1955: Tampa, Florida, is a city pulsing with Sicilian and Cuban gangsters, cigar factories, sweet rum, and violence. The death of retired kingpin Charlie Wall—the White Shadow—has shocked the city, sending cops, reporters, and associates scrambling to find those responsible. As the trail winds through neighborhoods rich and poor, enmeshing the innocent and corrupt alike all the way down to the streets and casinos of Havana, an extraordinary story of revenge, honor, and greed emerges.

When crime-fighting attorney Albert Patterson is gunned down in a Phenix City, Alabama, alley in the spring of 1954, the entire town seems to pause for just a moment—and when it starts up again, there is something different about it. A small group of men meet and decide they have had enough, but what that means and where it will take them is something they could not have foreseen.

San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel-girls, jazz, bootleg hooch...and a dead actress named Virginia Rappe. The D.A. says it was Arbuckle who killed her—crushed her under his weight—and brings him up on manslaughter charges. William Randolph Hearst's newspapers stir up the public and demand a guilty verdict.

Addison McKellar isn’t clueless—she knows she and her husband Dean don’t have the perfect marriage—but she’s still shocked when he completely vanishes from her life. At first Addison is annoyed, but as days stretch into a week and she’s repeatedly stonewalled by Dean’s friends and associates, her frustration turns into genuine alarm. When even the police seem dismissive of her concerns, Addison turns to her father’s old friend, legendary Memphis PI Porter Hayes.

A modern, Southern reinvention of The Maltese Falcon, Crossroad Blues won noir fans with its nod to the masters and thrilled readers with a wild ride along Highway 61. It’s here that we first meet Nick Travers, an ex-New Orleans Saint turned Tulane University blues historian. Nick searches for the lost recordings of 1930s bluesman Robert Johnson—and a missing colleague—and finds trouble at every turn.

Charles Warren, Los Angeles attorney, has dedicated his career to aiding people in financial straits. He is particularly skilled at the art of recovering assets that have been embezzled or hidden. In his newest case, helping a beautiful young widow find the money missing from her late husband's investment accounts, Charlie recognizes a familiar scheme—one that echoes the con job that targeted his own widowed mother many years before, and that led him, as a teenager, to commit a crime of retribution that still weighs on his conscience.

When you’re in trouble, you call 911. When cops are in trouble, they call Nick Ryan. Every cop in the city knows his name, but no one says it out loud. In fact, they don’t talk about him at all. He doesn’t wear a uniform, but he is the most powerful cop in New York. Nick Ryan can find a criminal who’s vanished. Or he can make a key witness disappear. He has cars, safe houses, money, and weapons hidden all over the city.

In McFalls County, local crime boss Gareth Burroughs runs everything on the mountain. And Nelson “Nails” McKenna has been his enforcer since he was a teenager, though his heart's not really in the dirty work. Then one night in a local roadhouse, Nails goes too far, defending a woman, and even Burroughs’s reach can’t get him out of this one. With a dead body and countless witnesses, Nails and the woman become fugitives on the run, and unlikely partners.

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels: Chance, Hush Money, and Small Vices.

Justine Poole takes her job seriously providing security for wealthy and high-profile Hollywood stars. When she prevents a brazen robbery at the Beverly Hills home of two of her clients—killing two of the five armed robbers in the process—she is initially lauded in the media as a local hero. But the spotlight soon puts her in the crosshairs of the crime kingpin behind the burglaries.

A twisted tale of murder in the world of big-stakes bass fishing tournaments. Filled with ex-wives, evangelists, and an armed pit-bull, this is a story that could only be concocted by Carl Hiaasen, Pulitzer Prize-winning journalist, New York Times best-selling author, and czar of Florida noir fiction.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Seattle, 1933. The city is in the grips of the Great Depression, Prohibition, and vice. Cutting his teeth on a small-time beat, hungry and ambitious young reporter William “Shoe” Shumacher gets a tip that could change his career. There’s been a murder at a social club on Profanity Hill—an underworld magnet for vice crimes only a privileged few can afford. The story is going to be front-page news, and Shoe is the first reporter on the scene.

After his wife and two children are killed in a car crash, Ryan Tapia starts a new life in Maine. But his first case there is a puzzling oddball—the corpse of a fisherman washes up on federal land, while the man's boat drifts into waters that are part of an Indian reservation.

Who are cash-strapped George and Jay to say no to a stranger’s offer of $10,000? The gig: fly to Havana and retrieve the old gent’s “family valuables,” hidden in Cuba since the Revolution. All expenses paid. At their disposal is a safe place to stay, a driver, a crudely drawn map, and a translator and guide. And what a guide. She’s a knockout named Carmen, lush and movie-star gorgeous. But their lady in Havana arrives with a warning: Trust no one. To say the least. Because nothing on this scavenger hunt is what it seems.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

1955: Tampa, Florida, is a city pulsing with Sicilian and Cuban gangsters, cigar factories, sweet rum, and violence. The death of retired kingpin Charlie Wall—the White Shadow—has shocked the city, sending cops, reporters, and associates scrambling to find those responsible. As the trail winds through neighborhoods rich and poor, enmeshing the innocent and corrupt alike all the way down to the streets and casinos of Havana, an extraordinary story of revenge, honor, and greed emerges.

When crime-fighting attorney Albert Patterson is gunned down in a Phenix City, Alabama, alley in the spring of 1954, the entire town seems to pause for just a moment—and when it starts up again, there is something different about it. A small group of men meet and decide they have had enough, but what that means and where it will take them is something they could not have foreseen.

Addison McKellar isn’t clueless—she knows she and her husband Dean don’t have the perfect marriage—but she’s still shocked when he completely vanishes from her life. At first Addison is annoyed, but as days stretch into a week and she’s repeatedly stonewalled by Dean’s friends and associates, her frustration turns into genuine alarm. When even the police seem dismissive of her concerns, Addison turns to her father’s old friend, legendary Memphis PI Porter Hayes.

A modern, Southern reinvention of The Maltese Falcon, Crossroad Blues won noir fans with its nod to the masters and thrilled readers with a wild ride along Highway 61. It’s here that we first meet Nick Travers, an ex-New Orleans Saint turned Tulane University blues historian. Nick searches for the lost recordings of 1930s bluesman Robert Johnson—and a missing colleague—and finds trouble at every turn.

San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel-girls, jazz, bootleg hooch...and a dead actress named Virginia Rappe. The D.A. says it was Arbuckle who killed her—crushed her under his weight—and brings him up on manslaughter charges. William Randolph Hearst's newspapers stir up the public and demand a guilty verdict.