Mansfield Park
Penguin Classics
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Narrated by:
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Pippa Bennett-Warner
About this listen
Brought to you by Penguin.
This Penguin Classic is performed by Pippa Bennett- Warner. Pippa has recently starred in the BBC Drama MotherFatherSon alongside Richard Gere and has featured in Harlots and Sick Note. This definitive recording includes an introduction by Kathryn Sutherland.
Taken from the poverty of her parents' home in Portsmouth, Fanny Price is brought up with her rich cousins at Mansfield Park, acutely aware of her humble rank, and with her cousin Edmund Bertram as her sole ally. When her uncle Sir Thomas Birtram travels to Antigua, siblings Mary and Henry Crawford arrive in the neighbourhood, bringing with them the glamour of London life and a reckless taste for flirtation. As her female cousins vie for Henry's attention, and even Edmund falls for Mary's dazzling charms, only Fanny remains doubtful about the Crawfords' influence and finds herself more isolated than ever. Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.
Jane Austen (1775-1817) was extremely modest about her own genius but has become one of English literature's most famous women writers. Austen began writing at a young age, embarking on what is possibly her best-known work, Pride and Prejudice, at the age of 22. She was the author of Sense and Sensibility, Pride and Prejudice, Emma,Persuasion, Mansfield Park and Northanger Abbey.
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When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.
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Nigel Patterson as the narrator is great
- By NH on 10-31-16
By: Anthony Trollope
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The Tenant of Wildfell Hall
- By: Anne Brontë
- Narrated by: Mary Sarah Agliotta
- Length: 13 hrs and 33 mins
- Unabridged
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Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.
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A good story ruined by the narrator
- By i. Ski on 04-17-14
By: Anne Brontë
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The American
- By: Henry James
- Narrated by: Adam Sims
- Length: 14 hrs and 13 mins
- Unabridged
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Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.
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excellent reading
- By Andorboth on 12-03-22
By: Henry James
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Clarissa, or The History of a Young Lady, Volume 1
- By: Samuel Richardson
- Narrated by: Samuel West, Lucy Scott, Roger May, and others
- Length: 33 hrs and 40 mins
- Unabridged
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A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma. Terrifying and enlightening, Clarissa weaves a tapestry of narrative experimentation into a gripping morality tale of good versus evil.
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Gripping Novel & Performance
- By Harold on 07-29-18
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Swann's Way
- By: Marcel Proust
- Narrated by: Neville Jason
- Length: 21 hrs and 33 mins
- Unabridged
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Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.
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Not a book one reads but inhabits & floats through
- By Darwin8u on 02-24-13
By: Marcel Proust
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Wives and Daughters
- By: Elizabeth Gaskell
- Narrated by: Nadia May
- Length: 25 hrs and 39 mins
- Unabridged
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Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.
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It's not about the ending!
- By Sandra on 07-25-05
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The Ladies of Rosings Park
- A Pride and Prejudice Sequel and Companion to The Darcys of Pemberley
- By: Shannon Winslow
- Narrated by: Marian Hussey
- Length: 12 hrs and 2 mins
- Unabridged
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Story
Chapter by chapter, these ladies of Rosings Park take turns telling the tale from the moment Elizabeth Bennet sets foot in Hunsford, changing everything. Is Anne heartbroken or relieved to discover Mr. Darcy will never marry her? As an heiress, even a sickly one, she must have other suitors. Does Lady Catherine gracefully accept the defeat of her original plan or keep conniving? Will Anne’s health ever improve? And what really happened to her father?
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NOT Jane Austen
- By susan on 03-02-19
By: Shannon Winslow
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Tom Jones
- The History of Tom Jones, a Foundling
- By: Henry Fielding
- Narrated by: Bill Homewood
- Length: 37 hrs and 52 mins
- Unabridged
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Story
Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.
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terrific story BUT
- By tom on 01-28-14
By: Henry Fielding
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Middlemarch
- By: George Eliot
- Narrated by: Juliet Stevenson
- Length: 35 hrs and 38 mins
- Unabridged
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Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.
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Best Audible book ever
- By Molly-o on 12-25-11
By: George Eliot
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What listeners say about Mansfield Park
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- jacquie
- 08-01-21
Loved It!
This narrator was excellent. This story really came alive with Pippa’s narration. The story itself made me want to keep listening- with so many characters to and their intertwining.
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- Cait Guyette
- 04-05-20
Interesting but disappointing
3.5 stars
I've found myself re/reading all of Jane Austen's novels in the order in which they were published and was quite surprised by Mansfield Park. I have seen and very much enjoyed the 1999 film adaptation, but I have discovered it does not strictly follow the book.
Mansfield Park is not what is expected of an Austen novel but it is very fascinating social commentary of the time. In that way there is not a tremendous amount of plot which can make it seem to drag a bit (more so at the beginning). I think the main thing for me is that I don't particularly *like* Fanny Price which is a big change from Austen's great heroines of the Bennett and Dashwood sisters, etc. Those women are in less than desirable situations but all have qualities and strength which ends up lifting them from these situations and end up making them happy. Fanny Price is from the poor branch of a family and goes to live with her wealthy aunt, uncle, and cousins. She is put down and disparaged nearly her entire life (and book) as less than purely because she is the product of a less than desirable marriage. This obviously makes her very shy, self-conscious, and timid. The part I don't like is that this deference to everyone and her feeling of unworthiness is what ends up making her so liked by the men in the story - the rich uncle and her cousin, Edmund, who she is in love with (also ick). She is physically weak (because of her inferior birth obvs) and is painfully awkward. She has spent her time improving herself with reading instead of more lavish activities the spoiled cousins are indulged with, but she, and Edmund, are very judgemental of anything outside of their purview. Fanny is also rather two-faced and jealous, but those things never come back to haunt her as everyone else's flaws do. It is literally not until the last paragraph that Edmund thinks of Fanny as anything other than a sister and with little reasoning behind it or much revelation of how Edmund has come around to agree with Fanny's inner hopes. Perhaps as the author of some of the best heroines ever written my expectations were too high. Mansfield Park is an interesting and entertaining study in social satire which I will certainly be thinking about for a while, but it is a story that I found difficult to be invested in.
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1 person found this helpful
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- Verre
- 01-04-21
Excellent, apart from the introduction!
I chose this audio edition based on how much I liked the narration in the sample, but when I first started listening, I was initially annoyed to discover that for the first hour the narrator races through the introductory essay in a breathless monotone. As the essay went on and on, exploring nuances of characters and plot points with which I was completely unfamiliar (not having yet read the book), I began to wonder why such essays are conventionally placed at the *beginning* of books. They would be much more useful at the end, at which point we would be better able to follow the arguments, having acquired the necessary familiarity with characters and plot points being expounded upon.
As the essay droned on for over and hour, I eventually realized that I was actually *grateful* for the speed and efficiency with which the narrator was racing through this introductory text, because it really wasn't going to do me any good. Having not yet read the novel, I could not verify from experience any of the textual evidence being cited to support the various points, and worse, all the references to characters and events became an irritating source of spoilers! I was even tempted to skip the introductory essay, but I decided to just ride it out.
Finally -- after around 70 minutes or so -- the introductory essay concluded and the actual novel began. At that point the narrator slowed down her pace and gave the text her full attention, and she did it wonderful service. The characters were all enlivened by distinct and appropriate voices and intonations, and the story unfolded in a way that was engaging and well-structured. I'm not very familiar with Jane Austen as a writer: I've seen some films, but this is the first of her novels that I've "read." I enjoyed it very much and will listen to more of her novels in the future.
In retrospect, I would have lost nothing by skipping the introductory essay. I might have enjoyed it had it been placed after the main text as an *epilogue*, but putting such texts as an introduction seems misguided. I suppose in written texts it's a little easier to skip back and forth, but audio books probably ought to rethink the purpose and placement of such "introductions." However, the novel itself was perfectly narrated and entirely satisfying, and I'm glad I chose this audio edition.
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5 people found this helpful