Shy, fragile Fanny Price is the consummate "poor relation". Sent to live with her wealthy uncle Thomas, she clashes with his spoiled, selfish daughters and falls in love with his son. Their lives are further complicated by the arrival of a pair of witty, sophisticated Londoners, whose flair for flirtation collides with the quiet, conservative country ways of Mansfield Park.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.

When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn.

Persuasion has certain similarities with Emma, another late novel by Jane Austen. In both stories, the heroine is a young woman who lives with her widowed father, and who has an enduring attachment to her eventual spouse from the opening of the action. Persuasion also incorporates certain elements common to Austen's earlier novels, such as characters from the military, visits to Bath and calculating and cynical suitors. In the end, Anne Elliot successfully combats the destructive vanity of her father and the machinations of her villainous cousin William.

When Charlotte Heywood accepts an invitation to visit the newly fashionable seaside resort of Sanditon, she is introduced to a full range of polite society, from reigning local dowager Lady Denham to her impoverished ward Clara, and from the handsome, feckless Sidney Parker to his amusing, if hypochondriac, sisters. A heroine whose clear-sighted common sense is often at war with romance, Charlotte cannot help observing around her both folly and passion in many guises. But can the levelheaded Charlotte herself resist the desires of the heart?

One of Jane Austen's most popular novels. Arrogant, self-willed, and egotistical, Emma is her most unusual heroine.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

First published in 1869, Little Women is the story of four sisters growing up against the background of the American Civil War. Alcott wrote the book at the urging of the publisher, Thomas Niles, who was seeking a story about girls that would have popular appeal. Although it was commenced essentially as a children's book, it developed into something of a bildungsroman, which touches on more serious issues such as the difficulties faced by single-parent families, the death of a sibling, and fractured relationships.