Last to Leave the Room
A Novel
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Narrated by:
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Xe Sands
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By:
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Caitlin Starling
About this listen
"With her deep and husky timbre, Xe Sands is the perfect reader for this horror/sf blend."—Booklist
Last to Leave the Room is a new novel of genre-busting speculative horror from Caitlin Starling, the acclaimed author of The Death of Jane Lawrence.
The city of San Siroco is sinking. The basement of Dr. Tamsin Rivers, the arrogant, selfish head of the research team assigned to find the source of the subsidence, is sinking faster.
As Tamsin grows obsessed with the distorting dimensions of the room at the bottom of the stairs, she finds a door that didn’t exist before—and one night, it opens to reveal an exact physical copy of her. This doppelgänger is sweet and biddable where Tamsin is calculating and cruel. It appears fully, terribly human, passing every test Tamsin can devise. But the longer the double exists, the more Tamsin begins to forget pieces of her life, to lose track of time, to grow terrified of the outside world.
As her employer grows increasingly suspicious, Tamsin must try to hold herself together long enough to figure out what her double wants from her, and just where the mysterious door leads…
A Macmillan Audio production from St. Martin’s Press.
©2023 Caitlin Starling (P)2023 Macmillan AudioListeners also enjoyed...
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Critic reviews
"Xe Sands's eerie performance beckons listeners into this horror story.... Sands's vocal fry and emotional tone will keep listeners on edge as Tamsin becomes more and more obsessed with the door in her basement.... Sands's unsettling performance and consistent pacing are remarkable." (AudioFile)
"A taut, ominous gothic that plays with preconceptions of gender and genre alike. Starling illuminates her characters brilliantly, and isn't afraid of the dark corners behind them. This book runs like clockwork—but it's unpredictable too, unnervingly so, like a machine finely calibrated to self-destruct. It reads like Shirley Jackson writing an episode of Severance."—Isaac Fellman, author of Dead Collections and The Two Doctors Górski.
"A stylish and chilling technothriller, Last to Leave the Room had me rapt at every page. Starling once again succeeds with this tense, atmospheric tale of genius and hubris, one that will have readers question their sense of identity until the chilling end."—Victor Manibo, author of The Sleepless
"No two Caitlin Starling books are the same, save for their intelligence, imagination, and compulsive readability. But with Last to Leave the Room, Starling has outdone herself. If, by the end of Chapter 3, you're not *desperate* to know what happens next, you're as baffling as non-Euclidean geometry."—Nat Cassidy, author of Mary: An Awakening of Terror and Nestlings
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Overall
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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Overall
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Performance
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Story
When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Overall
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Overall
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Performance
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Story
Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Married Man
- By: K.L. Slater
- Narrated by: Clare Corbett
- Length: 9 hrs and 40 mins
- Unabridged
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Overall
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Performance
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Story
Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?
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K.L. Slater and Clare Corbett – riveting Tango!
- By Karenique on 11-11-24
By: K.L. Slater
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Overall
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Performance
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Story
Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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Sophie's sins and violent rapists. DNF at 4 hours.
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In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy.
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What listeners say about Last to Leave the Room
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Michael S.
- 10-18-23
It’s an entanglement problem
I dug it. This was more scifi than the author’s other works, and without spoilers I wanted more of that scifi exploration into the subsidence than the horror at the center of the story. But I can’t deny I was hooked and enjoyed my time. Good performance, I liked the main character being a kind of cold boss bitch, and I was intrigued by the scifi.
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- liz
- 10-17-23
Very weird, more sci-fi than horror
This is one of those books where the narrator is constantly in their head second guessing themselves. I keep listening because I wanted to know the ending but I really didn’t enjoy it.
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- Izabella O'Svath
- 10-23-23
Strange, Boring Storyline
I just didn’t get it. It was so boring. The description mentioned some unexpected twist and I kept reading and reading, waiting for something interesting to happen, something exciting to make it worth reading but that moment never came. The ending was so bland, I was just happy that the story was over and I could start reading something else.
It didn’t help that the narrator’s voice was hard to get used to, it just didn’t work for me.
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