
Lost Boy, Lost Girl
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Narrated by:
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Peter Berkrot
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By:
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Peter Straub
About this listen
A woman commits suicide for no apparent reason. A week later, her son- fifteen-year-old Mark Underhill - vanishes. His uncle, novelist Timothy Underhill, searches his hometown of Millhaven for clues that might help unravel this horrible dual mystery. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother's suicide, Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house whispers from attic to basement with the echoes of a long-hidden true-life horror story, and Tim Underhill comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.
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Performance
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Story
Lisey lost her husband, Scott, two years ago, after a 25-year marriage of profound and sometimes frightening intimacy. Scott was an award-winning, best-selling novelist and a very complicated man. Early in their relationship, before they married, Lisey knew there was a place Scott went - a place that both terrified and healed him, could eat him alive or give him the ideas he needed in order to live. Now it’s Lisey’s turn to face Scott’s demons, to go to that terrifying place known as Boo’ya Moon.
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Oh, wow.
- By Joseph on 11-24-08
By: Stephen King
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Houses Without Doors
- By: Peter Straub
- Narrated by: Patrick Lawlor
- Length: 13 hrs and 28 mins
- Unabridged
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Overall
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Performance
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Story
These psychic and horror fictions - seven of them short-shorts - reveals Straub at his spellbinding best. Two tales (first installments of his Blue Rose trilogy), are linked to Koko and Mystery and exactingly probe the consequences of boyhood clashes with evil. Includes: "Blue Rose", "The Juniper Tree", "The Buffalo Hunter", "Mrs. God", and "A Short Guide to the City".
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What was that?
- By Brad on 02-10-12
By: Peter Straub
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Stinger
- By: Robert R. McCammon
- Narrated by: Nick Sullivan
- Length: 18 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Story
The West Texas desert towns of Inferno and Bordertown have been slowly dying. The Snake River isn’t the only thing that divides them. Racism and gang wars have turned the sun-scorched flatlands into a powder keg. If anything can unite them now, it’s the UFO that comes crashing through the clouds. It brings with it a young alien named Daufin, a fugitive who has taken human form. She knows the terror that awaits this planet—because it’s looking for her.
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Alien Invasion F-U-N!
- By Char on 03-16-18
A house in plain sight that nobody sees or sees, but forgets. A house with hidden passage ways. A basement you don't want to enter. A man with no face. Abducted children. A huge mystery.
RENT A MINISTER
This is a story told in overlapping time lines, from the view of different characters. The suspense builds during the story and it gets more interesting as it goes along. For me it never hit great, but neither did it hit bad. I did not feel I wasted a credit, but I did feel it could have been more. It does not raise the emotions that you get from Orson Scott Card's Lost Boys and it is never that terrifying. It is more just creepy. It is more of a paranormal then a horror story. Had Peter included the thoughts of the monster, it could have been scarier. A prequel to this actually should be written. We get this mostly as bad things that happened in the past, as opposed to the present.
ALAN ALDA WITHOUT THE SMIRK
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It's ok i guess?
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fast paced thriller
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Lost Boy, Lost Girl is a complex thriller wrapped in a seemingly standard narrative: a writer looking to mend uncultivated familial relationships, a killer on the loose, teenage boys dealing with adolescent maturity, a small town and minor characters you revisit a lot in Straub’s dominion.
This one creeps up it’s hill, taking its time, like Sisyphus, and Straub’s ability to write characters so well makes you care about digging into their minds. You’re learning new things about all of them all the way to the end, and it is an enjoyable ride.
It’s not my favorite of his, but for how much story/character he puts into this smaller novel (for Straub, this book is about 1/3 the length of Koko/The Throat and about half the length of Ghost Story.
I got through it in just a few sittings. You won’t be wrong giving this one a go.
I enjoyed it quite a bit.
A great narrative thriller
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Read Peter Straub... all books
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The performance was befitting the landscape of the novel and well read and produced.
All That It Needed To Be
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Meh!
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