Masterfully blending elements of psychological suspense and true crime, Jessica Knoll—bestselling author of Luckiest Girl Alive and the writer behind the Netflix adaptation starring Mila Kunis—delivers an “unflinching and evocative” (Laura Dave, New York Times bestselling author) thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including a sorority president and key witness, Pamela Schumacher, are forever changed.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

On Harlow Street, the well-to-do neighborhood couples and their children gather for a catered barbecue as the summer winds down; drinks continue late into the night. Everything is fabulous until the picture-perfect hostess explodes in fury because her son disobeys her. Everyone at the party hears her exquisite veneer crack—loud and clear. Before long, that same young boy falls from his bedside window in the middle of the night. And then, his mother can only sit by her son’s hospital bed, where she refuses to speak to anyone, and his life hangs in the balance.

Aidan Thomas is a hard-working family man and a somewhat beloved figure in the small upstate New York town where he lives. He’s the kind of man who always lends a hand and has a good word for everyone. But Aidan has a dark secret he’s been keeping from everyone in town and those closest to him. He’s a kidnapper and serial killer. Aidan has murdered eight women and there’s a ninth he has earmarked for death: Rachel, imprisoned in a backyard shed, fearing for her life.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

No one knows Margo’s real name. Her colleagues and patrons at a small-town public library only know her middle-aged normalcy, congeniality, and charm. They have no reason to suspect that she is, in fact, a former nurse with a trail of countless premature deaths in her wake. She has turned a new page, so to speak, and the library is her sanctuary, a place to quell old urges.

Twenty-two-year-old Olivia has been missing for one day…and counting. She was last seen on CCTV, entering a dead-end alley. And not coming back out again. Julia, the detective heading up the search for Olivia, thinks she knows what to expect. A desperate family, a ticking clock, and long hours away from her husband and daughter. But she has no idea just how close to home this case is going to get.

One year ago, Lucy’s sister, Nicki, left to meet friends at a pub in Dublin and never came home. The third Irish woman to vanish inexplicably in as many years, the agony of not knowing what happened that night has turned Lucy’s life into a waking nightmare. So, she’s going to take matters into her own hands. Angela works as a paper-pusher in the Missing Persons Unit, but wants nothing more than to be a fully fledged member of An Garda Síochána, the Irish police force. With the investigation into the missing women stalled, she begins pulling on a thread that could break the case wide open.

Catherine Sterling thinks she knows her mother. Ruth Sterling is quiet, hardworking, and lives for her daughter. All her life, it's been just the two of them against the world. But now, Catherine is ready to spread her wings, move from home, and begin a new career. And Ruth Sterling will do anything to prevent that from happening.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.

Owen Mann is charming, privileged, and chronically dissatisfied. Luna Grey is secretive, cautious, and pragmatic. Despite their differences, they form a bond the moment they meet in college. Their names soon become indivisible—Owen and Luna, Luna and Owen—and stay that way even after an unexplained death rocks their social circle.

For Katie True, a keen gut and quick wit are just tools of the trade. After a failed attempt at adulting in Chicago, she’s back in the suburbs living a bit too close to her overbearing parents, jumping from one dead-end job to the next, and flipping through her tarot deck for guidance. Then along comes Marley. Katie thinks that with their friendship, she just might make it through this rough patch after all. Until the day when Katie, encouraged by Marley to practice soothsaying, reads the cards for someone who stumbles into her shop—and finds more than intel for her clairvoyance.

An ode to Black girlhood and adolescence as seen through KB's eyes, What the Fireflies Knew follows KB after her father dies of an overdose and the debts incurred from his addiction cause the loss of the family home in Detroit. Soon thereafter, KB and her teenage sister, Nia, are sent by their overwhelmed mother to live with their estranged grandfather in Lansing, Michigan. Over the course of a single sweltering summer, KB attempts to navigate a world that has turned upside down.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

For fans of The Rose Code and The Paris Library, The Librarian of Burned Books is a captivating WWII-era novel about the intertwined fates of three women who believe in the power of books to triumph over the very darkest moments of war.

Though they look like any other family, they aren’t one—not quite. They are three sets of parents who find themselves intertwined after adopting four biological siblings, having committed to keeping the children as connected as possible. At the heart of the family, the adoptive mothers grapple to define themselves and their new roles. Tabitha, who adopted the twins, crowns herself planner of the group, responsible for endless playdates and holidays, determined to create a perfect happy family.

Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers.

It’s been a minute—or five years—since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation from Berkeley when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they’ve reunited in Big Sur to honor a decades-old pact to throw each other living “funerals,” celebrations to remind themselves that life is worth living.

Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic.

Big Little Lies meets The Witches of Eastwick—a gloriously entertaining and knife-sharp revenge fantasy about three women whose midlife crisis brings unexpected new powers—putting them on a collision course with the evil that lurks in their wealthy beach town.

Nearly ten years ago, five Ohio university students were murdered in an off-campus Victorian home. The media dubbed it the Midnight House Massacre. Ever since, survivor and novelist Margot Davis has wanted to forget it, and never again utter the killer’s name. Until she’s compelled to write her side of the story. To do that, she’s returning to Midnight House.

When Ann Tran gets the call that her fiercely beloved grandmother, Minh, has passed away, her life is already at a crossroads. In the years since she’s last seen Minh, Ann has built a seemingly perfect life—a beautiful lake house, a charming professor boyfriend, and invites to elegant parties that bubble over with champagne and good taste—but it all crumbles with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Huơng.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.

This is how Bernie, a film photographer, meets Leah, a writer, and from opposite sides of a thin bedroom wall in West Philadelphia, the two become closer than they ever could have imagined. When Leah volunteers to accompany Bernie on a road trip to settle a complicated inheritance, what ensues is an unexpected journey into the heart of America as the duo try to make sense of the times they are living in—falling in love with each other and rediscovering the power of making art along the way.

Summer and Leo would do anything for each other. Inspired by the way each has had to carve her place in a hostile and unforgiving world, and united by the call of the open road, they travel around sunny California in Summer’s tricked-out Land Cruiser. It’s not a glamorous life, but it gives them the freedom they crave from the painful pasts they’ve left behind. But even free spirits have bills to pay. Luckily, Summer is a skilled pickpocket, a small-time thief, and a con artist—and Leo, determined to pay her own way, has learned a trick or two.