Pulitzer Prize-winning playwright Tennessee Williams is one of the three most important American dramatists of the 20th century, alongside Arthur Miller and Eugene O'Neill. Acclaimed for their lyrical language, dark themes and vivid portrayal of the American South, his works have spawned several Oscar-winning films and been translated and performed worldwide. Collected here are some of the best, beginning with the play that launched Williams' career: The Glass Menagerie.

Tom shares the cramped and claustrophobic tenement home with his overbearing mother, Amanda, and painfully shy sister, Laura. He works in a warehouse but dreams of becoming a poet, escaping his mundane life. Laura hides at home, lacking the confidence to engage meaningfully with the outside world, preferring instead to lose herself in her collection of fragile glass animals. Amanda sells magazine subscriptions over the phone and commits herself to finding a match for her daughter. One day, Tom succumbs to his mother's pressure and brings home a gentleman caller....

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

The Roman Spring of Mrs. Stone is vintage Tennessee Williams. It is the story of a 50-ish wealthy American widow who was most recently a famous stage beauty but is now drifting after the death of her husband. With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo.

From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, Making It So, a revealing portrait of an artist whose astonishing life—from his humble beginnings in Yorkshire, England, to the heights of Hollywood and worldwide acclaim—proves a story as exuberant, definitive, and enduring as the author himself.

Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed.

First published in 1988 - just four years after Capote's death - Clarke paints a vivid behind-the-scenes picture of the author's life, based on hundreds of hours of in-depth interviews with the man himself and the people close to him. From the glittering heights of notoriety and parties with the rich and famous to his later struggles with addiction, Capote emerges as a richly multidimensional person - both brilliant and flawed.

Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows.

Ever since Jessica Tandy glided onto the stage in Tennessee Williams’s A Streetcar Named Desire at the Ethel Barrymore Theatre in 1947, Blanche DuBois has fascinated generations of audiences worldwide and secured a place in the history of literature, theater, and film. One of Williams’s greatest creations, Blanche has bedazzled, amused, and broken the hearts of generations of audiences. Before the Covid pandemic, the stage classic was performed somewhere in the world every hour. It has been adapted into a ballet and an opera, and it was satirized in an episode of The Simpsons.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

This joint biography of Bette Davis and Joan Crawford follows Hollywood's most epic rivalry throughout their careers. They only worked together once, in the classic spine-chiller What Ever Happened to Baby Jane, and their violent hatred of each other as rival sisters was no act. In real life they fought over as many men as they did film roles.

In this candid and hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. He revisits his entire 60-year-long career as a writer and director, from his classics Annie Hall, Manhattan, and Hannah and Her Sisters to his most recent films, including Midnight in Paris. He discusses his marriages, romances, and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from.

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

When Ann Woodward shot her husband, banking heir Billy Woodward, in the middle of the night in 1955, her life changed forever. Though she claimed she thought he was a prowler, few believed the woman who had risen from charismatic showgirl to popular socialite. Everyone had something to say about the scorching scandal afflicting one of the most rich and famous families of New York City, but no one was more obsessed with the tale than Truman Capote.

In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. The result is The Extraordinary Life of an Ordinary Man—revelatory and introspective, personal and analytical, loving and tender in places, always complex and profound.

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

Pulitzer Prize-winning playwright Tennessee Williams is one of the three most important American dramatists of the 20th century, alongside Arthur Miller and Eugene O'Neill. Acclaimed for their lyrical language, dark themes and vivid portrayal of the American South, his works have spawned several Oscar-winning films and been translated and performed worldwide. Collected here are some of the best, beginning with the play that launched Williams' career: The Glass Menagerie.

At the core of the drama is Brick, an alcoholic son mourning the death of his friend, Skipper, and his strained marriage to Maggie. Maggie, resilient yet desperate for love, grapples with Brick's emotional withdrawal. The family is entrenched in mendacity, with each member harboring secrets, particularly about Big Daddy's terminal cancer.

Alma Winemiller is a shy, religious young woman who grew up pining for the boy next door, John Buchanan. He’s grown up to become a doctor with a penchant for sexual conquest, so when he returns to their Mississippi town to start a medical practice, their strange attraction sets them on a path of turmoil and heartbreak.

David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set.