Autumn, a mother-to-be, has an unsteady grip on the meaning of family. Her father abandoned her. She hasn’t seen her estranged mother in more than twelve years. And her marriage is crumbling. As Autumn struggles with painful memories of her childhood and fosters hopes for her own baby’s future, she must come to terms with the past to be the mother she and her child need her to be.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

Three generations of Palestinian-American women living in Brooklyn are torn between individual desire and the strict mores of Arab culture in this powerful debut - a heart-wrenching story of love, intrigue, courage, and betrayal that will resonate with women from all backgrounds, giving voice to the silenced and agency to the oppressed.

When Marilyn Kleinman is caught making out with the rabbi’s son in front of the whole congregation, her parents ship her off to her great-aunt Ada for the summer. If anyone can save their daughter’s reputation, it’s Philadelphia’s strict premier matchmaker. Either that or Marilyn can kiss college goodbye. To Marilyn’s surprise, Ada’s not the humorless septuagenarian her mother described. Not with that platinum-blonde hair, Hermès scarf, and Cadillac convertible. She’s sharp, straight-talking, takes her job very seriously, and abides by her own rules…mostly.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

It is 1947, and Beit Daras, a quiet village in Palestine surrounded by olive groves, is home to the Baraka family. Eldest daughter Nazmiyeh looks after her widowed mother, prone to wandering and strange outbursts, while her brother, Mamdouh, tends to the village bees. Their younger sister, Mariam, with her striking mismatched eyes, spends her days talking to imaginary friends and writing.

As Nahr sits, locked away in solitary confinement, she spends her days reflecting on the dramatic events that landed her in prison in a country she barely knows. Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she’s forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been.

There is a voice of longing inside each woman. We strive so mightily to be good: good partners, daughters, mothers, employees, and friends. We hope all this striving will make us feel alive. Instead, it leaves us feeling weary, stuck, overwhelmed, and underwhelmed. We look at our lives and wonder: Wasn’t it all supposed to be more beautiful than this? We quickly silence that question, telling ourselves to be grateful, hiding our discontent—even from ourselves.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father.

1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright. Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC’s elite wealthy Black families, and his par­ents don’t let just anyone into their fold.

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all.

When sixty-five-year-old Bindu Desai inherits a million dollars, she’s astounded—and horrified. The windfall threatens to expose a shameful mistake from her youth. On an impulse, Bindu quickly spends it on something unexpected: a condo in a posh retirement community in Florida. The impulsive decision blindsides Bindu’s daughter-in-law, Aly. At forty-seven, Aly still shares a home with Bindu even after her divorce from Bindu’s son. But maybe this change is just the push Aly needs to fight for her own dreams.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

With the epic sweep of Min Jin Lee's Pachinko and Yaa Gyasi's Homegoing and the lyrical beauty of Vaddey Ratner's In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North.

Bombay, 1921: Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's law firm, becoming one of the first female lawyers in India. Armed with a law degree from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's legal rights. Mistry Law has been appointed to execute the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen is going through the paperwork, she notices something strange.

Autumn, a mother-to-be, has an unsteady grip on the meaning of family. Her father abandoned her. She hasn’t seen her estranged mother in more than twelve years. And her marriage is crumbling. As Autumn struggles with painful memories of her childhood and fosters hopes for her own baby’s future, she must come to terms with the past to be the mother she and her child need her to be.

always wondered, How does she do it? Defying gravity is no easy trick. Neither is motherhood. Now that her mother is leaving New York for bigger skies in New Mexico, it’s a new stage in life for both of them in an ever-evolving relationship that reveals the true magic of being a mother.

One year after her mother’s death, a woman prepares to celebrate her fortieth birthday. Digging through a trunk in the attic, looking for keepsakes for the occasion, she discovers photographs that call into question everything she believed about her life. The truth is a different story—one of a little girl in danger, a lie, and a mother’s love so fierce it led her to do the unimaginable.

Marie Vachon experiences firsthand the devastation of the German invasion when she takes in a Jewish refugee named Josiane. A loving, if temporary, home for the displaced child. A second chance at motherhood for Marie. After three years, an inseparable bond is created. It’s one that leads Marie and Josiane to an inevitable but surprising reckoning that calls into question what motherhood means—and where it ends.

Poppy Turner has spent more than a decade teaching children grammar and arithmetic. Suddenly her days are steeped in fears that reach well beyond a classroom filled with air-raid drills and anxious young faces. As a mother-to-be, she worries about bringing a child into a time of such turmoil. To find stability, she will have to decide if she’s willing to look more closely at her own past.