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Northanger Abbey
- Narrated by: Juliet Stevenson
- Length: 8 hrs and 17 mins
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Publisher's summary
When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn. However, the truth turns out to be even stranger than fiction.
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A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma. Terrifying and enlightening, Clarissa weaves a tapestry of narrative experimentation into a gripping morality tale of good versus evil.
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Gripping Novel & Performance
- By Harold on 07-29-18
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The American
- By: Henry James
- Narrated by: Adam Sims
- Length: 14 hrs and 13 mins
- Unabridged
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Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.
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excellent reading
- By Andorboth on 12-03-22
By: Henry James
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Tom Jones
- The History of Tom Jones, a Foundling
- By: Henry Fielding
- Narrated by: Bill Homewood
- Length: 37 hrs and 52 mins
- Unabridged
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Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.
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terrific story BUT
- By tom on 01-28-14
By: Henry Fielding
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Lady Windermere's Fan
- By: Oscar Wilde
- Narrated by: Samuel West, Michael Sheen, Derek Waring, and others
- Length: 1 hr and 37 mins
- Unabridged
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Oscar Wilde's first play confronts the hypocrisy of public "morality" compared with genuine, private kindness. The reasons for its continued popularity are not difficult to identify: the play's witty dialogue contains many of Wilde's most quoted aphorisms, its stylish setting provides opportunities for elegant presentation, and its cast of memorable characters play out a story which is genuinely moving. This new audio production brings together a full cast worthy of Wilde's creative genius.
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An exciting night at the
- By Karen on 11-28-04
By: Oscar Wilde
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Swann's Way
- By: Marcel Proust
- Narrated by: Neville Jason
- Length: 21 hrs and 33 mins
- Unabridged
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Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.
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Not a book one reads but inhabits & floats through
- By Darwin8u on 02-24-13
By: Marcel Proust
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The Mill on the Floss
- By: George Eliot
- Narrated by: Laura Paton
- Length: 20 hrs and 37 mins
- Unabridged
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Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy
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Great compassion
- By nina lalumia on 12-26-16
By: George Eliot
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Middlemarch
- By: George Eliot
- Narrated by: Juliet Stevenson
- Length: 35 hrs and 38 mins
- Unabridged
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Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.
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Best Audible book ever
- By Molly-o on 12-25-11
By: George Eliot
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Wonderful listen
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Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.
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Catherine Morland reads tales of Gothic romance, yet leads a country life in Wiltshire. When she travels to Bath, she meets and falls in love with Henry Tilney. She is invited by his sister and father to stay at Northanger Abbey, where she meets all the trappings of Gothic horror that she has read about. Fortunately, she has her own good sense and irresistible but unsentimental hero, Henry Tilney.
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First published in 1869, Little Women is the story of four sisters growing up against the background of the American Civil War. Alcott wrote the book at the urging of the publisher, Thomas Niles, who was seeking a story about girls that would have popular appeal. Although it was commenced essentially as a children's book, it developed into something of a bildungsroman, which touches on more serious issues such as the difficulties faced by single-parent families, the death of a sibling, and fractured relationships.
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This is Jane Austen's lighthearted lesson in what you get for reading too many gothic novels. It is a mark of the astonishing talent of the woman, however, that even a flippant swipe at the trashy reading of the day turned out to be an elegant if extremely funny classic. Catherine Morland is another one of those Austen girls who, in spite of her gloriously ironic portrait as a romantic heroine in training, ends up being someone whose story you'd follow to the end of the world, or at least until the end of the book.
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These three short works show Austen experimenting with a variety of different literary styles, from melodrama to satire, and exploring a range of social classes and settings. The early epistolary novel Lady Susan depicts an unscrupulous coquette toying with the affections of several men. In contrast, The Watsons is a delightful fragment whose spirited heroine, Emma Watson, finds her marriage opportunities limited by poverty and pride....
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Too bad we will never know the full story of Sandi
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Mansfield Park
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Felicity Jones, David Tennant and Benedict Cumberbatch star in BBC Radio 4's full-cast dramatisation of the novel by Jane Austen, one of the great English classics. Seeking a position in society, young Fanny Price goes to live with her rich aunt and uncle. But her life there is not as she might wish. Felicity Jones plays Fanny, whilst David Tennant is her cousin Tom and Benedict Cumberbatch his brother Edmund.
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Not the book
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Social Romance
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The majority of Hawthorne's works centre on New England and have a Puritan inspiration and outlook, with their inherent evil and sin of humanity. This volume centres on his short stories which are beautifully crafted pieces layered with characters ill at ease with their path through life.
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disappointed
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Mary Barton
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Give it a try!
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No Name
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Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.
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Good and Evil and Funny
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What listeners say about Northanger Abbey
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- David
- 05-20-11
For heroines in training
This was a fun, light-hearted romp, but not one of Austen's best works. It had her characteristic humor, and I love the way she delivers both approbation and condemnation in such wry, genteel turns of phrase. Austen's world is a Regency fairyland where nothing truly violent or horrific ever happens, which makes Catherine Morland, the 17-year-old heroine of Northanger Abbey all the more endearing. Catherine reads lots of gothic novels, and would like nothing better than to be trapped in a haunted house, discover that the local baronet is hiding his mad wife in an attic, find a mysterious orphan on her doorstep, uncover a wicked poisoning plot, etc. Sadly, no such dramatic events occur during her stay in Bath, but she does make friends with the Allens, the Thorpes, and the Tilneys, leading to a typical Austen comedy of manners with misunderstandings, deceptions, attachments, broken engagements, etc.
Catherine is a sweet former tomboy who still has a vivid imagination and a taste for adventure. She grows up over the course of her little adventure, making friends, figuring out that not everyone can be taken at face value, and that she shouldn't try to fit real people into the plots of gothic novels. Also, Austen has a lot of fun name-checking fellow authors, honoring some and making fun of others, and defending the novel as a legitimate work of art.
However, the ending was rushed and had none of the humor or wit of the first part, like Austen had a fun time writing about her overly-imaginative heroine and her adventures for the first part of the book, and then said, "Oh, well, I guess I'd better write the happy ending now." So all misunderstandings are cleared up and Catherine is suitably settled in the last chapter, mostly through a lot of exposition. So, an enjoyable but a lightweight book without the depth of some of Austen's other works.
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- Hannah
- 05-19-15
The best narrator for Jane Austen!
I love Juliette Stevenson's characterizations. She really brings each character to life for me. I could listen to her performances repeatedly and. It grow tired.
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1 person found this helpful
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- Gem State Family
- 11-17-20
A Must-Listen for Austen Fans
Juliet Stevenson is the perfect narrator for Jane Austen's works. She understands who the characters are, and gives each one the perfect voice to suit their unique personality. She did an incredible job bringing the story and characters in Northanger Abbey to life. I especially enjoyed her rendition of Isabella Thorpe! An exceptional, five-star performance in every way.
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- Rachel Kilgore
- 02-12-18
Perhaps Austen's most entertaining novel.
Entertaining and beautifully read, this story reminds us that every 17-year-old can be a heroine if she but reads her life rightly.
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- Alexander Rink
- 07-04-15
Brilliant narration!
Would you listen to Northanger Abbey again? Why?
There are too many great books to listen to books again. That said, if I were to listen to it again, it would be primarily for the brilliant work that Juliet Stevenson did in not only narrating the novel, but in giving life to the various characters in a very believable manner. She showed amazing range in her voice, from the naive, young Catherine to the worldly Henry to the self-absorbed and arrogant Thorpe, the imperious General Tilney, and others.
What other book might you compare Northanger Abbey to and why?
Any of the classic English period pieces.
Have you listened to any of Juliet Stevenson’s other performances before? How does this one compare?
I cannot recall offhand if I have listened to any of her other performances. I have listened to over 50 audio books and either her others did not make as much of an impression on me as her excellent work in this one or, more likely, I pay more attention to the narration now than I did in my earlier listens.
Was there a moment in the book that particularly moved you?
No particular moment, it's just a good story of the period. I do appreciate how Jane Austen attempted to convey through her characters the difference between having an aristocratic title or background, and having admirable character.
Any additional comments?
I cannot say enough about Juliet Stevenson's narration and voice acting in this one. I was so impressed with it that I will actually be seeking out other books that she has narrated. In terms of the book itself, it's a good novel but I did find that there was a section around the middle in which it seemed to devolve from the standard courtship story with insight into various kinds of characters and motives into a sort of Gothic light horror as Catherine explored Northanger Abbey. That part only lasted for a short time and did not play any lasting part in the novel, and seemed an odd digression from the main plot. Without any background in Austen on my part, it almost seemed like an experiment on her part in this genre that she placed in the middle of a novel to try it out.
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Overall
- Amer Haider
- 08-12-22
Fantastic narration.
Juliet Stevenson managed to capture just the right voice for each character. The variation in tone, pitch of every character, which also gave hints to their personalities was done to perfection by Stevenson.
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- Benjamin Orchard
- 06-11-18
Amusing early work of a budding talent
One of the earliest novels written by Jane Austen, this work was not published until after her death.
It is a lighthearted comedy of errors, in which Austen’s trademark wit is very much present, that plays with the established conventions of the gothic romance novel... if there’s one thing that makes it a bit less accessible than her other works it is that Austen makes reference to popular novels of the time that aren’t all that well known today. Still, these aren’t so prevalent that the main story is unintelligible and in the character of Catherine Morland, Austen has created a distinctive, endearingly flawed heroine.
Juliet Stevenson’s narration is calmly assured and she clearly relishes in delivering the snarky authorial asides to the reader.
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- Kindle Customer
- 01-30-24
Classic Austen, well read
Catherine is not Austen’s most compelling heroine, but the story is bouncy and fun, with a little edge of snark. Reading was excellent, and aiding in the development of characters and understanding of prose. Recommended.
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- ear4
- 05-16-24
This is the only Jane Austen book I hadn’t read
I enjoyed the story and the reader. I always find the language and the amount of detail in Austen’s writing to be quite delightful. There were some funny moments as well.
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- Sandra
- 03-30-14
the first anti-Goth
What did you love best about Northanger Abbey?
Very fun - Jane Austen writing about the sweetest fan of Gothic tales yet who is the perfect antiGothic heroine.
What other book might you compare Northanger Abbey to and why?
Northanger Abbey complements the oh-so-tragic tales of such figures as Heathcliffe and Kathy. However, it oh-so-not such a tale. Only Austen's narrative can make one chuckle at the difference.
Which character – as performed by Juliet Stevenson – was your favorite?
Stevenson's portrayals are easily understood, well formed, and never condescending.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Very fun novel. I enjoyed talking to friends about this book and hearing what they'd thought when they'd read it.
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