection, Audible presents six of his most-celebrated short stories, chosen and performed by Richard Armitage. Richard, whose interest in the work of Chekhov was sparked by his appearance as Astrov in a stage production of Uncle Vanya, also introduces the collection with a brief overview of each of the stories and his thoughts on why Chekhov’s short stories are not to be missed.

This is a story from the In the Ravine and Other Stories collection.

A master of Russian realism, Anton Chekhov is renowned for his meticulously observed plays and short stories exploring the human condition, in all its joys and sorrows. Included here are six of his best-known dramas, as well as Michael Frayn's adaptation of Wild Honey, drawn from an early, untitled Chekhov play; and one documentary exploring Chekhov's life and work.

The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

Chekhov's masterful last play, The Cherry Orchard, is a work of timeless, bittersweet beauty about the fading fortunes of an aristocratic Russian family and their struggle to maintain their status in a changing world. Alternately touching and farcical, this subtle, intelligent play stars the incomparable Marsha Mason.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

Kenneth Branagh stars in BBC Radio 4's ambitious eight-hour dramatisation of Life and Fate, Vasily Grossman's epic masterpiece set during the Battle of Stalingrad. This powerful work, completed in 1960, charts the fate of both a nation and a family in the turmoil of war. Its comparison of Stalinism with Nazism was considered by Soviet authorities to be so dangerous that the KGB placed the manuscript under arrest and Grossman was informed his book would not be published for at least 200 years.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

In this exclusive collection, Audible presents six of his most-celebrated short stories, chosen and performed by Richard Armitage. Richard, whose interest in the work of Chekhov was sparked by his appearance as Astrov in a stage production of Uncle Vanya, also introduces the collection with a brief overview of each of the stories and his thoughts on why Chekhov’s short stories are not to be missed.

Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.

Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov’s stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, “It is not only the immense number of stories he wrote - for few, if any, writers have ever done more - it is the awesome frequency with which he produced masterpieces, stories that shrive us as well as delight and move us, that lay bare our emotions in ways only true art can accomplish.”

A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov’s stories are often noted for their stream-of-consciousness style and their vast number.

Raymond Carver called Anton Chekhov "the greatest short story writer who has ever lived". This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever, and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes - alienation, the absurdity and tragedy of human existence - have as much relevance today as when they were written.

With amazing insight, Anton Chekhov wrote of the lives of the Russian common man as well as the landowner. He established the style of the modern short story and influenced many great writers, including George Bernard Shaw, James Joyce, Ernest Hemingway, Katherine Mansfield, and Virginia Woolf.

"Chekhov is probably better known in Britain for his plays than for his prose. For many, however, it is his short stories that mark the high water of his genius. It might at first glance be hard for those not used to his style of narrative to see what the fuss is about - and fuss there is: for most authors and lovers of literature Chekhov is incomparably the greatest short story writer there ever was."

From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time.

Chekhov, noted author, playwright and physician, is one of the most accessible and enjoyable of the Russian writers. He writes about life’s routines in a way that encompasses the heights and depths of human emotion all in the span of a day, or even a meal. This recording includes four of his most acclaimed short stories, including: "The Black Monk", "The House with the Mezzanine", "The Peasants", and "Gooseberries".

George Bernard Shaw - or Bernard Shaw, as he preferred to be known - was one of Ireland's foremost dramatists and thinkers. His plays range from contemporary satires to historical allegories, and are infused with ideas, insight, wit and wisdom. Included here are some of his best works, adapted for radio and brought together in reverse chronological order in one statement collection.

In Moscow an unknown author approaches a publisher (the narrator), asking him to read and publish his manuscript. The narrator agrees to read it before the author returns three months later. At the heart of the story in the manuscript is a love triangle and themes of corruption, concealed love, and fatal jealousy. When one of the central characters is discovered dead, the narrative becomes a murder-mystery as the search for the culprit begins.

In “The Kiss”, a lonely, love-starved soldier keeps a secret rendezvous for another man and becomes enamored with a woman he is never to see again. “The Duel” describes the collisions between men and women in hopeless relationships, and how two men are driven to settle the score in a clandestine meeting on a bridge, pistols in hand. In all of these stories, Chekhov’s brilliant portrayal of people from all walks of life and how they deal with the moral dilemmas their circumstances press upon them comes to vivid life in the listener’s mind.

Jane Austen’s most popular novel, originally published in 1813, some 17 years after it was first written, presents the Bennet family of Longbourn. Against the background of gossipy Mrs. Bennet and the detached Mr. Bennet, the quest is on for husbands for the five daughters. The spotlight falls on Elizabeth, second eldest, who is courted by Mr. Darcy, though initially she is more concerned with the fate of her other sisters. This marvelous account of family life in Regency England is read with customary panache by Juliet Stevenson.

Anton Pavlovich Chekhov, (1860-1904), was born in Russia at Taganrog on the Sea of Azov. His name has become synonymous with a certain literary style much admired and widely copied since his death. Typically, a Chekhov story is a "mood", a state of mind, usually with regard to relations between one person and another. Under the influence of the constant, infinitesimal, and unforeseen pinpricks of life, there occurs a gradual transformation of that state of mind.

Faust has long been considered one of the most important works of European literature ever published. Johann Wolfgang von Goethe began writing Faust in the 1770s while still a young man, spending most of his adult life on the project. Faust was finally finished almost 50 years later, near the end of his life. Faust is a philosophical drama full of humor, satire, and tragedy. The demon Mephistopheles makes a bet with God that he can lure Faust from the path of good.