From London’s glittering West End to Broadway’s bright lights, from her Academy Award-winning role as Elizabeth I in Shakespeare in Love to “M” in the James Bond films, Judi Dench has treated audiences to some of the greatest performances of our time.

John Lithgow has compiled an outstanding collection of memorable poems and has gathered his famous friends to read them. The wide variety of carefully selected poetry in this audiobook provides the perfect introduction to reel in those who are new to poetry, and for poetry lovers to experience beloved verses in a fresh, vivid way. Lithgow offers insightful and sometimes poignant commentary to accompany each poem. His essential criterion is that "each poem's light shines more brightly when read aloud".

From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, Making It So, a revealing portrait of an artist whose astonishing life—from his humble beginnings in Yorkshire, England, to the heights of Hollywood and worldwide acclaim—proves a story as exuberant, definitive, and enduring as the author himself.

A classic BBC Radio full-cast production of Dylan Thomas' poetic play for voices starring Richard Burton as the narrator. To begin at the beginning: it is spring, moonless night in the small town, starless and bible-black.... When Richard Burton breathed the opening words of 'Under Milk Wood' into a microphone, broadcasting history was made.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father’s Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity.

With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

From London’s glittering West End to Broadway’s bright lights, from her Academy Award-winning role as Elizabeth I in Shakespeare in Love to “M” in the James Bond films, Judi Dench has treated audiences to some of the greatest performances of our time.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.

Dame Judi Dench and Geoffrey Palmer star as old flames Jean Pargetter and Lionel Hardcastle. Their love story was all set for a happy ending in the 1950s when Jean was a student nurse and Lionel, a young army officer. But he was posted abroad and they lost touch. Thirty-eight years later, Lionel has returned to London to publish his autobiography and, through a strange coincidence, he is reunited with Jean who has set up a secretarial agency.

This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

Adopting the methodology of the music charts, The Classic Hundred Poems presents the "top 100" poems of all time. The selections are illuminated by the informative notes of editor William Harmon and read by an ensemble of contemporary poets including Alfred Corn and Rita Dove.

Dame Emma Thompson, DBE, is one of Britain's most acclaimed actresses and scriptwriters. In this collection we hear—in her own words—about her early career as a comic and scriptwriter. She discusses some of her most famous works, including Fortunes of War, Sense and Sensibility, Remains of the Day and Nanny McPhee, and explains how she has managed to remain grounded during her rise to fame as an actress.

101 Famous Poems, compiled by Roy J. Cook and first published in 1916, is a collection of one familiar poem each by the best-known poets in the English language, including Alfred Tennyson, William Shakespeare, Robert Frost, Percy Bysshe Shelley, John Milton, Elizabeth Barret Browning, Edna St. Vincent Millay, Robert Louis Stevenson, Walt Whitman, Lord Byron, Emily Dickinson and William Wordsworth. The anthology is indexed by title, author and first line.

No one does glamour, severity, girlish charm, or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney's biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades.

A classic BBC Radio full-cast production of Dylan Thomas' poetic play for voices starring Richard Burton as the narrator. To begin at the beginning: it is spring, moonless night in the small town, starless and bible-black.... When Richard Burton breathed the opening words of 'Under Milk Wood' into a microphone, broadcasting history was made.

As the new manager of the Perfect Passion Company, Katie’s mission is to help the lonely hearts of Edinburgh. With the assistance of her amiable and handsome office neighbor, William, she finds herself using a personal touch to find matches for the city’s lovelorn citizens. When an airline pilot comes to her looking for a woman to take care of him, Katie sends him to cooking school. The case of a hotelier with a particularly overbearing mother may require a delicate two-pronged approach.

A sparkling collection of the major works of the ever-adored Oscar Wilde, with incredible casts including Judi Dench, Martin Clunes, Michael Sheen, Miriam Margolyes, Ian McDiarmid, Joely Richardson, Penelope Keith, Martin Jarvis, Diana Rigg, Simon Russell Beale, Sheila Hancock, Ian McKellen and Stephen Fry.

The greatest poems from the greatest masters of French literature have been put together in a brilliant English adaptation in the form of an audiobook. Dive deep into Victor Hugo's superb style, with excerpts from his "Contemplations" or "Autumn Leaves"; enjoy the ephemeral poetry of Verlaine and the darkness of Charles Baudelaire's "Flowers of Evil", narrated with precision and subtlety by Katie Haigh and Paul Edwards.

Coco Chanel was an extraordinary inventor, conjuring up the little black dress, bobbed hair, trousers for women, contemporary chic, bestselling perfumes, and the most successful fashion brand of all time. But she also invented herself, fashioning the myth of her own life with the same dexterity as her couture; and what lies beneath her own glossy surface is darker, more mysterious, and far more intriguing.

Maggie Smith stars in this BBC radio adaptation of Alan Bennett's highly acclaimed autobiographical stage play. An eccentric old lady moves into a quiet street in Camden Town. There she remains, installed in her van in glorious self-sufficiency, until the council instructs her to move on. Then a kind homeowner invites her to move her van into his garden - where she stays for the next 15 years.